STAND AND SALUTE!

What happens when you combine patriotism and ‘pataphysics (the science of imaginary solutions)? That’s right, you get a big BANG and fireworks — all packed inside the new
LE SCAT NOIR.  

The July issue features incendiary works by Alain Arias-Misson, Paulo Brito, Norman Conquest, Mitchell Eva, Eckhard Gerdes, Harold JaffeAlfred Jarry, Richard Kostelanetz, Terri Lloyd, Frank PulaskiJason E. Rolfe, Paul RosheimMercie Pedro e Silva, and Doug Skinner

#225 marks the first interactive edition with “live” links and an EXCLUSIVE screen-video of Alfred Jarry’s resurrection!  

As always, it’s free to read online or download to your device, so stand and salute! Then  CLICK HERE.

Sucker Punch Gala in NYC

(photo by Karina Tarnawsky)

If you were in NYC on June 15th and missed the BLACK SCAT SUCKER PUNCH bout between high lit  heavyweight champs Yuriy Tarnawsky (seated)) and Alain Arias-Mission —shame on you! You missed a bloody good reading.

The Emily Harvey Foundation. provided ringside seats,  booze & noisemakers  to an unruly crowd of fans. Tarnawsky threw wicked upper-cuts from his classic collection of “short shrift fictions,” CROCODILE SMILES, while Arias-Misson responded with  a blazing left hook from his new novel THE DETECTIVE WHO DIDN’T HAVE A CLUE.

Fortunately all is not lost, as both books are available on Amazon and just a click away.

 

 

Gone Missing

The following 55 Black Scat titles are no longer in print. This explains why some links in old blog posts take you to an order page that no longer exists. All available titles can be found on our web site. www.blackscatbooks.net

OUT OF PRINT

HOW I BECAME AN IDIOT BY FRANCISQUE SARCEY. Allais
CAPTAIN CAP. Volumes I-IV. Allais
PISSOIRS, BIDETS, CRAPPERS & THRONES. Auvray
WASTED ENERGIES, BAFFLED THOUGHTS. Bacon
MUD BATH. Bealy
CONTEMPORARY ART FOR RICH KIDS. Bianchessi
THE FACETIAE EROTICA OF POGGIO. Bracciolini
A CAMI SAMPLER. Cami
COLD IN THE BRAIN. Carolino
FANNY HILL. Cleland
A BEGINNER’S GUIDE TO ART DECONSTRUCTION. Conquest
THE NEGLECTED WORKS OF NORMAN CONQUEST. Conquest
SNOWDROP IN AFRICA. Conquest
DON’T WORRY, IT’S NOT ABOUT HATS. Conquest
REAR WINDOWS. Conquest
BURN THIS BOOK. Conquest
BLINK: VISUAL ANTIPHONIES. Debut
THE TWO LOVES OF NUNNY. Debut
MINCE. Doove
IF YOU DON’T READ THIS THE TERRORISTS WILL WIN. Forsythe
‘S A BIRD. Gerdes
THE SUGAR NUMBERS. Hamilton
THE OTHER SIDE. Hibbard
CONSIDERATIONS ON THE DEATH AND BURIAL OF TRISTAN TZARA. Isou
KIRGHIZ STEPPES: ACCUMULATED VERBO-VISUALS. Kasper
WHITE FIRE & OTHER TALES. Kmoch
THE WORKS & LIFE OF KOSTY RICHARDS. Kostelanetz
THE BEST OF THE CHRISTMAS CATALOGUES. Leigh
IT’S FUN TO BE RICH IN AMERICA. Leigh
THE LITTLE RED BOOK OF COMMIE PORN. Lloyd
KATE MOSS & OTHER HEROINES. Memi
SHATTERED RAINBOW. Mori
MOO NUDES. Mori
EMBRYO WORLD. Nations
NICKLE NOIR. Nickle
THE WONDERFUL WIZARD OF SADE. Pell
DOKTOR BEY’S SUICIDE GUIDEBOOK. Pell
SCAR MIRROR. Pell
SURREALIST TEXTS. Prassinos
WOMEN THAT DON’T EXIST. Pulaski
AN EROTICS OF SEEING. Rice
AN INCONVENIENT CORPSE. Rolfe
FISHSLICES. Rosheim
HOROSCRAPES. Skinner
WALLOOMSAC: A WEEK ON THE RIVER. Slavitt
HOT HEART OF BOAR & OTHER TASTES. Southern
MERDE À LA BELLE ÉPOQUE. Various
OULIPO PORNOBONGO (volumes 1-3). Various
TRUE CRIME: The People vs. Rrose Sélavy. Waldmann
THE DERANGEMENT OF JULES TORQUEMAL. Wexelblatt
DOLL WITH CHILI PEPPER, Whalen
HOTEL ORTOLAN. Whalen
SELECTED POEMS. Wood

 

“THAT REGRETTABLE WEEKEND”

Black Scat author and translator Doug Skinner has just released his new album—THAT REGRETTABLE WEEKEND—featuring 21 songs that will make you laugh, cry in your beer, feel  nostalgic for old New York and those better (some might say bitter) days that never existed. Golden vocals with traces of dark humor and a haunting uke conspire to lull one down a slippery slope.

Take a listen to the title cut:

You can purchase the full digital album for only $9, or nab your favorite tracks for a buck.

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Watch for THE DOUG SKINNER SONGBOOK coming later this year.

CHEER UP — IT’S FREE!

The June Gloom issue of LE SCAT NOIR is now available for download. We won’t bother mentioning that  it’s free because  you  already know that. #224 features an international roster of artists and writers, including Alphonse Allais, Adrienne Auvray, Mark Axelrod, Paulo Brito, Norman Conquest, Farewell Debut, Félix Fénéon, Pippa Anais Gaubert, Eckhard Gerdes, Thomas Gresham, Adao Iturrusgarai, Jim Johnson, Rick Krieger, Terri Lloyd, Jim McMenamin, Andy O’Clancy, Frank Pulaski, Jason E. Rolfe, Paul Rosheim, Marina Rubin, Doug Skinner, and Rebecka Skog.

“THE OLD NEIGHBORHOOD”

An in-depth review of the novel HERE LIES MEMORY by Doug Rice appears in the current issue of AMERICAN BOOK REVIEW.

Here is an except:

THE OLD NEIGHBORHOOD by tara stillions whitehead

“A photograph never remains innocent. Just like a mirror is never innocent.” —Doug Rice

Those in search of a Faulknerian novel set in Pittsburgh will find themselves easily absorbed by Doug Rice’s lyrical meditation, Here Lies Memory, a book that skillfully braids myriad existential themes to form a multi-tiered narrative suspended between forms. From the relationship between identity and place to the speciousness of sight and words, Rice investigates how simulated realities and gentrification’s continued oppression of already marginalized groups—minorities, the indigent, the addicted, and the psychologically afflicted—distort collective memory and perpetuate dominant culture’s legacy of violent hegemony within the social narrative. Parallel narratives and succulent prose convey this tall order of emotionally charged themes and do so with a sophisticated understanding of narrative balance.

Readers are first introduced to Elgin, an African-American Vietnam War vet and widower whose despair over witnessing the continued gentrification and ultimate disappearing of his neighborhood and its history leads him to will himself into blindness. As with many of the characters in Rice’s book, Elgin seeks self-preservation, and blindness is his only means of doing so. “Going blind,” Rice writes, “saved Elgin from the oblivion being created by a world that was too full of things to see. It stopped him from losing what remained of the world that was worth saving…The old neighborhoods were becoming invisible. Renaissance this, renaissance that. Call it what you want, to Elgin it was stealing stories. Memories were dying. Outside, in the world of the seeing, the past was being erased more and more. All that was true was being forgotten.” Disappearing neighborhoods are not the only things at risk of being lost in a world with little regard for the past; Elgin’s memories of his beloved and deceased Thuy, the Vietnamese woman Elgin brought home from the war and married, are equally at risk. And Elgin and Thuy’s teenage grandson Johnny is, for Elgin, the greatest potential threat to her and the family’s eventual disappearance.

The bulk of Elgin’s story involves persistent attempts at making Johnny conscious of his naïveté and complicit ambivalence, and through these encounters, Rice’s commentary regarding the labor involved in creating dialogue between generations becomes apparent. Through sightless Elgin, we also see the importance of the oral tradition of storytelling in keeping blood memories alive. “Your story,” he tells Johnny, “began before you ever began. Before your mother cried her first tear. Before I kissed your grandmother. Before. That’s when words begin making you. In the before.” The before is Elgin’s father, Clarence, whose vitriol regarding the loss of his first love is, according to Elgin, an important part of who Johnny will become. One has to ask, though, is Rice arguing that aspects of one’s history are beyond escaping? Are we forever prisoner to our blood memory? Johnny’s quest to find his great-grandfather’s ghost and, presumably, confront the despair he would rather ignore, is a journey towards knowing the answer; in the end, Johnny’s passive observation of the spectral image of Clarence’s riverside mourning leaves no concrete resolution. Arguably, the final moments of the book foreshadow Johnny’s likely lapse into the same self-preservation that eventually takes Elgin, and Johnny’s surrender to storytelling as the answer to the things we do not know and therefore fear unsettles an otherwise staunch argument about the importance of increased visibility among the marginalized.

Rice explores place and memory simultaneously, removing them from the abstract via analogy: The city of Pittsburgh is as much a physical place—made of words—as it is an amalgamation of memory, or that of touch. Additionally, Rice explores experience and the human condition as something of a script, or a text that is rewritten and storied by the individual and culture. The problem with revision is the lack of consensus. Tenderness for one is violence for another; the simulated is…

-from American Book Review, Volume 38, Number 2,

***

HERE LIES MEMORY is available worldwide on Amazon.

Welcome to Blissville USA!

Take this hilarious trip back to 1970s suburbia and meet sexy Beulah Montezuma. Alas, despite her abundant charms, she’s having a hard time satisfying her well-endowed hubby. But Beulah is not a quitter, and she’s determined to give it her all in this outrageous “erotical” novel.

Originally published by Grove Press, we’re proud to bring this raunchy classic back to life in a New Urge edition. And, yes, the cat (and the pun) is out of the bag now, as the man behind the Stephanie Gatos pseudonym is none other than writer and poet Steve Katz.

Steve is the author of many  acclaimed books of fiction and poetry, including The Exagggerations of Peter Prince (recently reissued), Creamy and Delicious, Saw, Wier & Pouce, Florry of Washington Heights, Swanny’s Ways, Journalism, et al.

This Posh is his.

But this is no time for pussyfooting…CLICK HERE and order your copy today!

You can sample the first chapter for free in the special “Eros” issue of LE SCAT NOIR here

AVAILABLE WORLDWIDE ON AMAZON

EROS IS EROS IS EROS…

The Special “Eros” Issue of LE SCAT NOIR is now availablefeaturing titillating texts & images by Adrienne Auvray, Paulo Brito, Tom Bussmann, Norman Conquest, Esbey, Stephanie Gatos, Eckhard Gerdes, Georges Hugnut, Jim Johnson, Steve Katz, Michael Leigh, Terri Lloyd, Mantis Man, Derek Pell, Frank Pulaski, Paul Rosheim, Mercie Pedro e Silva, Doug Skinner, Nile Southern, Carol White. and Mihaly Zichy.  

***includes an excerpt from the novel POSH by Stephanie Gatos.

To preview and download this naughty noir,  CLICK HERE

Just in the click of time….

We’ve done our spring cleaning. LE SCAT NOIR is sporting a new logo and masthead design. (Yes, the journal’s mascot “Scatman” has finally made the front cover.) In addition to our regular features (Adrienne Auvray’s “News in a Nutshell,” Terri Lloyd’s “Dear P.B. advice column,” Doug Skinner’s absurd musical instruments, and Frank Pulaski’s no holds barred horoscopes) this special April Fools  issue includes outstanding fiction by Alphonse Allais, Eckhard Gerdes, Jan Vander Laenen, Jason E. Rolfe, and D. Harlan Wilson; humor by Peter Gambaccini; poetry by Paul Rosheim; and sublime art by Darlene Altschul, Paulo Brito, and Carla M. Wilson.

To celebrate spring and the impeachment of Donald J. Trump, we offer readers a free ticket to the festivities. Finally, our short-lived national nightmare is over. Now we can all breathe a sigh of relief.

CLICK HERE to preview and download the issue.

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OK, that’s your freebie for today…now plunk down your coins for Alphonse Allais‘s new collection, I AM SARCEY.  This is the book Black Scat was born to publish.

Now Available Worldwide on Amazon. CLICK HERE to order.

March On!

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The new issue is available for download!  It features an all-star cast of misfits: Adrienne Auvray, Mark Axelrod, Robert Beveridge, Paulo Brito, Norman Conquest, Farewell Debut, Rory Forsythe-Elder, Ryan Forsythe, Eckhard Gerdes, Richard Kostelanetz, Clyde Liffey, Micah Lee Mowbray, Jenean McBrearty, Opal Louis Nations, Frank Pulaski, Shane Roeschlein, Mercie Pedro e Silva, and Doug Skinner.

CLICK HERE to download your free copy.