JARRY LIVES!

Alfred Jarry spent his brief and turbulent life experimenting with genres of fiction. In his last few years, he created a new fictional form: the absurdist speculative essay. R J Dent’s new English translation of Speculations contains 68 of Jarry’s essays, originally printed between 1901 and 1904 as a series, ‘Spéculations’, in the French journal Le Revue Blanche.

In Jarry’s darkly comic collection of surrealist and satirical prose pieces, the renowned author deploys his characteristic satirical eye and dark humor to devastating effect. These essays range in tone from the wildly comic to the deeply tragic and cover a diversity of subjects, ranging from French Trees to Cannibalism. For Jarry, nothing is sacred; everything is worthy material for his surreal satire; the Passion is presented as a sporting event; buses are the prey of big game hunters, and even the Queen is licked from behind.

Edible contents:

SPECULATIONS
Alfred Jarry
Translated by R J Dent
Paper; 5.06  x 7.81 inches; 235 pp., $15.95
ISBN 13 979-8-9859996-1-7 

AN ‘ANTHUMOUS’ WORK BY ALPHONSE ALLAIS

The master absurdist is back in LOVES, DELIGHTS, & ORGANS (Amours, délices et orgues). This madcap collection of stories, fables, hoaxes and jokes is pataphysical fun for the literate layabout. This first English translation features 47 sublime textual specimens — PLUS six additional stories, a rousing introduction, and enlightening notes on the translation by Allaisian scholar Doug Skinner. If you’ve yet to discover the bizarre world of Alphonse Allais, you’re in for a treat.

“Allais comes across as a very modern writer, and his work as an experimental enterprise which is exemplary in many ways… it is also quite possible to invoke such writers as Raymond Queneau, Italo Calvino, and Jorge Luis Borges.”  Jean-Marie Defays


ABOUT THE AUTHOR

   Alphonse Allais was born in the Northern port town of Honfleur, in Calvados, on October 20, 1854. He was, therefore, born in the same town as Erik Satie, and on the same day as Arthur Rimbaud. His father was a pharmacist, and sent young Alphonse to Paris to learn the family trade. Young Alphonse mostly cut his classes, and steeped himself in the absinthe-soaked delights of bohemian Montmartre.

   He joined the hard-drinking literary coterie the Hydropathes, accompanied the celebrated prankster Sapeck (Eugène Bataille) on his misadventures, submitted monochromatic pictures to the proto-Dada exhibitions of the Incohérents, and wrote squibs for various ephemeral papers. He became adept, in both word and deed, at the unique Parisian discipline of fumisme: a heady mix of hoaxing, provocation, and iconoclasm, all delivered with deadpan aplomb. Although he’d abandoned chemistry, his scientific credentials gave him a perspective (and persona) that set him apart from the more febrile poets around him. He was often likened to an English schoolmaster, with a placid demeanor that made his wild ideas all the more startling. [from the introduction by Doug Skinner]

THE GREATEST SHOW ON EARTH!

Step right up! The “Funhouse” issue is now available. It walks, it talks, it crawls on its belly like a reptile . . .

Featuring astounding art and fiction by  Mark Axelrod; Tom Barrett; David Berger;  Norman Conquest; R J Dent; Muriel Falak; Eckhard Gerdes; Richard Gessner; Alfred Jarry; Richard Kostelanetz; Amy Kurman; Mantis; Kate Meyer-Currey; Bob McNeil; Lillianne Milgrom; Lance Olsen; Paul Rosheim; Doug Skinner; Nile Southern;  and Jim Yoakum.

Ladies and gents, grab your copy now!


ALLAIS’S CABARET — HOORAY!

It’s a rare event when we publish a work of nonfiction, but this book is dear to our hard-hearted heart. This extraordinary work of scholarship exposes the liveliest fin-de-siècle bohemian cabaret and journal in Paris.

Le Chat Noir was a playground for painters, writers, poets, pranksters, and musicians, all gleefully demolishing the standards of art and good taste. Caroline Crépiat examines such eccentric personalities as Paul Verlaine, Alphonse Allais, Marie Krysinska, Maurice Mac-Nab, and Charles Cros, and analyzes their treatment of money, women, translation, humor, sex, disease, and scatology, with generous samplings of the original texts. A masterful look at a rich and colorful legend of the avant-garde!

Le Chat Noir Exposed
Caroline Crépiat
Translated by Doug Skinner
trade paper, 182 pp.,
Illustrated; $15.95
ISBN: 978-1-7356159-6-7

ABOUT THE AUTHOR

Caroline Crépiat‘s main area of research focuses on French fin-de-siècle periodicals, humor, and language. Her articles have been published widely in France. She co-edited Masks, bodies, languages — Figures in contemporary erotic poetry (Classiques Garnier Editions: 2017). She lives in Dijon with two chats noirs.

Scat has nine lives!

July 4th marks our 9th year of publishing. To celebrate the occasion we’ve released a special deluxe hardcover edition of our very first title, ALPHONSE ALLAIS’S MASKS — adapted and illustrated by Norman Conquest, with an introduction and notes on the text by Allaisian scholar Doug Skinner.

This revised, expanded edition features three additional chapters and over 60 color illustrations.

Join the celebration and order your copy of this collectable edition here.

ALPHONSE ALLAIS’S MASKS
Adapted & Illustrated
by Norman Conquest
With a Introduction & Notes on the Text
by Doug Skinner

DELUXE SPECIAL EDITION
hardcover; 6×9 inches; 82 pp., illustrated
ISBN 13 978-1-7357646-6-5 / $26


Yum-yum!
Another satisfied customer.

CRIME PAYS! DADA LIVES!

Never before in the annals of art forgery has there been a case like this.

TRUE CRIME: The People vs. Rrose Sélavy, compiled by Karl Waldmann, features unpublished transcripts, exhibits, color illustrations, and shocking new evidence. Fact and fiction are forged together in this seminal work of DADA excavation.

This is an expanded, “rectified readymade edition” of the original, out of print chapbook published in 2016.

TRUE CRIME: The People vs. Rrose Sélavy
Rectified Readymade Edition
Absurdist Texts & Documents #32
Color illustrations, 44 pages; $14

BRIGHT IDEAS

“…a magnificent work. Precise, absurdist, hilarious.”

—Rhys Hughes, author of The Smell of Telescopes

The 41st volume in our seminal Absurdist Texts & Documents series has arrived: PATENTS PENDING by Derek Pell and Doug Skinner, with an Afterword by Alphonse Allais. An illustrated compendium of ingenious inventions so ahead of their time they may never be available to the public – not in this world, nor the next. Discover pataphysical gizmos such as the OUIJA BILLBOARD, HELIUM BOMB, IMPOSSIBLE PICTURE FRAME, TROMPE L’OEIL MAGIC KIT, and many others. For now, these inspired concepts are but speculative prototypes – strange dreams haunting the drawing board of destiny – but thanks to this book you may study and savor them, and imagine a future far brighter than the present.

PATENTS PENDING
Derek Pell & Doug Skinner
with an Afterword by Alphonse Allais
Absurdist Texts & Documents No. 41
paperback; illustrated, 112 pp., $14
ISBN-13 : 978-1735615936