Extremes of Female Desire

In 2020, New Urge Editions published Hélène Lavelle‘s controversial erotic novel, The Rites of Ecstasy. Today, we are pleased to announce Volume 2—Le Château du Comte—translated from the French by Valéry Soers.

Summoned back to the Domain, Gabrielle surrenders to the demands of the Vicomtesse, the Comte, and Lady Isabella. Much more than a sequel to The Rites of Ecstasy, this novel takes us beyond the introspective feminine dreaminess of La Maison to a more bracing, hallucinatory, wild and strange terrain of its own—the culmination and climax of ‘the Great Work’ on Gabrielle’s heart, soul, mind and body. A story of dramatic and erotic power – an immersion in another world – exploring the farther shores of female desire, love, hate and friendship, through extremes of pleasure and pain to the heights of the Sublime.

Le Château du Comte
by Hélène Lavelle
Translated from the French by Valéry Soers
A New Urge Paperback Original
Trade paper; 315 pp.; $14.95
ISBN 979-8985999648


FREE DOWNLOAD
Peek behind the scenes & explore Hélène Lavelle’s novels. Read Dawn Avril Fitzroy’s article “Ruminations on THE RITES OF ECSTASY,” from Black Scat Review #25.
Click here to download the free PDF.


ALSO AVAILABLE

In the tradition of Decadent literature, spiced with Gothic, this provocative novel takes the reader on a voyage through dream, reverie, fantasy, memory and imagination – recounting the raptures and tortures in the initiation of a young woman, Gabrielle, by the Vicomtesse, the Comte and their entourage in The Domain.

“This modern classic deserves to be ranked alongside the great French erotic masterpieces, Story of O and The Image , and very few others. Not for the faint-hearted or the narrow-minded, this story of love, excess, degradation, cruelty, tenderness and beauty is for all women whose fantasies and desires embrace the intensely erotic.” —Dawn Avril Fitzroy

JARRY LIVES!

Alfred Jarry spent his brief and turbulent life experimenting with genres of fiction. In his last few years, he created a new fictional form: the absurdist speculative essay. R J Dent’s new English translation of Speculations contains 68 of Jarry’s essays, originally printed between 1901 and 1904 as a series, ‘Spéculations’, in the French journal Le Revue Blanche.

In Jarry’s darkly comic collection of surrealist and satirical prose pieces, the renowned author deploys his characteristic satirical eye and dark humor to devastating effect. These essays range in tone from the wildly comic to the deeply tragic and cover a diversity of subjects, ranging from French Trees to Cannibalism. For Jarry, nothing is sacred; everything is worthy material for his surreal satire; the Passion is presented as a sporting event; buses are the prey of big game hunters, and even the Queen is licked from behind.

A series of sly investigations into fin de siècle France that reads like a beautiful & bloody
handful of paper cuts, splintered essays that turn authority on its head in sharp bursts of
wicked logic, R J Dent elegantly capturing Jarry’s iconoclastic spirit, his scandalous heart.

—Matthew Kinlin

Edible contents:

SPECULATIONS
Alfred Jarry
Translated by R J Dent
Paper; 5.06  x 7.81 inches; 235 pp., $15.95
ISBN 13 979-8-9859996-1-7 

Watch Out! — Here Comes Jean-Fucque!

A Born-Again Surrealist Classic

Inspired by Louis Aragon’s obscure surrealist text, this new adaptation by R J Dent proudly presents… [insert drumroll] the one and only, Jean-Fucque Le Cocque, a large, disembodied penis and his Parisian adventures — his satisfactory encounters with female passengers on the Metro, his small room in a hotel frequented by prostitutes, and his reason for buying a hat. (Mon dieu!)

Merci beaucoup!

YIPPEE YI YO KI YAY!

“…one of his finest collections to date.” –Ceri Shaw 

BLAZING TALES OF COWPOKE LIT!

Rhys Hughes saddles up & blasts his way across the vast plains — kickin’ up trouble in this hog-wild collection of Western Weirdness. Using various forms (short stories, a play, lonesome poems — even a garsh-dang essay!), he roasts the genre & serves up some hearty, avant-garde grub — fresh as a dew-dappled Texas rose.

Guns, puns, cowgirrrls & tumbleweed — what more could ya ask for. CLICK HERE TO ORDER YOUR COPY BEFORE SUNDOWN

“Rhys Hughes seems almost the sum of our planet’s literature. He’s as tricky as his own characters. He toys with convention. He makes the metaphysical political, the personal incredible and the comic hints at subtle pain.”
— MICHAEL MOORCOCK

“A dazzling disintegration of the reality principle. Raises the bar on profundity and sets a comic standard for the tragic limits of our human experience. Like Beckett on nitrous oxide. Like Kafka with a brighter sense of humour.” — A.A. ATTANASIO

“If Hughes ever stops writing fiction I will shoot him.” — JEFF VANDERMEER

“If I said he was a Welsh writer who writes as though he has gone to school with the best writing from all over the world, I wonder if my compliment would just sound provincial. Hughes’ style, with all that means, is among the most beautiful I’ve encountered in several years.”
— SAMUEL R. DELANY

In one of his finest collections to date Rhys Hughes treats us to a cornucopia of Western whimsy and wierdness. His latest offering comes complete with all the standard delights we have come to expect from his writing. There are the wonderful guffaw provoking titles such as ‘Phony Express’, ‘Like a Rhino Cowboy’, ‘For a Few Hollers More’ and ‘Tom Cabin’s Uncle’. There is also a very catholic selection of literary genres on offer in these pages….short stories, even shorter stories, poems, a play, haiku and an essay.
— CERI SHAW

WEIRDLY OUT WEST
Rhys Hughes
Absurdist Texts & Documents (No. 42)
paperback; 141 pp., $14
ISBN 978-1-7357646-1-0


**Read Ceri Shaw’s rave review

Happy New Year!

A smart start to a pataphysical new year.

from Belgium with love
Portugal

Bonne Patannée 2021!
Time to celebrate imaginary solutions. — Linda Klieger Stillman
Boudoir Reference

This volume contains all the knowledge you’ll ever need to have a successful life of the mind. Profusely illustrated, featuring entries by an international roster of distinguished experts from the arts, sciences, university and academia.

“An encyclopedia ought to make good the failure to execute such a project hitherto, and should encompass not only the fields already covered by the academies, but each and every branch of human knowledge.” —Diderot

“Today everyone wants to know everything – and preferably in alphabetical order.” —François Caradec

Le mot encyclopédie a été utilisé en français pour la première fois par Rabelais, mais ce n’est que lorsque Norman Conquest en a édité une qu’il a pris une dimension sublime.”—R. Queneau

Distinguished contributors from around the world include: Adrienne Auvray, Mark Axelrod, Tom Barrett, Norman Conquest, Caroline Crépiat, René Descartes, Peter Gambaccini, Eckhard Gerdes, Charles Holdefer, Rhys Hughes, Tractor Inspector, Alfred Jarry, M. Kasper, Richard Kostelanetz, Amy Kurman, Librairie Larousse, Michael Leigh, Olchar E. Lindsann, Opal Louis Nations, Daren Elsa Nibelly, Dr. Novalis, Pata-No , Richard Peabody, Mercie Pedro, Derek Pell, Charlotte Porter, Frank Pulaski, Jason E. Rolfe, Sourav Roy, Dr. I. L. Sandomir, Paulette Single, Doug Skinner, Maddy Smith, Linda Klieger Stillman, Corinne Taunay, Text Fixer, Kimberly Vodicka, Tom Whalen, Femke van der Wijk, Carla Wilson.

ORDER YOUR COPY

TOME FOR THE HOLIDAYS

Just in time for Xmas — all the world’s knowledge in a single stocking stuffer!

Le Scat Noir Encyclopédie et Dictionnaire de la Pataphsique, des arts et du savoir humain, par une société d’hommes et de femmes de lettres (volume deux) has arrived. This sublime paperback encyclopedia packs everything you need for a successful life of the mind into a single volume. Over 100 pages! This profusely illustrated edition is a must-have for collectors of arcane facts, bizarre biographies, astounding science, impossible inventions, and cryptic definitions. You’ll find everything under the sun from Absentee to Zyborg.

Featuring over 40 distinguished experts from around the globe, including: Adrienne Auvray, Mark Axelrod, Tom Barrett, Norman Conquest, Caroline Crépiat, René Descartes, Peter Gambaccini, Eckhard Gerdes, Charles Holdefer, Rhys Hughes, Tractor Inspector, Alfred Jarry, M. Kasper, Richard Kostelanetz, Amy Kurman, Librairie Larousse, Michael Leigh, Olchar E. Lindsann, Musée Patamécanique, Opal Louis Nations, Daren Elsa Nibelly, Dr. Novalis, Pata-No , Richard Peabody, Mercie Pedro, Derek Pell, Charlotte Porter, Frank Pulaski, Jason E. Rolfe, Sourav Roy, Dr. I. L. Sandomir, Paulette Single, Doug Skinner, Maddy Smith, Linda Klieger Stillman, Corinne Taunay, Text Fixer, Kimberly Vodicka, Tom Whalen, Femke van der Wijk, Carla Wilson.

Order now and we’ll include this lovely back cover…

“You can’t judge a book by its barcode.” —Norman Conquest

The Saucer Has Landed!

The thirteen poems penned by screenwriter/director Ed Wood during his lifetime will not to be found in the Ed Wood, Jr. Collection at Cornell University. Cornell is home to the original draft of Wood’s screenplay  “Grave Robbers from Outer Space” (released in 1959 as “Plan 9 from Outer Space”), as well as his rare novels  Killer in Drag (1965), Death of a Transvestite  (1967), and others. There is not, however, a single shred of Wood’s poetry. The only evidence that “the world’s worst filmmaker” was also a poet of equivalent talent are several dozen rejection letters, including one from The New Yorker for a poem entitled “shreik” [sic].

According to Wood’s second (?) wife, the poet renounced his efforts as “pure crap” in 1968, and buried these thirteen unpublished works at the La Brea Tar Pits in California. A few days later, she attempted to retrieve the pages, but they had vanished from their unmarked grave. Wood subsequently coined the term “poesy-snatchers” to explain what had happened to his missing body of work.

Nearly 30 years later the poems were discovered inside an abandoned flying saucer that landed in Lodi, New Jersey. In 1996, the poems were published privately in a limited edition by a small press in Coronado, California under the title Selected Poems — despite the fact that the book represents Wood’s total poetic output.

Black Scat is proud to bring these lost odes back from the dead in a glowing, unexpurgated chapbook. We have erred on the side of caution and retained the original title for—who knows?—perhaps the bard will revisit our planet and dump some more gems.

OUT-OF-PRINT