JUST IN TIME FOR SUMMER…

photograph: T. Motley


The lovely “Lewd, Nude & Rude” issue of BLACK SCAT REVIEW has stormed the beach!

As you’ve come to expect, the issue is filled with Sublime Art & Literature — innovative fiction, eye-popping graphics, works in translation, and spicy absurdities. Featuring 131 pages packed with an international cast of contributors: Mark Axelrod; Thomas Barrett; Sebastian Bennett; Giacomo Girolamo Casanova; Norman Conquest; R J Dent; Dawn Avril Fitzroy; Eckhard Gerdes; Alexander Krivitskiy; Amy Kurman; Hélène Lavelle; Marc Levy; Olchar E. Lindsann; Clément Marot; Lilianne Milgrom; Alison Miller; T. Motley; Angelo Pastormerlo; Gerard Sarnat; Doug Skinner; Valéry Soers; Jean Donneau de Visé; Gregory Wallace; Tom Whalen; and David Williams.

Have a bang-up Memorial Day!

AMERICAN RADICAL

“As with Joyce Carol Oates’s Blonde, Harold Jaffe’s Brando Bleeds is the best kind of biographical fiction — perceptive, inventive, richly thematic, and truer than true. That his concisely rendered composite of Brando gives us such a full portrait of its subject is nothing short of a miracle.”  —Tom Whalen


As BLACK SCAT approaches its 10th anniversary (July 4th), we’re excited to announce the publication of a major new novel by Harold Jaffe—one of America’s most innovative writers and thinkers.

BRANDO BLEEDS is a “docufictional” version of the life of renegade cultural icon Marlon Brando. Harold Jaffe seamlessly weds biographical fact and fiction, breathing new life into Brando as shaman/showman, an anti-Hollywood “movie star” whose radical politics forced him to confront the inevitable contradiction between rebel/activist and capitalist avatar. Drawn from biographical sources and Brando’s films, the author unveils Brando as a unique artist who both witnesses and introjects the world in pain.

BRANDO BLEEDS
A Novel by Harold Jaffe
Paperback; 181 pp., $14.95


CRITICAL PRAISE FOR HAROLD JAFFE

Each of Jaffe’s volumes has been groundbreaking. He has written some of the most innovative fiction of our time.   —Toby Olson

EROS ANTI-EROS is… a wonder of deadpan humor, biting wit and visual beauty. No recent fiction has gripped me with such force and immediacy.   —Marianne Hauser

From the docufictional shards of GOOSESTEP emerges a savage prophetic voice as grief-maddened as Isis picking through the bones on illusion’s killing floor to reassemble a dream that cannot be reanimated.   —Patricia Eakins

As TERROR-DOT-GOV vividly demonstrates: We are spiritually imperiled by illusions masked as “news.” Omissions, slants, pallid editorials all testifying to servitude to a slavish, enslaving “text.” Harold Jaffe knows this by heart.  Everywhere in Terror-dot-Gov, is exemplary skill, faultless tonality, and courage. Don’t forget courage.    Daniel Berrigan, SJ

The bravura essays in Harold Jaffe’s collection, REVOLUTIONARY BRAIN, challenge the conscience and consciousness of their readers. This witty and explosive book is an indictment of injustice and spurious morality and a call to art and enlightened activism as healing alternatives. —Jonathan Baumbach

Harold Jaffe’s SACRIFICE is an omnidirectional cry of alarm and call to action…[his] adept prose is a heart-filled and intellectualized reaction to terrestrial issues, a combination of rage, revulsion, and an implied plea for amelioration—in the fullest form of self-sacrifice.   Sebastian Bennett

“Jaffe’s convincing portraits of the dispossessed are moving, insightful glimpses of the human spirit under stress.” —New York Times Book Review

As always, Jaffe’s writing is moving, comical, marvelously deft.” —Washington Post



AN ‘ANTHUMOUS’ WORK BY ALPHONSE ALLAIS

The master absurdist is back in LOVES, DELIGHTS, & ORGANS (Amours, délices et orgues). This madcap collection of stories, fables, hoaxes and jokes is pataphysical fun for the literate layabout. This first English translation features 47 sublime textual specimens — PLUS six additional stories, a rousing introduction, and enlightening notes on the translation by Allaisian scholar Doug Skinner. If you’ve yet to discover the bizarre world of Alphonse Allais, you’re in for a treat.

“Allais comes across as a very modern writer, and his work as an experimental enterprise which is exemplary in many ways… it is also quite possible to invoke such writers as Raymond Queneau, Italo Calvino, and Jorge Luis Borges.”  Jean-Marie Defays


ABOUT THE AUTHOR

   Alphonse Allais was born in the Northern port town of Honfleur, in Calvados, on October 20, 1854. He was, therefore, born in the same town as Erik Satie, and on the same day as Arthur Rimbaud. His father was a pharmacist, and sent young Alphonse to Paris to learn the family trade. Young Alphonse mostly cut his classes, and steeped himself in the absinthe-soaked delights of bohemian Montmartre.

   He joined the hard-drinking literary coterie the Hydropathes, accompanied the celebrated prankster Sapeck (Eugène Bataille) on his misadventures, submitted monochromatic pictures to the proto-Dada exhibitions of the Incohérents, and wrote squibs for various ephemeral papers. He became adept, in both word and deed, at the unique Parisian discipline of fumisme: a heady mix of hoaxing, provocation, and iconoclasm, all delivered with deadpan aplomb. Although he’d abandoned chemistry, his scientific credentials gave him a perspective (and persona) that set him apart from the more febrile poets around him. He was often likened to an English schoolmaster, with a placid demeanor that made his wild ideas all the more startling. [from the introduction by Doug Skinner]

THE GREATEST SHOW ON EARTH!

Step right up! The “Funhouse” issue is now available. It walks, it talks, it crawls on its belly like a reptile . . .

Featuring astounding art and fiction by  Mark Axelrod; Tom Barrett; David Berger;  Norman Conquest; R J Dent; Muriel Falak; Eckhard Gerdes; Richard Gessner; Alfred Jarry; Richard Kostelanetz; Amy Kurman; Mantis; Kate Meyer-Currey; Bob McNeil; Lillianne Milgrom; Lance Olsen; Paul Rosheim; Doug Skinner; Nile Southern;  and Jim Yoakum.

Ladies and gents, grab your copy now!


P L A Y T I M E

Cover boy: Raymond Queneau

BLACK SCAT REVIEW 23: Wordplay
Bask in the lilt & spew of vowels & consonants, the litter of letters lost & found, visual lipograms, puzzles, puns, and blazing wordplay from the KO Corral.

FEATURING: Mark Axelrod, Tom Barrett, Kevin Brown, Norman Conquest, Brian Coughlan, John Crouse, S. C. Delaney, Paul Forrestal, Ryan Forsythe, Eckhard Gerdes, Penelope Gerdes, Joseph Harms, Amy Kurman, Opal Louis Nations, Angelo PastormerloSteve Patterson, Derek Pell, Agnès Potier, Raymond Queneau, Paul Rosheim, Gerard Sarnat, Doug Skinner, Michel Vachey, Carla M. Wilson, and D. Harlan Wilson.

SADE STRIKES AGAIN!

The merry Marquis de Sade is back with another witty chapbook in our Pocket Erotica series. The Self-Made Cuckold, translated from the French by RJ Dent, follows in the footsteps of the author’s Retaliation (Pocket Erotica #17), a similarly rare work sans the notorious content he is known for. Indeed, both titles contain no savage orgies nor flagellation. These little gems are —by comparison to The 120 Days of Sodom—libertine light and amusingly smutty. There are also strains of feminism running through both books.

For those who have never encountered de Sade, it should be pointed out that he was a gifted stylist whose sentences were exquisitely crafted. Here is how The Self-Made Cuckold begins:

One of the greatest deficiencies of ill-bred people is that they constantly utter a host of indiscretion, slanders or defamations on everyone that breathes, very often in the presence of people they do not really know. One cannot imagine the number of problems that this sort of idle chatter causes: what honest man can stand by and hear evil spoken about someone he cares for without reprimanding the fool who said it?

Indeed, who could ignore such an indignity, but that’s beside the point. The purpose of the quotation is to offer you an
hors d’oeuvre, the lilt and flow of the text.

We trust you’ll enjoy this humorous little feast.

The Self-Made Cuckold
Marquis de Sade
Translated by RJ Dent
Pocket Erotica No. 20
Paper; 60 pp., $10
ISBN 978-1737371199

THE PLAY’S THE THING

Harold Jaffe‘s new collection, Strange Fruit & Other Plays, challenges the reader to confront an America awash in racism, hatred, and violence. With cunning precision, Jaffe employs 20th century icons of art, cinema, music, & literature, to illuminate the dark place we find ourselves in today.

Here are nine diverse and innovative one-act plays, featuring Billie Holiday & Lester Young;  Antonin Artaud & Georges Bataille; Marilyn Monroe & Marlon Brando; Samuel Beckett; condemned prisoners in Texas making their final statement before execution; Israelis & Palestinians in life-or-death dialogue; Charles Manson unleashed; Jimi Hendrix, Janis Joplin & Jim Morrison burning it at both ends; & the potently satirical “Splish Splash,” exploring gender discord.


Harold Jaffe is the author of 30 novels, short fiction collections, essays, and plays. His recent books include Porn-anti-Porn and BRUT: Writings on Art & Artists. He is editor-in-chief of Fiction International.


 

 

 

Escapist Fiction

So begins this mesmerizing tale by a gifted young writer: Su Orwell. Her unique style, laced with edgy humor, makes ESCAPE ARTISTS a memorable work of contemporary  erotic fiction. It is the story of a married woman, Susann, who encounters the charismatic Arjan online. What begins as an internet flirtation soon evolves into an unusual affair — a fantasy escape becomes a reality of intense pleasure, taking Susann far from her suburban comfort zone.

Escape Artists
Su Orwell
Pocket Erotica #19
paper; 66 pp., $10
ISBN: 13 978-1-7379430-0-6


photo by Rob Gaczol

             

Su Orwell’s debut novel, Edge of Sundown, was published by Darkstroke Books in 2020. Her short prose and essays have appeared in Write City Magazine, Writing Disorder, Raconteur, and The New Urge Reader 4, among others. She lives in Chicago.