LE SCAT NOIR #228 HAS ARRIVED!

September 30, 2017

As you might imagine, putting out a monthly journal such as LSN requires many man-hours (that may sound sexist but the alternative sounds like crap), i.e., hours of intense labor, stress, irritation, befuddlement, blood, sweat, and farts. September’s “Cryptlipo” issue marked our eleventh month as “the only free journal of its kind in America.” Now, with number 228 heralding a year of digital thrills, LSN becomes “the only journal of its kind in America.” That still says a lot.

Alas, in order to continue publishing we were forced to stamp a small price on our cover, but we believe you’ll find this issue more than worth the cost of admission. Why, just take a look at all the whiz-bang you get for your buck: stories by Alphonse Allais, Paulo Brito, Eckhard Gerdes, Boris Glikman, Jason E. Rolfe, David Macpherson; poetry by Jeff Begato and Paul Rosheim; sublime translations by Mercie Pedro e Silva and Doug Skinner; incomparable art and photography by Farewell Debut, Jim McMenamin, Quixote, and Gail Schneider; original sheet music by Doug Skinner; a mini-feature film by Terri Lloyd; and a special supplement by Norman Conquest. Plus the features you’ve come to rely on: News in a Nutshell, Musical Instruments, Simple Acts of Sabotage, Madame’s Wicked Pack of Cards, and Trump’s Tweetstorm.

Dig in: http://blackscatbooks.net/le-scat-noir.html

GET CURIOUS!

September 26, 2017

“…Wilson invites us into an awareness of the blurred line between reality and fiction rooted, I believe, in Wilson’s early formative experiences in moving into and out of that dark room, the movie theatre, in and out of dream and reality until they began to merge in her imagination. It is this dialectic — realized in dialogue — that interests this very talented author.”

—from the introduction by James R. Hugunin

American Book Review hailed Carla M. Wilson‘s first book, IMPOSSIBLE CONVERSATIONS, as “profound.” Now her focus turns to film in this dazzling new fiction collection: CURIOUS IMPOSSIBILITIES. Taking her cue from French New Wave films of the 1960s, Film Noir, and classics from the ‘70s and ‘80s, Wilson constructs a series of homages to ten visionary directors: Fellini, Tarkovsky, Duras, Robbe-Grillet, Godard, Marker, Truffaut, Bergman, Welles, and Ershadi. Her “cinematic riffs” offer creative interpretations of their iconic films that broke stylistic boundaries using non-traditional techniques.