Month: February 2023

ALL IN THE FAMILY . . .

“Louÿs’s jolly saga of sexual insatiability…is one of the handful of erotic works that achieve true literary status.”
— Susan Sontag

“Among all Pierre Louÿs’s books, this is undoubtedly my favourite, the most moving, most uplifting and sometimes the most terrifying, the purest, the least artificial and the most modern. A masterpiece.”
—André Pieyre de Mandiargues

“One of the most moving books ever written on the fatality of desires.” —Annie Le Brun

“Amazing! It’s pornographic, but high quality!” — Jean d’Ormesson

“Here is, without question, is Pierre Louÿs’ erotic masterpiece. The strength of the novel does not come from its eventual biographical value, but from the constant transgression that manifests itself within it—containing all the erotic themes dear to the writer, elevated to a singular power. We also find here the key qualities of Louÿs’ style: the liveliness of the dialogues, the precision of the language, the irony, the relentlessness with which certain obscene words are constantly repeated. This scandalous book constitutes a total profanation and derision of this bourgeois universe to which the author belonged.”
—Jean-Paul Goujon

A young man receives an advanced education in the permutations of sex from a mother and her three—surprisingly well-educated—daughters. Part memoir, part confession, Her Three Daughters is Pierre Louÿs at his outrageously erotic best.

HER THREE DAUGHTERS
Pierre Louÿs
Translated from the French by R J Dent
New Urge Editions
paperback; 340 pp.; $15

Other New Urge titles by Pierre Louÿs

Our Top Ten Scatsellers

We don’t like to play favorites and with a list of some 200 titles we can’t. But we thought you might like to know which titles have been the most popular. So here is a list of our Top Ten. All are in print, so if you missed one just click on its cover.

10 Oulipo Pornobongo (2016)

9 Le Scat Noir Encyclopedie et Dictionaire (2020)

8 Captain Cap, Alphonse Allais (2013)

7 Le Scat Noir Encyclopedia (2017)

6 Critics & My Talking Dog, Stefan Themerson (2019)

5 The Pope’s Mustard-Maker, Alfred Jarry (2019)

4 The Straw That Broke, Tom Whalen (2014)

3 The Zombie of Great Peru, P-C Blessebois (2015)

2 The Squadron’s Umbrella, Alphonse Allais (2015)

1 Here Lies Memory, Doug Rice (2016)

SURREAL DEAL

“There is another world and it is in this one.”

—Paul Éluard

Paul Éluard’s Capital of Pain (Capitale de la douleur ) appeared in 1926 and established his reputation as the preeminent French surrealist poet. 

Éluard’s surrealist vision is illuminated by a painter’s eye; his imagery includes light, surfaces, reflections, sunlight, mirrors, halos and radiance, although he deploys them to evoke suffering, despair and emptiness. Details of the poet’s personal life are found in this collection’s two-part central poem, “In the Flame of the Whip.” Each line crackles with irrepressible power – resembling the criss-cross lash marks left on human flesh by the whip.

Both sides of the mirror are exposed in Capital of Pain – the reflective surface and the tain on its reverse side. The mirror is, of course, Éluard himself, because, as the collection’s title suggests, it reveals the poet’s private anguish and personal agony.

Paul Éluard was a dedicated and devoted surrealist who championed the juxtaposition of distinct elements and the play of dualities which give surrealist poetry its profundity and vitality. As readers, we are fortunate he chose to expose the mysterious and hidden aspects of his life with lyrical brilliance.

“…it is gratifying to find a collection of Paul Éluard’s poetry translated into English by R. J. Dent, and published (with a glorious cover!) by Black Scat Books – one of the last publishers to keep the flag of Olympia, Éditions Jean-Jacques Pauvert and Grove Press flying, with new writing as well as classics of Surrealism, the Absurd, Dada, Erotica and ‘Pataphysics…. All in all, Dent, a poet and novelist in his own right, demonstrates clearly the truth of the old maxim, it takes a poet to translate a poet.” —Reese Saxment, Surrealerpool

CLICK HERE to read the complete review.

Capital of Pain
Paul Éluard
Translated from the French by R J Dent
paperback; 132 pp., $14

Anna Karina holding Éluard’s Capitale de la douleur in
Godard’s classic film Alphaville.

APOLLO HAS LANDED!


“A work exuding such inventiveness, playfulness, humor, and heart, it dazzles the imagination.”
—Jeff Weisman, author of The Greatest Place on Earth

“A novella for our times, the author illuminates a world of uncertainty, misfortune, and absurdity with astonishing accuracy, simultaneously crafting a powerful and compelling story infused with hope and humor in his signature style.” —Adrienne Auvray

Apollo Camembert’s first novel, The Isolate, tells the tale of a man who has become so fed up with city life that he holes himself up in stealth housing to avoid all personal contact with the outside world. Unfortunately, the outside world has some nasty tricks up its sleeve.

We could say more, but that would risk giving too much away and we don’t want to spoil the fun. What we can reveal is that “Apollo Camembert” is the brainchild (and nom de plume) of Eckhard Gerdes who, after writing his gargantuan The Chronicles of Michel du Jabot, began composing shorter works, i.e., novellas and flash fictions, including two recent releases from Black Scat: Marco & Iarlaith and The Pissers’ Theatre.

We invite you to escape into Camembert’s quirky fictional world — a world you won’t soon forget.

THE ISOLATE
a novel by Apollo Camembert
paperback; 132 pp., $12.95
ISBN 979-8-9869224-6-1

Praise for Eckhard Gerdes’ THE  CHRONICLES OF MICHEL DU JABOT

“Whatever you do, don ´t even look into Eckhard Gerdes’ book, The Chronicles of Michel du Jabot, because you’ll never get out of it again! If J. Joyce were to be reincarnated—and instead of writing in his inextricably reinvented and rather illegible (without the help of an East European multi-lingual scholar) Panglish, were to practice an altogether clear and charmingly grammatical English as here (admittedly with a scatter of soft linguistic implosions but few)—he would have written this book. It will take generations of English professors to sort it out. Hilarious semantic sport. And don’t expect me to tell you what it is about. I would have to give you a involuted idio-semantic analysis with innumerable brackets and labels, which wouldn’t help anyway. No, okay then, dare to tip-toe into the cavernous echoing brain-chamber of Gerdes’ The Chronicles and if you’re  lucky you’ll come tumbling out into the dull everydaylight with a mad enlightened gleam in your eyes and will never read another novel. Yes, this- not Finnegans Wake—is the novel to end the novel.” —Alain Arias-Misson, author of Autobiography of a Character from Fiction