In this issue: Marc-Alain Barbot; Tom Barrett; Michael Betancourt; Isabelle B.L; Restif de la Bretonne; Mamie Caton; Norman Conquest; Caroline Crépiat; Art Dandy; farewell debut; Ange Degheest; Jean-Pierre Duffour; Luc Fierens; Jack Granath; Isidore Isou; Amy Kurman; Claude Nicolas Ledoux; Giambattista Palatino; Raymond Queneau; Reese Saxment; Karen Shaw; Doug Skinner; Corinne Taunay; John J. Trause; Tristan Tzara; Cal Wenby; and Femke van der Wijk.
Get in on the ground floor with this collector’s edition.
TYPO : Journal of Lettrism, Surrealist Semantics, & Constrained Design
6 x 9 inches; 148 pp.; paperback; $14.95
Typo: Journal of Lettrism, Surrealist Semantics, & Constrained Design is the first in a promised (irregular) series of anthologies devoted to oddities of typographic design history, extending from now to the 1400s, including mnemonic devices, “Forty-Five First Letters” (they’re real!), “Surrealist Sign Language,” asemic writing, and lots more from Doug Skinner, Norman Conquest, Raymond Queneau, Isadore Isou and other contributors. Visually fun to look at and filled with interesting historical factoids about printing.
— i arrogantly recommend… by Tom Bowden,
TYPO in PRINT
TYPO hits the top of the charts on Amazon
“The first issue of TYPO … has arrived at an ideal moment in the evolution of avant garde and experimental art and writing. The monuments of the 20th century avant garde such as DaDa, Surrealism, Lettrism and Oulipo are enjoying healthy interest in the digital age, inspiring the creation of new genres.TYPO provides fresh insights and perspectives on these movements.
TYPO is not another contribution to the wax museum of official culture. The editors interweave selections from what poet Ron Silliman calls the post-avant with the historic avant garde and esoteric visual-verbal examples from earlier centuries. Included are new iterations and genres in the continuum such as asemics, digital collage, neo-concrete and visual poetry as well as typographical innovations rooted in Lettrism. Accessible and highly enjoyable prose complements the flow of images.”
—De Villo Sloan, ASEMIC FRONT 2
Read the full review HERE