
IN THIS ISSUE: Alphonse Allais and François Caradec get high; Doug Skinner translates and reports; Carla Wilson interviews a faux Warhol; David Macpherson’s detective reveals the clues; Jim McMenamin turns on some screen gems; Nile Southern travels back to the future; Tom Whalen serves up a love story; Opal Nations strips the flesh off Embryo World; Erik Belgum offers up some poisons; Farewell Debut blinks visual antiphonies; Larry Fondation explores Harold Jaffe’s Revolutionary Brain. Plus a portfolio of drawings by the late Peter Hanssen.




Better not answer it, you never know who’s calling. Wait until the shadows pass. It’s safer in the light. John Nickle is a master of shadows. With colored pencils and acrylic paint he has created moody crime scenes for novels by the likes of Ross MacDonald, James Swain, Sjöwall and Wahlöö, and many others. He’s well known for his distinctive, cinematic style—creepy and comic. A dark sense of humor lies just beneath the surface like a hastily buried corpse.
Even the artist’s popular children’s illustrations posses sinister overtones. Then again, it’s a dangerous world out there.
Black Scat Books proudly announces a limited edition collection of John Nickle’s best cover art and illustrations produced over the past 25 years—Nickle Noir: The Art of John Nickle—featuring a revealing introduction by the artist and full color reproductions. 144 pages to die for.







