It must be fate, 8 is great…

Reach for quick relief with TYPO #8, a timely remedy for your anxiety and depression. Bring feelings of joy back into your life with its mixture of fictions, poems and artworks from different times and countries. Also it’s a perfect holiday gift for the connoisseurs in your family.

PACKED WITH PROTOMORPHS, DADA, SURREALISM, COLLAGE, FUTURISM, EXPERIMENTAL FICTION, CRIME SCENES, STOLEN LOVE POSITIONS, VISUAL POETRY, BILITERAL ALPHABETS, CONSTRAINED TEXTS, MAD FOLD-INS, FRENCH LITERATURE, ABSURDIST HUMOR, SOUND POEMS, SILENT CINEMA, FIRST ENGLISH TRANSLATIONS, & MORE.

This issue features contributions by Tim Newton Anderson; Tom Barrett; Terry Bradford; Steve Carll; Peter Cherches; Norman Conquest; Lynn Crawford; Jeanne Devlin;  Jean-Christophe Duchon-Doris; Albert Ehrenstein; James Montgomery Flagg; Shawn Garrett; Edward Gauvin; Vasilisk Gnedov; Michael Gould; Allan Randolph Kausch; Amy Kurman; Julia Lillard; Emilia Loseva; George MacLennan; Zach Keali’i Murphy; Opal Louis Nations; Grasset d’Orcet;  Bernard Quiriny; Paul Rosheim; Marcel Schneider;  Doug Skinner; Lono Taggers; Mark Valentine; Renée Vivien; Tom Whalen; Paul Willems; Carla M. Wilson; Danny Winkler; Mark Wyatt.

TYPO #8: The International Journal of Prototypes
155 pp., trade paperback; ISBN: 979-8-9908521-9-8
$20

FICTION ON THE EDGE OF THE UNIVERSE

Those familiar with Tom Whalen’s writing will have already skipped this sentence and jumped to the “buy now” button below. For those who have yet to experience his short fictions, you’re in for a treat.

In Tom Whalen’s Grand Equation ants make their way to the edge of the universe, an old doll rocks her nights away in the attic of an abandoned theater shop, “delivery trucks rumble up from the earth,” flies “feast off the flytrap of the sky,” a room falls in love with its inhabitant, and a man gives birth to a puppet. Populating the whole are troubled old men, grandmothers, a green man and priests, as well as dolls, mice, prose poets, and other fabular fauna. Drawn from Whalen’s work in the field over the past five decades, the sixty-seven prose poems and micro-fictions of The Grand Equation are comic, surreal, philosophical, disquieting and, as John Taylor commented in Michigan Quarterly Review on Whalen’s “Why I Hate the Prose Poem,” “particularly subtle.”

Reading Tom Whalen’s Grand Equation, I am reminded of my early years of writing prose poetry and reading the great masters of the form including Baudelaire, Jacob, Edson, Tate, and Simic. Like the great prose poets before him, Whalen’s work is startling, witty, surreal, and metaphysical. He uses the form to enchant and to entertain, to describe other worlds and offer new windows onto this one. His images, parables, and insights make the absurd seem ordinary and vice versa. And remind me that the world is not as I imagine it to be, and neither am I. This is a collection to ponder, savor and return to. 

—NIN ANDREWS, author of The Last Orgasm

THE GRAND EQUATION
Prose Poems and Micro-Fictions
Tom Whalen
$14.95 paperback
ISBN 979-8-9859996-8-6


Tom Whalen’s short prose has appeared in Great American Prose Poems, Sudden Fiction, An Introduction to the Prose Poem, The Best of the Prose Poem, A Cast-Iron Aeroplane That Can Actually Fly, Unscheduled Departures, The Party Train and other anthologies. His two selections and translations of short prose by Robert Walser — Girfriends, Ghosts, and Other Stories and Little Snow Landscape — are published with NYRB Classics. His novel The Straw That Broke and collection April Fireball: Early Stories are both available from Black Scat.