LOOK OUT MAMA, IT’S DEBAUCH-O-RAMA!

“A harsh, hilarious, scurrilous, and scatological satire.”
—Ed Simon, JSTOR Daily

Poet John Wilmot, 2nd Earl of Rochester, was considered one of the greatest English satirists — a nimble wit and scribbler of sublime wordplay, parodies & pornographic puns.

Hailed by Graham Greene and Ezra Pound, Wilmot is perhaps best known for his outrageous libertine satires, including this wickedly funny Restoration drama.

Originally titled The Farce of Sodom, or the Quintessence of Debauchery, DEBAUCH-O-RAMA is an absurdist “closet drama” – written to be read aloud and not performed.  It consists of five acts in raunchy rhyming couplets and a madcap cast of characters:

CAST

  • Bolloxinion – King of Sodom
  • Cuntigratia – his Queen
  • Pricket – young Prince
  • Swivia – Princess
  • Buggeranthos – General of the Army
  • Pockenello – Prince and favourite of the King
  • Borastus – Buggermaster-General
  • Pene & Tooly – Pimps of Honour
  • Officina – Maid of Honour
  • Fuckadilla – Maid of Honour
  • Cunticulla – Maid of Honour
  • Clytoris – Maid of Honour
  • Flux – Physician to the King
  • Vertuso – Dildo- and Merkin-Maker for the Court

Let the curtain rise and the laughter begin!

DEBAUCH-O-RAMA
A Restoration Closet Drama
by John Wilmot, 2nd Earl of Rochester
Pocket Erotica  [№ 11 ]
65 pp.; paper, perfect bound; 4 x 6 inches; $10
ISBN 978-1-7357646-2-7

BRING ME THE HEAD OF FRANZ JOSEPH HAYDN!

Jason E. Rolfe‘s mesmerizing new chapbook, THE PUPPET-PLAY OF DOCTOR GALL, is a shadowy existential drama — an absurdist murder-mystery set in Vienna in 1820, with a cast of curious characters: Franz Joseph Gall, The Stranger, Ernst Sieber, Tomas Hocheder, Madam Denebecq, and Count Sedlnitzky.

Are they mere puppets whose every move is directed from above by Madam Denebecq, a self-titled mechanikus? Or are they all too human, performing their lives before our very eyes? And who, in the name of heaven, has stolen the head of Franz Joseph Haydn?

We had intended to reveal the answers to these questions but, alas, it’s too late. The lights have dimmed and the audience is holding its collective breath (if breathe they do).

Order your copy before the curtain rises.

No strings attached.

Sucker Punch Gala in NYC

(photo by Karina Tarnawsky)

If you were in NYC on June 15th and missed the BLACK SCAT SUCKER PUNCH bout between high lit  heavyweight champs Yuriy Tarnawsky (seated)) and Alain Arias-Mission —shame on you! You missed a bloody good reading.

The Emily Harvey Foundation. provided ringside seats,  booze & noisemakers  to an unruly crowd of fans. Tarnawsky threw wicked upper-cuts from his classic collection of “short shrift fictions,” CROCODILE SMILES, while Arias-Misson responded with  a blazing left hook from his new novel THE DETECTIVE WHO DIDN’T HAVE A CLUE.

Fortunately all is not lost, as both books are available on Amazon and just a click away.

 

 

It’s a bird, it’s a plane, it’s…insane!

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These plays, plays by Axelrod, Mark, the other Axelrod, not the one who worked for Obama, Obamaless, the other Axelrod, his plays, are. And are the plays of Axelrod, no
t the one who worked for Obama, Obamaless, and are the plays of Axelrod, Axelrodian.  Yes, in all manner of speaking, speaking high or low, they are and you, the Reader, Reader of Axelrod, not the one who worked for Obama, Obamaless, the other Axelrod, should read these plays with relish. For without relish, they would not be as absurd.
—Samuel Beckett


Can Superman avoid deportation?

Will Van Gogh survive an IRS audit?

Does Donald Trump talk to himself?

Has the world gone mad?

This outrageous and timely collection confronts our contemporary nightmares with devastating wit and insight. In the provocative title play, Superman stands trial as an illegal alien. In “A Colloquy of Birds,” Axelrod takes aim at a flock of notorious Republican women — the “politically effete.” And just when you thought it was safe to applaud, experience the maniacal monologues of Chairman Trump.

Here are eight rousing absurdist dramas destined to be modern classics.

SUPERMAN IN AMERICA & OTHER ABSURD PLAYS
by Mark Axelrod
Trade paperback, 354 pp.,  $16

CLICK HERE TO ORDER ON AMAZON

 


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The play’s the thing….

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We proudly raise the curtain on this new collection by Eckhard Gerdes—three plays in a variety of styles which challenge preconceptions and subvert complacency.

Who knew that novelist Eckhard Gerdes was also a playwright? Members of the audience who saw the absurdist play ’S a Bird first performed at the Chopin Theatre in Chicago in 1994 did, and they almost died laughing in the process. The children of King-Edison Elementary School in Macon, Georgia, did when they argued about who would get to play which character in Clockwise in their school production in 2000. And a few dozen close friends of Eckhard Gerdes did when they read the script of The Death of Anton Webern, a play that has until now never been published or performed. These three plays offered here are very different from one another, but all show that distinctive voice and personality for which the writing of Eckhard Gerdes has become known. Enjoy these glimpses into the mind of one of America’s most innovative novelists as he depicts the drama and absurdity of human relationships.

“A writer clearly impatient with the currently devalued conventions of modern writing. His work is a fresh wind!” —Michael Moorcock

THREE PLAYS BY ECKHARD GERDES
5.06″ x 7.81″ (12.852 x 19.837 cm)
trade paperback; 132 pages
$12.95

CLICK HERE TO ORDER ON AMAZON

 

Three Plays by D. Harlan Wilson

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Black Scat Books is proud to add D. Harlan Wilson to its list of luminaries. This is the renegade author’s first collection of plays, and it’s guaranteed to provoke  standing ovations — or perhaps we should say “fistfights in the orchestra” as Jarry’s Ubu Roi did so long, long ago.

Over the last two decades, D. Harlan Wilson has established himself as a writer of avant-garde fiction that has been called many names, ranging from speculative, literary and postmodern to irreal, bizarro, absurdist and “splatter-schtick.” Some say he defies categorization and is a genre unto himself. In THREE PLAYS, Wilson subverts traditional forms of stagecraft, unmans the helm of narrative, and exposes the nightmares that distinguish everyday life in urban and suburban America. Channeling Samuel Beckett and Jon Fosse in one scene, Russell Edson and Alfred Jarry in the next, he subjects actors as much as audiences and readers to mindless violence and torrid irrationality under the auspices of literary theory, psychoanalysis, philosophy and science. These plays belong more to an ultramodern zoo than a modern-day theater. In “The Triangulated Diner,” a Camero fishtails across the stage and runs over actors as jungle animals attack the audience. An elephant is hung onstage by a crane for stomping on the head of an abusive handler in “The Dark Hypotenuse.” “Primacy” finds a husband and wife struggling to write the perfect obituary, ideally one that includes wuxia death matches and flying holy men . . . This collection describes a microcosm that is at once uncanny and familiar, weird and ordinary, comedic and horrific. Wilson puts the human condition on trial and challenges us to view theatrics in a different light.

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The official publication date is March 15th, but ADVANCE COPIES ARE AVAILABLE NOW on Amazon. CLICK HERE to order.

THREE PLAYS BY D. HARLAN WILSON
Trade paperback; 160 pages; $12.95
ISBN-13: 978-0692631539

Cover photograph by Lodiza LePore / DESIGN BY NORMAN CONQUEST