Good Shit for Your Coffee Table

A deluxe ANTHOLOGY FOR THE AGES

FULL COLOR —  PROFUSELY ILLUSTRATED — OVER 100 PAGES OF SUBLIME ART & LITERATURE — LARGE PAPERBACK FORMAT —

Choice selections from the international monthly journal LE SCAT NOIR, where art & literature hit the fan. Good shit guaranteed!

Featuring:
Paulo Brito, Paul Kavanagh, Erik Satie, Samuele Bastianello, Alice Pulaski, Pink Buddha, Doug Skinner, Yuriy Tarnawsky, Jason E. Rolfe, Eckhard Gerdes, Harold Jaffe, Tom Whalen, Darlene Altschul, Madalina Tantareanu, Sheila Pell, Samantha Memi, Opal Louis Nations, Alphonse Allais, Francisque Sarcey, Carla M. Wilson, Terri Lloyd, Mercie Pedro e Silva, Georges Hugnet, Norman Conquest, Paul Rosheim, Carol White, Michael Leigh, Nile Southern, Mantis Man, Tom Bussmann, Edward Lear, Mark Axelrod, Adao Iturrusgaral, Jim Johnson, Rick Krieger, Pippa Anais Gaubert, Rebecka Skog, Frank Pulaski, Jim McMenamin, Gail Schneider, Franciszka Themerson,  Raymond Queneau, Georges Perec, Italo Calvino, Tom La Farge, Theodore Carter, Nick Frost, Farewell Debut, Quixote, Robin Wyatt Dunn, Allan Bealy, Angela Pankosky, Brett Stout, Uwe Taubert, Iacyr Anderson Freitas, Desiree Jung, Andy Koopmans, Jim Meirose,  Russell Helms, Peter Payack, Adrienne Auvray, Gelett Burgess, and Eugene Ivanov.

8.25″ x 10.75″
Perfect-bound
Deluxe trade paper edition
114 pages
$29.99

This special edition is available direct from the printer. CLICK HERE to order this lavish collector’s edition.

WORD(FORE)PLAY

Pucker up your lipograms, OULIPO PORNOBONGO is here. The three limited edition volumes of this “Anthology of Erotic Wordplay” are out of print and scarce. Now the complete set has been compiled into this juicy paperback edition—Illustrated in shocking full color. Discover inspired works of constrained ecstasy by Alphonse Allais, Alain Arias-Misson, Paulo Brito, Norman Conquest, Rusty Cuffs, Farewell Debut, Tom La Farge, Larry Fondation, Paul Forristal, Ryan Forsythe, Eckhard Gerdes, Harold Jaffe, Roger Leatherwood, D.S. Macpherson, Samantha Memi, Ellen Nations, Opal Louis Nations, Andy O’Clancy, Lance Olsen, Derek Pell, Shane Roeschlein, Thaddeus Rutkowski, Maria Schurr, Lucy Selleck, Kebob G. Shoon, Doug Skinner, Tara Stillions Whitehead, and Giovanni Zuniga. OULIPO PORNOBONGO is a veritable orgy of art, text, and Oulipian mischief.

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LET THERE BE LAUGHTER!

Just in time for the holidays, THE ALPHONSE ALLAIS READER has arrived!

Drawn from Black Scat’s eight editions of the master French absurdist, this compendium is a sublime introduction to the wordplay and black humor that shocked and dazzled Bohemian Paris in the raucous “Banquet Years.” The READER includes the celebrated pataphysical text “A Thoroughly Parisian Drama”—a favorite of both André Breton and the Oulipians—as well as stories, plays, an excerpt from his only novel, and the classic exploits of Captain Cap and Francisque Sarcey. The translator, Doug Skinner, has added copious notes and an illuminating introduction.

Step into the funhouse! Laughs and surprises await!

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She’s baaaacccck….

The  perfect  treat for Halloween.

FIRST PUBLICATION IN ENGLISH!

A zombie rises from the grave of French literature to stalk the earth once more! This bizarre novel – written in 1697 – marks the first mention of the word “zombie” in world literature. It is a wicked tale of lascivious lust and lunatic desires, a strange concoction of prose and verse, set in the sexual and racial hothouse of colonial Guadeloupe. Our narrator has his eye on the beautiful Creole Countess, who goes barefoot and serves her guests tadpoles. When she offers him sex in exchange for magical powers, he tricks her into thinking she’s an invisible zombie; slapstick, humiliation, and confusion follow. Includes a preface by the avant-garde magus: Guillaume Apollinaire.

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THE CROS FLIES!

CHARLES CROS: COLLECTED MONOLOGUES

It’s back to cool with the great French monologist,  humorist, poet, and inventor—in a trenchant translation by Doug Skinner.

***FIRST PUBLICATION IN ENGLISH!***

Born in1842, Charles Cros was one of the most brilliant minds of his generation, equally adept at poetry, fiction, and scientific inquiry. He wrote smutty verses with Verlaine, synthesized gems with Alphonse Allais, contributed wild prose fantasies to Le Chat Noir, and experimented with color photography and sound recording, only to die young, poor, and alcoholic. Not incidentally, he also invented the comic monologue for the actor Coquelin Cadet. In these strikingly spontaneous and modern sketches, he introduces a gallery of fools and obsessives—The Clean Man, The Fencing Master, The Capitalist, The Friend of the Family—all nattering away, assaulting the audience with trivia, and blithely unaware of their own failings.

This edition collects all 22 of Cros’s monologues—masterfully translated & introduced by Doug Skinner—and includes performance notes by Coquelin, plus two biographical essays by his friend and colleague Alphonse Allais.

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“The sheer playfulness of certain fanciful parts of Cros’s work must not let us forget that in the center of some of his finest poems, a revolver is aimed at us.”—André Breton

TODAY!!

Today is the day Debra Di Blasi‘s cutting-edge alternative fictions flash before our eyes. This provocative new collection reveals our secret lives on social media — exposes the code behind our narcissistic sexting & selfies with feral wit. Indeed, this book is a savage bible defining our digital existence, here & now. Today.

TODAY is the day of resurrection and death in the NEW AMERICA. TODAY IS THE DAY THAT WILL MATTER.


ADVANCE PRAISE FOR DEBRA DI BLASI:

Debra Di Blasi’s TODAY IS THE DAY THAT WILL MATTER is a fierce and real-time live-stream pastiche that inhabits voices and points-of-view of our new “American” multitude. Terrifyingly sincere and aching with loss one moment, angry, cruel, even bigoted the next, Di Blasi’s anti-Whitmanian universe expands and collapses into every imaginable corner of what our world has become, to salvage true moments out of this white noise at the penetralia of our virtual hornet’s nest, in which bodies have somehow come alive, “crawled right out of the trashbin of history into the light of public office.”  How it smokes and hums with danger! Readers beware: This hilarious and moving book is not a safe space.—Sam Witt, author of Little Domesday Clock

No one else writes about the current social climate with the badass gusto of Debra Di Blasi. No one! Politically incorrect, seriously playful, often shocking, incorrigible in all the right ways, self-indicting, yet devastatingly human, Di Blasi’s prose grabs contemporary culture by the throat and holds on in a dazzling stranglehold where the “I” of the shitstorm is “you.” -Aimee Parkison, author of Refrigerated Music far a Gleaming Woman

Will the world end with a whimper or a bang? Debra Di Blasi’s TODAY IS THE DAY THAT WILL MATTER gives us a compelling third option: It will end in a whir of pronouncements, gossip, apologies, braggadocio, and the rest of the nonstop human noise we call culture. In 138 very short fictions ranging from the TV show “Chopped” to a pig farm, a magazine in a doctor’s waiting room and the fantasies of a college professor, Di Blasi’s compressed prose and linguistic play result in a jack-in-the-box kind of release found in good poetry. This is a writer in full control of language, from regional idiom to scientific jargon. “I wish to speak of things that are not I” says a character in one story, even as the character in another acts out the wish for permeability “I stuck my finger inside. Something bled. I’m sure it was you.” Despite our desire to escape the metaphysical and envi­ronmental catastrophes we’ve long wrought by now flirting with the concept of a human-robot future, Di Blasi reminds us elegantly and fero­ciously exactly where our human actions have placed us. -Leslie McGrath, author of Feminists Are Passing from Our Lives


Today Is the Day That Will Matter: An Oral History of the New America: #AlternativeFictions
by Debra Di Blasi
Trade paperback, 150 pages, $12.95

NOW AVAILABLE WORLDWIDE ON AMAZON  — CLICK HERE TO ORDER ON AMAZON BEFORE IT’S CENSORED.