LADIES FIRST…

“…In Behn’s novels, women too can embrace the previously masculinized pleasures of power. In The Fair Jilt, the heroine Miranda pursues the most extreme forms of libertinism as she seduces a series of men, twice attempts to have murdered the sister who inconveniently limits her financial power, and demonstrates the conflation of sexual and religious subversion typical of both French and English Restoration libertinism as she tries to rape a priest.” —Tiffany Potter, Genre and Cultural Disruption: Libertinism and the Early English Novel


Aphra Behn (1640 – 1689) was an English playwright, poet, translator and fiction writer from the Restoration era. The Fair Jilt is the first English novel ever written by a woman. A trailblazer, Behn broke cultural barriers and served as a literary role model for later generations of women authors. This edition is a must-have literary classic.

The Fair Jilt:
The Amours of Prince Tarquin & Miranda
Aphra Behn
New Urge Editions
paper; 100 pp., $12.95
ISBN: 979-8565118872

The Saucer Has Landed!

In honor of Donald Trump‘s historic election loss we’re bringing back an out-of-print classic from our Absurdist Texts & Documents series:

The thirteen poems penned by screenwriter/director Ed Wood during his lifetime will not to be found in the Ed Wood, Jr. Collection at Cornell University. Cornell is home to the original draft of Wood’s screenplay  “Grave Robbers from Outer Space” (released in 1959 as “Plan 9 from Outer Space”), as well as his rare novels  Killer in Drag (1965), Death of a Transvestite  (1967), and others. There is not, however, a single shred of Wood’s poetry. The only evidence that “the world’s worst filmmaker” was also a poet of equivalent talent are several dozen rejection letters, including one from The New Yorker for a poem entitled “shreik” [sic].

According to Wood’s second (?) wife, the poet renounced his efforts as “pure crap” in 1968, and buried these thirteen unpublished works at the La Brea Tar Pits in California. A few days later, she attempted to retrieve the pages, but they had vanished from their unmarked grave. Wood subsequently coined the term “poesy-snatchers” to explain what had happened to his missing body of work.

Nearly 30 years later the poems were discovered inside an abandoned flying saucer that landed in Lodi, New Jersey. In 1996, the poems were published privately in a limited edition by a small press in Coronado, California under the title Selected Poems — despite the fact that the book represents Wood’s total poetic output.

Black Scat is proud to bring these lost odes back from the dead in a glowing, unexpurgated chapbook. We have erred on the side of caution and retained the original title for—who knows?—perhaps the bard will revisit our planet and dump some more gems.

Wanton Words, Ribald Rhymes, & Naughty Lyrics

AWAY with silks, away with lawn,
I’ll have no scenes or curtains drawn;
Give me my mistress as she is,
Dress’d in her nak’d simplicities:
For as my heart e’en so mine eye
Is won with flesh, not drapery.
—Robert Herrick

A lusty anthology featuring titillating odes by an array of libertine poets of the XVII and XVIII centuries (Robert  Herrick, John Donne, William Congreve, Thomas Campion, et al.)  The works include gentle celebrations of the female sex; witty & whimsical whispers designed to seduce; and urgent pleas of—in the words of André Breton—L’amour fou. In this surreal realm of ribald eros, Virginity is a lost cause and Sexual Pleasure reigns supreme.

Our edition is profusely illustrated —from maidenhead to toe!—with works by more than a dozen artists, including Édouard-Henri Avril, Vivant Denon, Amandine Doré, and Thomas Rowlandson. As volume 8 in the popular Pocket Erotica series, POEMS OF LUST & DESIRE makes a delicious stocking-stuffer for all the libertines on your holiday list.

illustration by André Collot

POEMS OF LUST & DESIRE
by Libertine Poets of the XVII and XVIII Centuries
Pocket Erotica  [№ 8 ]
Illustrated; 110 pp., $12
ISBN 978-1-7356159-8-1

LOOK OUT MAMA, IT’S DEBAUCH-O-RAMA!

“A harsh, hilarious, scurrilous, and scatological satire.”
—Ed Simon, JSTOR Daily

Poet John Wilmot, 2nd Earl of Rochester, was considered one of the greatest English satirists — a nimble wit and scribbler of sublime wordplay, parodies & pornographic puns.

Hailed by Graham Greene and Ezra Pound, Wilmot is perhaps best known for his outrageous libertine satires, including this wickedly funny Restoration drama.

Originally titled The Farce of Sodom, or the Quintessence of Debauchery, DEBAUCH-O-RAMA is an absurdist “closet drama” – written to be read aloud and not performed.  It consists of five acts in raunchy rhyming couplets and a madcap cast of characters:

CAST

  • Bolloxinion – King of Sodom
  • Cuntigratia – his Queen
  • Pricket – young Prince
  • Swivia – Princess
  • Buggeranthos – General of the Army
  • Pockenello – Prince and favourite of the King
  • Borastus – Buggermaster-General
  • Pene & Tooly – Pimps of Honour
  • Officina – Maid of Honour
  • Fuckadilla – Maid of Honour
  • Cunticulla – Maid of Honour
  • Clytoris – Maid of Honour
  • Flux – Physician to the King
  • Vertuso – Dildo- and Merkin-Maker for the Court

Let the curtain rise and the laughter begin!

DEBAUCH-O-RAMA
A Restoration Closet Drama
by John Wilmot, 2nd Earl of Rochester
Pocket Erotica  [№ 11 ]
65 pp.; paper, perfect bound; 4 x 6 inches; $10
ISBN 978-1-7357646-2-7