Step right up! The “Funhouse” issue is now available. It walks, it talks, it crawls on its belly like a reptile . . .
Featuring astounding art and fiction by Mark Axelrod; Tom Barrett; David Berger; Norman Conquest; R J Dent; Muriel Falak; Eckhard Gerdes; Richard Gessner; Alfred Jarry; Richard Kostelanetz; Amy Kurman; Mantis; Kate Meyer-Currey; Bob McNeil; Lillianne Milgrom; Lance Olsen; Paul Rosheim; Doug Skinner; Nile Southern; and Jim Yoakum.
THE BOOK WITH THE GREEN COVER. A collection of Norman Conquest‘s verbo-visual vices, including posters, charts, mock book & magazine covers, rectified readymades, typographic diversions, found novels, and other detritus. Illustrated with color plates and silverware.
Never before in the annals of art forgery has there been a case like this.
TRUE CRIME: The People vs. Rrose Sélavy, compiled by Karl Waldmann, features unpublished transcripts, exhibits, color illustrations, and shocking new evidence. Fact and fiction are forged together in this seminal work of DADA excavation.
This is an expanded, “rectified readymade edition” of the original, out of print chapbook published in 2016.
TRUE CRIME: The People vs. Rrose Sélavy Rectified Readymade Edition Absurdist Texts & Documents #32 Color illustrations, 44 pages; $14
Featuring over 40 distinguished experts from around the globe, including: Adrienne Auvray, Mark Axelrod, Tom Barrett, Norman Conquest, Caroline Crépiat, René Descartes, Peter Gambaccini, Eckhard Gerdes, Charles Holdefer, Rhys Hughes, Tractor Inspector, Alfred Jarry, M. Kasper, Richard Kostelanetz, Amy Kurman, Librairie Larousse, Michael Leigh, Olchar E. Lindsann, Musée Patamécanique, Opal Louis Nations, Daren Elsa Nibelly, Dr. Novalis, Pata-No , Richard Peabody, Mercie Pedro, Derek Pell, Charlotte Porter, Frank Pulaski, Jason E. Rolfe, Sourav Roy, Dr. I. L. Sandomir, Paulette Single, Doug Skinner, Maddy Smith, Linda Klieger Stillman, Corinne Taunay, Text Fixer, Kimberly Vodicka, Tom Whalen, Femke van der Wijk, Carla Wilson.
Order nowand we’ll include this lovely back cover…
LE SCAT NOIR BEDSIDE NONSENSE is profusely illustrated and packed with AMUSING stories, songs, games, WORDPLAY & poesy by an international roster of inspired misfits.
Featuring: Mark Axelrod, Tom Barrett, Angie Brenner, Ken Brown, Norman Conquest, Caroline Crépiat, Haley Dahl,Farewell Debut, Paul Forristal, Ryan Forsythe, Penelope Goddard, Jean-Jacques Grandville, Simon Hanes, Rhys Hughes, Alexei Kalinchuk, KKUURRTT, Rick Krieger, David Moscovich, Jason E. Rolfe, Paul Rosheim, Bob Rucker, Thaddeus Rutkowski, Doug Skinner, Terry Southern, Yuriy Tarnawsky, Tom Whalen, and Carla M. Wilson.
It’s the perfect antidote for summer lockdown — and no mask required.
The Pope’s Mustard-Maker (Le Moutardier du pape) was the last work that Alfred Jarry finished, a few months before his death in 1907. It is a bawdy three-act farce loosely based on the medieval legend of Pope Joan, with a huge cast and lively songs bubbling with rhymes and wordplay.
Readers who know Jarry only from Ubu or his novels may be surprised that he wrote operettas, but his are fully Jarryesque, with his usual gusto for smutty jokes, legend, folklore, puns, wild invention, and popular theater. In his hands, Pope Joan becomes Jane, who runs off with her lover and disguises herself as pope. How will she pass inspection on the slotted chair? What will she do when her husband shows up? And has there ever been another production number celebrating the spiritual virtues of enemas?
This is the first translation of this major work; it also includes an introduction and notes by the translator, Doug Skinner.
All hail The Pope’s Mustard-Maker!
THE POPE’S MUSTARD-MAKER
by Alfred Jarry
Translated from the French by Doug Skinner
Absurdist Texts & Documents #37
135 pp., paper, $12.95
It’s a collection of verbo-visual treats by Norman Conquest. It features posters, charts, mock book & magazine covers, rectified readymades, typographic diversions, found novels, and other detritus. It’s profusely illustrated with color plates and silverware.
Available now, just in time for summer. Be the first kid on the block to take this coffee table chapbook to the beach!
We’ve just released an eBook edition of the DADA classic WHAT A LIFE! Now you can take DADA wherever you go.
On August 17 1911—seven years before Max Ernst took up scissors and paste to create his early Dada art—WHAT A LIFE! was published in London by Methuen & Co. The authors, Edward Verrall Lucas (a travel writer) and George Morrow (an illustrator and regular contributor to PUNCH), produced their satirical autobiography using illustrations cut from the pages of Whiteley’s General Catalogue. This inspired act of artistic vandalism was a precursor to many works of avant-garde art and satire. CLICK HERE TO ORDER
On August 17 1911—seven years before Max Ernst took up scissors and paste to create his early Dada art—WHAT A LIFE! was published in London by Methuen & Co. The authors, Edward Verrall Lucas (humorist & travel writer) and George Morrow ( illustrator and regular contributor to Punch), produced their satirical pictorial autobiography using illustrations cut from the pages of Whiteley’s General Catalogue. This inspired act of vandalism was a precursor to many works of avant-garde collage art and satire.
Long out of print in the U.S., Black Scat is proud to bring this proto-Dadaclassic back to life as #34 in our Absurdist Texts & Documents series.
WHAT A LIFE ! was exhibited at MoMA’s 1936 “Fantastic Art, Dada, and Surrealism” show.
WHAT A LIFE! seems to have made little impression, either in England or in France, even though it has the remarkable distinction of being illustrated solely by collages drawn from the catalogue of a large department store in London (Whiteley’s), and therefore of being—as much by the images as by the text that they comment on—one of the first manifestations of that spirit we call “modern.” —Raymond Queneau, Bâtons, chiffres et lettres (1950)