JUST IN TIME FOR SUMMER…

photograph: T. Motley


The lovely “Lewd, Nude & Rude” issue of BLACK SCAT REVIEW has stormed the beach!

As you’ve come to expect, the issue is filled with Sublime Art & Literature — innovative fiction, eye-popping graphics, works in translation, and spicy absurdities. Featuring 131 pages packed with an international cast of contributors: Mark Axelrod; Thomas Barrett; Sebastian Bennett; Giacomo Girolamo Casanova; Norman Conquest; R J Dent; Dawn Avril Fitzroy; Eckhard Gerdes; Alexander Krivitskiy; Amy Kurman; Hélène Lavelle; Marc Levy; Olchar E. Lindsann; Clément Marot; Lilianne Milgrom; Alison Miller; T. Motley; Angelo Pastormerlo; Gerard Sarnat; Doug Skinner; Valéry Soers; Jean Donneau de Visé; Gregory Wallace; Tom Whalen; and David Williams.

Have a bang-up Memorial Day!

JARRY LIVES!

Alfred Jarry spent his brief and turbulent life experimenting with genres of fiction. In his last few years, he created a new fictional form: the absurdist speculative essay. R J Dent’s new English translation of Speculations contains 68 of Jarry’s essays, originally printed between 1901 and 1904 as a series, ‘Spéculations’, in the French journal Le Revue Blanche.

In Jarry’s darkly comic collection of surrealist and satirical prose pieces, the renowned author deploys his characteristic satirical eye and dark humor to devastating effect. These essays range in tone from the wildly comic to the deeply tragic and cover a diversity of subjects, ranging from French Trees to Cannibalism. For Jarry, nothing is sacred; everything is worthy material for his surreal satire; the Passion is presented as a sporting event; buses are the prey of big game hunters, and even the Queen is licked from behind.

Edible contents:

SPECULATIONS
Alfred Jarry
Translated by R J Dent
Paper; 5.06  x 7.81 inches; 235 pp., $15.95
ISBN 13 979-8-9859996-1-7 

AN ‘ANTHUMOUS’ WORK BY ALPHONSE ALLAIS

The master absurdist is back in LOVES, DELIGHTS, & ORGANS (Amours, délices et orgues). This madcap collection of stories, fables, hoaxes and jokes is pataphysical fun for the literate layabout. This first English translation features 47 sublime textual specimens — PLUS six additional stories, a rousing introduction, and enlightening notes on the translation by Allaisian scholar Doug Skinner. If you’ve yet to discover the bizarre world of Alphonse Allais, you’re in for a treat.

“Allais comes across as a very modern writer, and his work as an experimental enterprise which is exemplary in many ways… it is also quite possible to invoke such writers as Raymond Queneau, Italo Calvino, and Jorge Luis Borges.”  Jean-Marie Defays


ABOUT THE AUTHOR

   Alphonse Allais was born in the Northern port town of Honfleur, in Calvados, on October 20, 1854. He was, therefore, born in the same town as Erik Satie, and on the same day as Arthur Rimbaud. His father was a pharmacist, and sent young Alphonse to Paris to learn the family trade. Young Alphonse mostly cut his classes, and steeped himself in the absinthe-soaked delights of bohemian Montmartre.

   He joined the hard-drinking literary coterie the Hydropathes, accompanied the celebrated prankster Sapeck (Eugène Bataille) on his misadventures, submitted monochromatic pictures to the proto-Dada exhibitions of the Incohérents, and wrote squibs for various ephemeral papers. He became adept, in both word and deed, at the unique Parisian discipline of fumisme: a heady mix of hoaxing, provocation, and iconoclasm, all delivered with deadpan aplomb. Although he’d abandoned chemistry, his scientific credentials gave him a perspective (and persona) that set him apart from the more febrile poets around him. He was often likened to an English schoolmaster, with a placid demeanor that made his wild ideas all the more startling. [from the introduction by Doug Skinner]

THE GREATEST SHOW ON EARTH!

Step right up! The “Funhouse” issue is now available. It walks, it talks, it crawls on its belly like a reptile . . .

Featuring astounding art and fiction by  Mark Axelrod; Tom Barrett; David Berger;  Norman Conquest; R J Dent; Muriel Falak; Eckhard Gerdes; Richard Gessner; Alfred Jarry; Richard Kostelanetz; Amy Kurman; Mantis; Kate Meyer-Currey; Bob McNeil; Lillianne Milgrom; Lance Olsen; Paul Rosheim; Doug Skinner; Nile Southern;  and Jim Yoakum.

Ladies and gents, grab your copy now!


MIND YOUR MANNERS

Pierre Louÿs wrote this scandalous and salacious satirical work in 1917, yet it wasn’t published until 1926, after his death. Originally titled Manuel de civilité pour les petites filles à l’usage des maisons d’éducation, it was the author’s first published erotic work—issued anonymously in Paris, with no date nor publisher’s imprint.

A Handbook of Manners for the Good Girls of France parodies the educational handbooks of the day, as well as popular guides to etiquette. But unlike the author’s elegantly sensual ouvre, including Les Chansons de Bilitis and Aphrodite: mœurs antiques, this is Louÿs’ most radical and subversive book — aimed directly at middle-class puritanism, mocking the hypocrisy and complacency of the Belle Époque. It attacks religion and social norms with equal vigor— a sharp slap in the face of censors and prudes.

It’s also very funny.

A HANDBOOK OF MANNERS FOR THE GOOD GIRLS OF FRANCE
Pierre Louÿs
Translated from the French by Lono Taggers
Paperback; 70 pp., illustrated; $12
Pocket Erotica #23 / New Urge
ISBN 13 978-1-7379430-6-8


ABOUT THE AUTHOR

Pierre Louÿs, poet and novelist, was born in Belgium but spent his life in France. He is best known for his erotic works, many with sapphic and classical themes. His most popular titles include Aphrodite: mœurs antiques; Trois Filles de leur mère; Le Trophée de vulves légendaires; Poésies érotiques; La Femme et le pantin; and Les Chansons de Bilitis. His contributions to French erotic literature remain unequaled.

START THE NEW YEAR WITH A BLAST OF LAUGHTER

Comic artist Doug Skinner aims his poisoned pen at 52 works of classic literature—from The Iliad to Ubu Roi—whittling them down to four cartoon panels. It’s a constraint worthy of Georges Perec — an OuBapoian*collection of black humor guaranteed to set funny bones on fire. 

Shorten the Classics is brilliant — albeit abbreviated — fun. If you want to read the classics, but don’t have time, this book is for you.

Grab a copy before it’s too late!

Shorten the Classics
Doug Skinner
Absurdist Texts & Documents #43
paperback; 116 pp.;
5.06 x 7.81 inches; $14
ISBN 978-1-7373711-3-7


*Oubapo: Ouvroir de bande dessinée potentielle: ”workshop of potential comic book art”)

Watch Out! — Here Comes Jean-Fucque!

A Born-Again Surrealist Classic

Inspired by Louis Aragon’s obscure surrealist text, this new adaptation by R J Dent proudly presents… [insert drumroll] the one and only, Jean-Fucque Le Cocque, a large, disembodied penis and his Parisian adventures — his satisfactory encounters with female passengers on the Metro, his small room in a hotel frequented by prostitutes, and his reason for buying a hat. (Mon dieu!)

Merci beaucoup!