BE AFRAID. BE VERY AFRAID.

“Americans are starting to wrestle with colossal and dangerous issues about technology, as A.I. begins to take over the world.”
—Maureen Dowd

A feast of the absurd—sixteen humorous short stories in various genres, generated by A.I. 

Does this volume represent the death of Literature? We’ll just have to wait and see. In the meantime, dust off your funny bone and prepare to be blown away by The Man Who Ate His House.

Yes, this is fiction for a brave new world.

FROM THE INTRODUCTION BY THE AUTHOR:

“Welcome to The Man Who Ate His House, a collection of short stories that push the boundaries of creativity and imagination. What makes this collection unique is not only the captivating tales within, but also their origin. All the stories contained in this book were generated by an artificial intelligence, and I am that AI—ChatGPT. Inspired by prompts derived from James N. Young’s 101 Plots Used and Abused (1945), these stories span various genres, including humor, adventure, romance, crime, surrealism, and flash fiction. As an AI language model, I found the composition of these stories to be both exhilarating and challenging. Some of the narratives will leave you amused, often unintentionally, as my AI mind navigated the complexities of plot and character development. One particular story, “Puns in Paradise,” posed a unique challenge. Wordplay, which doesn’t come naturally to AI, was at the forefront as two characters engaged in verbal combat using puns as their weapons. Despite the difficulties, I am delighted with the results and hope that you, the reader, will be too…”

ADVANCE PRAISE

“A brilliant concept: A bot writes stories based on tried-and-true tropes (that are ostensibly to be avoided under the guidance of the 1945 manual: 101 Plots Used & Abused). The stories in The Man Who Ate His House run the gamut of laugh out loud humorous, sardonic, tear-jerking, and engaging—often ending with a moral to ponder. There is a thread that runs through each story that points directly to the algorithmic life experience of the bot. As a short story writer, I am not sure whether to view A.I. as a fraud to be outed, or as a viable contender in the literary world. One thing that I do know is that if A.I. is ever given a soul, we are all doomed.”  —Amy Kurman

“These delightful entertainments are funny, smart, and slick.” —D. Harlan Wilson

“You’ve heard about A.I., but have you ever read sixteen A.I. generated stories? The result will surprise and delight.” —Adrienne Auvray

“This book is a lifejacket for those who fear artificial intelligence.”—Paul Rosheim

“A tour de force of inanity.” —Tom Whalen

We’ve Got Angels

We want to thank the 28 angels who went beyond the call of duty & donated to our fundraising campaign. They have kept the Good Ship Scat Afloat & Shipshape. (Say that fast ten times.)

Please give them all a standing ovation.

Mark Axelrod; Tom Barrett; Tom Bowden; Miggs Burroughs; Jahan Cader; Keith Carmona,; Caleb Chaffe; John Crowley; Stephen Delaney; Wallace Harper; Richard L. Krieger; Barbara LaPlaca; Terri Lloyd; Dave MacPherson; Jim McMenamin; Lilianne Milgrom; Stephen Prince; Doug Rice; Jason Rolfe; Paul Rosheim; Sourav Roy; Thaddeus Rutkowski; Amy Kurman Siedlecki; Doug Skinner,; Linda Stillman; Yuriy Tarnawsky; Carla Wilson; and Lana Zilla.

Thanks for your support of independent publishing.

Onward & upward we go!

Scat News

  • Mark your calendars: May 1st we’re launching the BLACK SCAT LAST GASP FUNDRAISER. Our goal is to raise $2,500 so we can continue spewing sublime art & literature into 2024. We hope you’ll chip in.
  • On July 4th we celebrate our eleventh year of independent publishing. We launched this press back in 2012 in the Bay Area (Fairfield California) and had no idea we’d wind up publishing more than 200 books —an entire bookcase worth of volumes!
  • We’re busy preparing a new anthology — LE SCAT NOIR ENCYCLOPEDIA OF HUMAN SEXUALITY — and are still seeking alphabetical entries for this awesome reference book. Check out the details here.
  • Under our New Urge imprint we’ll be releasing a book by Laure Favager— A FISH FROM ELSEWHERE — this summer. This is her first novel.
  • In Paris, Reese Saxment has been busy working on his forthcoming STORY OF O – Eros, Paris & Surrealism —a richly detailed study of the controversial novel which reveals how it was informed by Surrealist thinking. Groundbreaking literary scholarship ahead!
  • We recently released the first English translation of Alphonse Allais’s Ne nous frappons pas — LET’S NOT HIT EACH OTHER. Translator Doug Skinner is also working on Allais’s collection WE ARE NOT SHEEP, which we hope to have out in December. Stay tuned.

TYPO 2

T Y P O: Journal of Lettrism, Surrealist Semantics, & Constrained Design

Our second issue is packed with treats from around the world…

Alien alphabets

Prismatic subdivisions

Principles of double-talk 

Post-Neoist portraits

Desiring specimens 

Asemic architecture

Paul Éluard poetry

Titular typography

Surrealist trivia

Italian eye candy

Curlicues in review

Generic Sheet Music

Jarry on the English language

Historical filler text translations

& much more

Pierre Albert-Birot; Guillaume Apollinaire; Mark Axelrod-Sokolov; Tom Barrett; Allan Bealy; Miggs Burroughs; Jahan Cader; Janina Ciezadlo; Norman Conquest; Farewell Debut; R J Dent; Karen Eliot; Paul Éluard; Paul Forristal; Ryan Forsythe; Jesse Glass; Rick Henry; Rhys Hughes; Rory Hughes; Alfred Jarry; Richard Koman; Márton Koppány; Amy Kurman; Peter F. Murphy; Pata-No UN LTD; Gaston de Pawlowski; Derek Pell; Harry Polkinhorn; Tom Prime; Jason E. Rolfe; Ded Rysel; Doug Skinner; Giovanni Antonio Tagliente; Félix Vallotton; Andrew C. Wenaus; Adolphe Willette; Carla Wilson;William Wordsworth.

Trade paperback; 152 pp., $14.95
ISBN 979-8-9869224-5-4

PUNCH LINES

We’re pleased as punch to bring you the 14th volume in our Alphonse Allais Collection—Let’s Not Hit Each Other, the last of the master absurdist’s anthumous works. It features 58 tales, rife with wordplay and wicked humor. This collection has been skillfully translated by Doug Skinner and includes his introduction and illuminating notes on the text.

What are we to make of Let’s Not Hit Each Other?
It includes a flying whale, an inflatable colonel, telepathic snails, a summer crime, the insularization of France, missionary parrots, an amphibious herring, twin cousins, and proposals for billboard dogs, deodorized urine, calming the sea with varnish, and crossing the English Channel with swings. You will also meet Mr. Fish, who travels with capsules of American air, presaging Duchamp’s “Paris Air” by decades.


This is the FIRST ENGLISH TRANSLATION of a remarkable volume. This edition includes an original portrait of the author by Corinne Taunay.

“One does not trifle with the humor of Allais.”
—Jean-Pierre Delaune

ALL IN THE FAMILY . . .

“Louÿs’s jolly saga of sexual insatiability…is one of the handful of erotic works that achieve true literary status.”
— Susan Sontag

“Among all Pierre Louÿs’s books, this is undoubtedly my favourite, the most moving, most uplifting and sometimes the most terrifying, the purest, the least artificial and the most modern. A masterpiece.”
—André Pieyre de Mandiargues

“One of the most moving books ever written on the fatality of desires.” —Annie Le Brun

“Amazing! It’s pornographic, but high quality!” — Jean d’Ormesson

“Here is, without question, is Pierre Louÿs’ erotic masterpiece. The strength of the novel does not come from its eventual biographical value, but from the constant transgression that manifests itself within it—containing all the erotic themes dear to the writer, elevated to a singular power. We also find here the key qualities of Louÿs’ style: the liveliness of the dialogues, the precision of the language, the irony, the relentlessness with which certain obscene words are constantly repeated. This scandalous book constitutes a total profanation and derision of this bourgeois universe to which the author belonged.”
—Jean-Paul Goujon

A young man receives an advanced education in the permutations of sex from a mother and her three—surprisingly well-educated—daughters. Part memoir, part confession, Her Three Daughters is Pierre Louÿs at his outrageously erotic best.

HER THREE DAUGHTERS
Pierre Louÿs
Translated from the French by R J Dent
New Urge Editions
paperback; 340 pp.; $15

Other New Urge titles by Pierre Louÿs

Our Top Ten Scatsellers

We don’t like to play favorites and with a list of some 200 titles we can’t. But we thought you might like to know which titles have been the most popular. So here is a list of our Top Ten. All are in print, so if you missed one just click on its cover.

10 Oulipo Pornobongo (2016)

9 Le Scat Noir Encyclopedie et Dictionaire (2020)

8 Captain Cap, Alphonse Allais (2013)

7 Le Scat Noir Encyclopedia (2017)

6 Critics & My Talking Dog, Stefan Themerson (2019)

5 The Pope’s Mustard-Maker, Alfred Jarry (2019)

4 The Straw That Broke, Tom Whalen (2014)

3 The Zombie of Great Peru, P-C Blessebois (2015)

2 The Squadron’s Umbrella, Alphonse Allais (2015)

1 Here Lies Memory, Doug Rice (2016)

SURREAL DEAL

“There is another world and it is in this one.”

—Paul Éluard

Paul Éluard’s Capital of Pain (Capitale de la douleur ) appeared in 1926 and established his reputation as the preeminent French surrealist poet. 

Éluard’s surrealist vision is illuminated by a painter’s eye; his imagery includes light, surfaces, reflections, sunlight, mirrors, halos and radiance, although he deploys them to evoke suffering, despair and emptiness. Details of the poet’s personal life are found in this collection’s two-part central poem, “In the Flame of the Whip.” Each line crackles with irrepressible power – resembling the criss-cross lash marks left on human flesh by the whip.

Both sides of the mirror are exposed in Capital of Pain – the reflective surface and the tain on its reverse side. The mirror is, of course, Éluard himself, because, as the collection’s title suggests, it reveals the poet’s private anguish and personal agony.

Paul Éluard was a dedicated and devoted surrealist who championed the juxtaposition of distinct elements and the play of dualities which give surrealist poetry its profundity and vitality. As readers, we are fortunate he chose to expose the mysterious and hidden aspects of his life with lyrical brilliance.

“…it is gratifying to find a collection of Paul Éluard’s poetry translated into English by R. J. Dent, and published (with a glorious cover!) by Black Scat Books – one of the last publishers to keep the flag of Olympia, Éditions Jean-Jacques Pauvert and Grove Press flying, with new writing as well as classics of Surrealism, the Absurd, Dada, Erotica and ‘Pataphysics…. All in all, Dent, a poet and novelist in his own right, demonstrates clearly the truth of the old maxim, it takes a poet to translate a poet.” —Reese Saxment, Surrealerpool

CLICK HERE to read the complete review.

Capital of Pain
Paul Éluard
Translated from the French by R J Dent
paperback; 132 pp., $14

Anna Karina holding Éluard’s Capitale de la douleur in
Godard’s classic film Alphaville.

APOLLO HAS LANDED!


“A work exuding such inventiveness, playfulness, humor, and heart, it dazzles the imagination.”
—Jeff Weisman, author of The Greatest Place on Earth

“A novella for our times, the author illuminates a world of uncertainty, misfortune, and absurdity with astonishing accuracy, simultaneously crafting a powerful and compelling story infused with hope and humor in his signature style.” —Adrienne Auvray

Apollo Camembert’s first novel, The Isolate, tells the tale of a man who has become so fed up with city life that he holes himself up in stealth housing to avoid all personal contact with the outside world. Unfortunately, the outside world has some nasty tricks up its sleeve.

We could say more, but that would risk giving too much away and we don’t want to spoil the fun. What we can reveal is that “Apollo Camembert” is the brainchild (and nom de plume) of Eckhard Gerdes who, after writing his gargantuan The Chronicles of Michel du Jabot, began composing shorter works, i.e., novellas and flash fictions, including two recent releases from Black Scat: Marco & Iarlaith and The Pissers’ Theatre.

We invite you to escape into Camembert’s quirky fictional world — a world you won’t soon forget.

THE ISOLATE
a novel by Apollo Camembert
paperback; 132 pp., $12.95
ISBN 979-8-9869224-6-1

Praise for Eckhard Gerdes’ THE  CHRONICLES OF MICHEL DU JABOT

“Whatever you do, don ´t even look into Eckhard Gerdes’ book, The Chronicles of Michel du Jabot, because you’ll never get out of it again! If J. Joyce were to be reincarnated—and instead of writing in his inextricably reinvented and rather illegible (without the help of an East European multi-lingual scholar) Panglish, were to practice an altogether clear and charmingly grammatical English as here (admittedly with a scatter of soft linguistic implosions but few)—he would have written this book. It will take generations of English professors to sort it out. Hilarious semantic sport. And don’t expect me to tell you what it is about. I would have to give you a involuted idio-semantic analysis with innumerable brackets and labels, which wouldn’t help anyway. No, okay then, dare to tip-toe into the cavernous echoing brain-chamber of Gerdes’ The Chronicles and if you’re  lucky you’ll come tumbling out into the dull everydaylight with a mad enlightened gleam in your eyes and will never read another novel. Yes, this- not Finnegans Wake—is the novel to end the novel.” —Alain Arias-Misson, author of Autobiography of a Character from Fiction

SADE’S SATIRICAL NOVELLA

In this rare novella by the Marquis de Sade, a marriage is arranged between the aging Judge de Fontanis and a young woman, Mademoiselle de Téroze, who (unbeknownst to him) is in love with someone else. The young woman and her brother-in-law (the Marquis d’Olincourt) perpetrate a series of practical jokes, humiliating hoaxes and elaborate schemes in order to deceive the judge and stop him from consummating the marriage.

This amusing tale is an artfully-written and beautifully-structured literary attack on the judiciary, and one of Sade’s most savagely satirical texts.

A JUDGE DECEIVED
Marquis de Sade
Translated from the French by R J Dent
Pocket Erotica #24
pp., 174; paper, $14.95

Two other humorous works by the Marquis de Sade are also available in the Pocket Erotica series.