We are elated, delirious, tickled, thrilled, and ecstatic to announce the 16th volume in our acclaimed Alphonse Allais Collection. This first English translation of Allais’s Pour cause de fin de bail has been exquisitely prepared and introduced (with notes on the text) by master translator Doug Skinner.
This wickedly amusing collection contains fifty-three absurdist tales—packed with phantom limbs, floating brothels, tapeworms, ostrich shoes, and other remarkable things. It makes a jolly beach read, or to browse in your hammock whilst sipping a cool glass of lemonade—or better yet, a jug of absinthe.
So, if you haven’t already begun gathering your personal Allais collection—shame on you!—now is the time to start. Scroll down and you’ll find unadulterated links to each edition for convenient purchasing.
We proudly present the 15th volume in our grand Alphonse Allais Collection. Here is France’s greatest humorist in top form. This first English translation of WE ARE NOT SHEEP features 44 witty tales, PLUS four extra stories, translated by Allaisian scholar Doug Skinner, with his erudite introduction and complete notes on the text.
If you’re looking for laughter—(and, hell, who isn’t?)—this delightful edition is a gift that will long be remembered.
ABOUT THE AUTHOR
ALPHONSE ALLAIS (1854-1905) was a peerless French humorist, celebrated posthumously by the Surrealists for his elegant style and disturbing imagination. In addition to composing absurdist texts for newspapers such as LE CHAT NOIR and LE JOURNAL, he experimented with holorhymes, pioneered conceptual art, and created the earliest known example of a silent musical composition: FUNERAL MARCH FOR THE OBSEQUIES OF A DEAF MAN (1884). Ahead of his time (as well as ours), Allais is needed now more than ever. His mischievous work remains fresh, funny, and always surprising.
ABOUT THE TRANSLATOR
DOUG SKINNER has contributed to Black Scat Review, The Fortean Times, Strange Attractor Journal, Fate, Weirdo, Nickelodeon, Cabinet, and other fine publications. Black Scat Books has published several books of his stories, cartoons, and songs, as well as translations of Alphonse Allais, Charles Cros, Alfred Jarry, Pierre-Corneille Blessebois, Luigi Russolo, Caroline Crépiat, and Corinne Taunay. Other translations include Three Dreams (Giovanni Battista Nazari, Magnum Opus Hermetic Sourceworks), The Cocktail Hour (Marcel Requien and Lucien Farnoux, with Gaylor Olivier, Corps Reviver), and Principles of Cerebral Mechanics (Charles Cros, Wakefield Press).
He has written music for several dance companies; his scores for actor/clown Bill Irwin include The Regard of Flight, The Courtroom, The Regard Evening, and The Harlequin Studies.
TV and movie appearances include Great Performances, Martin Mull’s Talent Takes a Holiday, Mike’s Talent Show, Ed, Crocodile Dundee II, several of George Kuchar’s videos, and a smattering of commercials.
His albums That Regrettable Weekend, It All Went Pfft, and An Afternoon in the Arboretum are available on Bandcamp.
We don’t like to play favorites and with a list of some 200 titles we can’t. But we thought you might like to know which titles have been the most popular. So here is a list of our Top Ten. All are in print, so if you missed one just click on its cover.
10 Oulipo Pornobongo (2016)
9 Le Scat Noir Encyclopedie et Dictionaire (2020)
8 Captain Cap, Alphonse Allais (2013)
7 Le Scat Noir Encyclopedia (2017)
6 Critics & My Talking Dog, Stefan Themerson (2019)
THE BOOK WITH THE GREEN COVER. A collection of Norman Conquest‘s verbo-visual vices, including posters, charts, mock book & magazine covers, rectified readymades, typographic diversions, found novels, and other detritus. Illustrated with color plates and silverware.
When Daniil Ivanovich Yuvachev steps in front of a trolleybus and is killed, he immediately regrets not looking both ways before crossing the street. It’s one of many deaths Daniil faces in these eighteen absurdist tales. From a mind that wanders too far at lunch, and a madcap chase through St. Petersburg, to a clock that stops time whenever it’s observed, these stories trace not only the lives and deaths of the hero, but the author’s impossible nostalgia for a time, a city and a writer he never knew. Filled with existential humor, this masterful collection explores the thinly-veiled boundary between sense and nonsense.
“The Many Lives and Countless Deaths of Daniil Ivanovich is an absurdist gem in which Jason E. Rolfe channels the best essences of Gogol and Dosto evsky while authenticating his own unique voice. Uncanny, whimsical, and smart, these interstitial stories and vignettes reminded me that literature isn’t dead yet after all.” —D. Harlan Wilson, author of Outré and The Psychotic Dr. Schreber
“Whether you find this funny or frustrating, I would recommend a few sips of this book from day to day. Taken all at once, it can induce mental chaos, but taken one story at a time, it can promise wide smiles. Jason E. Rolfe might be the most specialized of specialist writers, but he deserves a wide, non-specialized readership.” —Mark Fuller Dillon, author of Ice and Autumn Glass
Available on Amazon in North America, Europe, and Australia
Jason Rolfe writes fiction that is both darkly comic and comically absurd, often using humour to shed light on things he finds philosophically absurd. His publications include the novellas, The Puppet-Play of Doctor Gall (Black Scat Books, 2020) and An Archive of Human Nonsense (Snuggly Books, 2017), and the short story collection, Clocks (Black Scat Books, 2018). His short stories have recently appeared in the anthologies The Neo-Decadent Cookbook (Eibonvale Press, 2020), Bitter Distillations (Egaeus Press, 2021) and Uncertainties V (Swan River Press, 2021). Jason is a frequent contributor to Black Scat Review.
Bonne Patannée 2021! Time to celebrate imaginary solutions. — Linda Klieger Stillman
Boudoir Reference
This volume contains all the knowledge you’ll ever need to have a successful life of the mind. Profusely illustrated, featuring entries by an international roster of distinguished experts from the arts, sciences, university and academia.
“An encyclopedia ought to make good the failure to execute such a project hitherto, and should encompass not only the fields already covered by the academies, but each and every branch of human knowledge.” —Diderot
“Today everyone wants to know everything – and preferably in alphabetical order.” —François Caradec
Le mot encyclopédie a été utilisé en français pour la première fois par Rabelais, mais ce n’est que lorsque Norman Conquest en a édité une qu’il a pris une dimension sublime.”—R. Queneau
Distinguished contributors from around the world include: Adrienne Auvray, Mark Axelrod, Tom Barrett, Norman Conquest, Caroline Crépiat, René Descartes, Peter Gambaccini, Eckhard Gerdes, Charles Holdefer, Rhys Hughes, Tractor Inspector, Alfred Jarry, M. Kasper, Richard Kostelanetz, Amy Kurman, Librairie Larousse, Michael Leigh, Olchar E. Lindsann, Opal Louis Nations, Daren Elsa Nibelly, Dr. Novalis, Pata-No , Richard Peabody, Mercie Pedro, Derek Pell, Charlotte Porter, Frank Pulaski, Jason E. Rolfe, Sourav Roy, Dr. I. L. Sandomir, Paulette Single, Doug Skinner, Maddy Smith, Linda Klieger Stillman, Corinne Taunay, Text Fixer, Kimberly Vodicka, Tom Whalen, Femke van der Wijk, Carla Wilson.
Featuring over 40 distinguished experts from around the globe, including: Adrienne Auvray, Mark Axelrod, Tom Barrett, Norman Conquest, Caroline Crépiat, René Descartes, Peter Gambaccini, Eckhard Gerdes, Charles Holdefer, Rhys Hughes, Tractor Inspector, Alfred Jarry, M. Kasper, Richard Kostelanetz, Amy Kurman, Librairie Larousse, Michael Leigh, Olchar E. Lindsann, Musée Patamécanique, Opal Louis Nations, Daren Elsa Nibelly, Dr. Novalis, Pata-No , Richard Peabody, Mercie Pedro, Derek Pell, Charlotte Porter, Frank Pulaski, Jason E. Rolfe, Sourav Roy, Dr. I. L. Sandomir, Paulette Single, Doug Skinner, Maddy Smith, Linda Klieger Stillman, Corinne Taunay, Text Fixer, Kimberly Vodicka, Tom Whalen, Femke van der Wijk, Carla Wilson.
Order nowand we’ll include this lovely back cover…
“You can’t judge a book by its barcode.” —Norman Conquest
In honor of Donald Trump‘s historic election loss we’re bringing back an out-of-print classic from our Absurdist Texts & Documents series:
The thirteen poems penned by screenwriter/director Ed Wood during his lifetime will not to be found in the Ed Wood, Jr. Collection at Cornell University. Cornell is home to the original draft of Wood’s screenplay “Grave Robbers from Outer Space” (released in 1959 as “Plan 9 from Outer Space”), as well as his rare novels Killer in Drag (1965), Death of a Transvestite (1967), and others. There is not, however, a single shred of Wood’s poetry. The only evidence that “the world’s worst filmmaker” was also a poet of equivalent talent are several dozen rejection letters, including one from The New Yorker for a poem entitled “shreik” [sic].
According to Wood’s second (?) wife, the poet renounced his efforts as “pure crap” in 1968, and buried these thirteen unpublished works at the La Brea Tar Pits in California. A few days later, she attempted to retrieve the pages, but they had vanished from their unmarked grave. Wood subsequently coined the term “poesy-snatchers” to explain what had happened to his missing body of work.
Nearly 30 years later the poems were discovered inside an abandoned flying saucer that landed in Lodi, New Jersey. In 1996, the poems were published privately in a limited edition by a small press in Coronado, California under the title Selected Poems — despite the fact that the book represents Wood’s total poetic output.
Black Scat is proud to bring these lost odes back from the dead in a glowing, unexpurgated chapbook. We have erred on the side of caution and retained the original title for—who knows?—perhaps the bard will revisit our planet and dump some more gems.
blackscatbooks.com 