Today is the day Debra Di Blasi‘s cutting-edge alternative fictions flash before our eyes. This provocative new collection reveals our secret lives on social media — exposes the code behind our narcissistic sexting & selfies with feral wit. Indeed, this book is a savage bible defining our digital existence, here & now. Today.
TODAY is the day of resurrection and death in the NEW AMERICA. TODAY IS THE DAY THAT WILL MATTER.
ADVANCE PRAISE FOR DEBRA DI BLASI:
Debra Di Blasi’s TODAY IS THE DAY THAT WILL MATTER is a fierce and real-time live-stream pastiche that inhabits voices and points-of-view of our new “American” multitude. Terrifyingly sincere and aching with loss one moment, angry, cruel, even bigoted the next, Di Blasi’s anti-Whitmanian universe expands and collapses into every imaginable corner of what our world has become, to salvage true moments out of this white noise at the penetralia of our virtual hornet’s nest, in which bodies have somehow come alive, “crawled right out of the trashbin of history into the light of public office.” How it smokes and hums with danger! Readers beware: This hilarious and moving book is not a safe space.—Sam Witt, author of Little Domesday Clock
No one else writes about the current social climate with the badass gusto of Debra Di Blasi. No one! Politically incorrect, seriously playful, often shocking, incorrigible in all the right ways, self-indicting, yet devastatingly human, Di Blasi’s prose grabs contemporary culture by the throat and holds on in a dazzling stranglehold where the “I” of the shitstorm is “you.” -Aimee Parkison, author of Refrigerated Music far a Gleaming Woman
Will the world end with a whimper or a bang? Debra Di Blasi’s TODAY IS THE DAY THAT WILL MATTER gives us a compelling third option: It will end in a whir of pronouncements, gossip, apologies, braggadocio, and the rest of the nonstop human noise we call culture. In 138 very short fictions ranging from the TV show “Chopped” to a pig farm, a magazine in a doctor’s waiting room and the fantasies of a college professor, Di Blasi’s compressed prose and linguistic play result in a jack-in-the-box kind of release found in good poetry. This is a writer in full control of language, from regional idiom to scientific jargon. “I wish to speak of things that are not I” says a character in one story, even as the character in another acts out the wish for permeability “I stuck my finger inside. Something bled. I’m sure it was you.” Despite our desire to escape the metaphysical and environmental catastrophes we’ve long wrought by now flirting with the concept of a human-robot future, Di Blasi reminds us elegantly and ferociously exactly where our human actions have placed us. -Leslie McGrath, author of Feminists Are Passing from Our Lives
Today Is the Day That Will Matter: An Oral History of the New America: #AlternativeFictions
by Debra Di Blasi
Trade paperback, 150 pages, $12.95
NOW AVAILABLE WORLDWIDE ON AMAZON — CLICK HERE TO ORDER ON AMAZON BEFORE IT’S CENSORED.
Meet Jack Sturrett, a book reviewer for a London literary magazine. Dissatisfied with his job, he makes an impulsive decision to leave the city without informing anyone of his departure. He boards a bus which takes him to a small town up north where he gets a job as a tourist guide after becoming so widely read in the town”s history that he passes for a local. Outside work he maintains the identity of a tourist, living in hotels and constantly reinventing his back-story. As his fake local persona becomes threateningly real, he finds himself a suspect in a murder investigation.
Temenuga Trifonova is Associate Professor of Cinema and Media Studies at York University in Toronto. Her first novel, Rewrite, was published by NON Publishing (Vancouver) in 2014. A film adaptation of Tourist (2017, 100 min), which she wrote and directed herself, won “Best Feature” at Mostra del Cinema di Taranto, Italy (2018). The film has also been screened at the Philosophical Film Festival (Skopje, 2018), and the Blow-Up International Art House Film Festival (Chicago, 2017). Trifonova is the author of the scholarly monographs Warped Minds: Cinema and Psychopathology (2014) and The Image in French Philosophy (2007), and the edited volumes Contemporary Visual Culture and the Sublime (2017) and European Film Theory (2008). She has been a visiting scholar and/or artist at the American Academy in Rome, the Brown Foundation at the Dora Maar House (France), The Fondation des Treilles (France), the New York University Center for European and Mediterranean Studies, and the Pushkinskaya Art Centre in St. Petersburg. She is currently a Marie Curie Fellow at Le Studium Centre for Advanced Studies in Tours, France.
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