SUMMERTIME CRIME WAVE

Staring hard, the Sergeant was convinced that he could indeed perceive a faint rounded pattern. He stepped back and stared at the Inspector with undisguised awe, “My god sir! You are right! And what use can we make of that?”

“Ah, nothing at this moment, my dear fellow,” and the visibly pleased Inspector waved a hand airily, “but there has been a murder and there has been a victim, so for future reference, who knows!”

Don’t be deceived by the Wodehousian style, gory, third-sex serial murders and a breath-taking third-sex romance await you in this hilarious new novel by Alain Arias-Misson.  Meet a baffled detective trapped  inside a startling  screwball plot, in which straight sex meets third sex!

CLICK HERE TO ORDER YOUR COPY ON AMAZON

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ABOUT THE AUTHOR

Alain Arias-Misson was born in Brussels, grew up from age four in New York, Greek Literature and philosophy at Harvard, led a nomadic life throughout Europe, North Africa and New York. Lives in Paris and Venice. This is his tenth novel. In Europe he is known for his Public Poems in a dozen cities, and also New York and L.A., as well as his experimental poetry which has been shown in hundreds of galleries and museums around the world.

OTHER SUBLIME BOOKS BY ARIAS-MISSON

Autobiography of a Character from Fiction

Comic Book: A Novel  

Tintin Meets the Dragon Queen in The Return of the Maya to Manhattan

The Man Who Walked On Air & Other Tales Of Innocence

 

 

Welcome to Blissville USA!

Take this hilarious trip back to 1970s suburbia and meet sexy Beulah Montezuma. Alas, despite her abundant charms, she’s having a hard time satisfying her well-endowed hubby. But Beulah is not a quitter, and she’s determined to give it her all in this outrageous “erotical” novel.

Originally published by Grove Press, we’re proud to bring this raunchy classic back to life in a New Urge edition. And, yes, the cat (and the pun) is out of the bag now, as the man behind the Stephanie Gatos pseudonym is none other than writer and poet Steve Katz.

Steve is the author of many  acclaimed books of fiction and poetry, including The Exagggerations of Peter Prince (recently reissued), Creamy and Delicious, Saw, Wier & Pouce, Florry of Washington Heights, Swanny’s Ways, Journalism, et al.

This Posh is his.

But this is no time for pussyfooting…CLICK HERE and order your copy today!

You can sample the first chapter for free in the special “Eros” issue of LE SCAT NOIR here

AVAILABLE WORLDWIDE ON AMAZON

Ceci n’est pas Magritte

Move over Mona Lisa, the subject of René Magritte’s classic painting Le fils de l’homme (1964) has been transformed into an iconic  Everyman — forced to confront the forces of contemporary life.

Portuguese artist Paulo Brito reanimates the  mysterious figure in a series of satirical  collages you won’t soon forget.

The future of Dada is here!

SONS OF MAN
by Paulo Brito
with a preface by mercie pedro e silva
Absurdist Texts & Documents No. 33
Illustrated, full color; perfect-bound; $15
$5 digital edition

CLICK HERE TO ORDER

It’s here!



The book Black Scat was born to publish!


Francisque Sarcey
was the most influential drama critic in 1890s Paris — and the most conservative. He famously dismissed Alfred Jarry‘s Ubu Roi as “a filthy fraud that deserves nothing but the silence of contempt.” The brilliant humorist Alphonse Allais transformed Sarcey into an Ubuesque piñata in a series of columns published under Sarcey’s name in the newspaper Le Chat Noir.

The pseudo-Sarcey became a prattling idiot, bragging about his appetite and complaining about his impotence, a memorable comic character who often eclipsed the original. This sustained journalistic prank — compiled and translated by Doug Skinner — is destined to become a classic of black humor.

Add this gem to your collection and celebrate April Fools all year long.

I AM SARCEY
Alphonse Allais
Translated from the French by Doug Skinner
Includes an  introduction and complete notes on the text
$12.95 / trade paperback, 218 pp.,
BUY NOW

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CLICK HERE to view all the titles in our Alphonse Allais Collection.

And here’s a GIFT, the April Fools Issue of LE SCAT NOIR.
PREVIEW AND DOWNLOAD HERE

Think Spring!

idiotLooking ahead (no pun intended) to April, it’s going to be a Scatastic  month. Back in 2013, we issued a little limited edition chapbook titled HOW I BECAME AN IDIOT by Francisque Sarcey. It was actually written by the brilliant French humorist Alphonse Allais, who signed Sarcey’s name to a series of columns that appeared in the bohemian journal Le Chat Noir. Sarcey, a well-known drama critic, became the butt of jokes among the literati for his stodgy, conservative views (e.g., he blasted Alfred Jarry‘s absurdist classic UBU ROI).

Our limited edition sold out quickly, but it was just a sampler. Now Doug Skinner has compiled and translated all the columns in a delicious 200+ paged trade paperback edition: I AM SARCEY.

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These texts reveal Allais at his wicked best and the book is a must-have for fans of hilarious black humor. This volume marks the seventh title in our Alphonse Allais Collection, and our resident Allais scholar, Doug Skinner, provides a sublime introduction and notes on each text.

Only an idiot would pass up I AM SARCEY when it rolls off the press on April 1st.

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Also on tap is a special (redesigned) April Fools Issue of LE SCAT NOIR. You can download a copy on our web site (BlackScatBooks.net) on April 1st for FREE.

No joke!

Mark your calendars.

april

It’s a bird, it’s a plane, it’s…insane!

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These plays, plays by Axelrod, Mark, the other Axelrod, not the one who worked for Obama, Obamaless, the other Axelrod, his plays, are. And are the plays of Axelrod, no
t the one who worked for Obama, Obamaless, and are the plays of Axelrod, Axelrodian.  Yes, in all manner of speaking, speaking high or low, they are and you, the Reader, Reader of Axelrod, not the one who worked for Obama, Obamaless, the other Axelrod, should read these plays with relish. For without relish, they would not be as absurd.
—Samuel Beckett


Can Superman avoid deportation?

Will Van Gogh survive an IRS audit?

Does Donald Trump talk to himself?

Has the world gone mad?

This outrageous and timely collection confronts our contemporary nightmares with devastating wit and insight. In the provocative title play, Superman stands trial as an illegal alien. In “A Colloquy of Birds,” Axelrod takes aim at a flock of notorious Republican women — the “politically effete.” And just when you thought it was safe to applaud, experience the maniacal monologues of Chairman Trump.

Here are eight rousing absurdist dramas destined to be modern classics.

SUPERMAN IN AMERICA & OTHER ABSURD PLAYS
by Mark Axelrod
Trade paperback, 354 pp.,  $16

CLICK HERE TO ORDER ON AMAZON

 


sro2

“LOOK, MA, IT’S DADA!”

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Yes, Virginia, Black Scat Review does DADA FORGERY. But is it anti-art?

You be the judge.

#17 is loaded with incendiary art & texts by Captain Anonymous, David Moscovich, Tristan Tzara, Anna Keeler, Christy Sheffield Sanford, Karl Waldmann, Ruth Crossman,  Norman Conquest, Paulo Brito, Harry McCullagh, Michael Leigh, Gregory Autry Wallace, Eîlot Tuerie, Terri Lloyd, Doug Skinner, and Joseph Heathcott.

This is the last issue of BSR and a fitting finale it is. Don’t miss this one, folks, it’s destined to wind up a collector’s item on the ash heap of art history.

CLICK HERE TO ORDER

 

 

 

GROUNDBREAKING OULIPIAN FICTION

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“…while the writing itself is full of compelling emotional depth, the artistic conceit that makes the novel so unique is in Arias-Misson’s regular appropriation and repurposing of famous literary characters and important passages from literature.” —Rachel Greenberg, SEIN UND WERDEN

A NEW EDITION OF ALAIN ARIAS-MISSON’S EXPERIMENTAL NOVEL

Discover what happens when famous fictional characters surface in the life of a writer. AUTOBIOGRAPHY OF A CHARACTER FROM FICTION is an extraordinary work of  Oulipian imagination.

Alain Arias-Misson has produced an indecently literary novel about a thoroughly picaresque Character. Passages have been plagiarized from a score of great Modernists — from Kafka and Stendhal to Joyce, Austen and Proust, from Strindberg, Constant and Mann to Michaux, Sterne and Beckett, and are woven seamlessly, unidentified, into his “autobiography.” For the Character — a budding author — is the product of those authors whose novels he has been nourished on. Characters step out of their fiction to advise and interfere with his life and he appears on stage in theirs. Where ‘le petit Marcel’s’ nocturnal terrors begin and the Character’s end, or how the Character’s boyhood lusts lead him into the Brussels labyrinth of ladies of the night and how he meets young Daedalus there, already sated in a lady’s embrace, is an open question. The autobiography ends at the age of twenty-one, when like most authors he has read his own most important authors — yet the rest of his life has already been plotted.

This second edition features an afterword by Yuriy Tarnawsky, and is available worldwide on Amazon.

CLICK HERE TO ORDER

CLICK HERE to read the rave review in Sein und Werden