ALLAIS’S CABARET — HOORAY!

It’s a rare event when we publish a work of nonfiction, but this book is dear to our hard-hearted heart. This extraordinary work of scholarship exposes the liveliest fin-de-siècle bohemian cabaret and journal in Paris.

Le Chat Noir was a playground for painters, writers, poets, pranksters, and musicians, all gleefully demolishing the standards of art and good taste. Caroline Crépiat examines such eccentric personalities as Paul Verlaine, Alphonse Allais, Marie Krysinska, Maurice Mac-Nab, and Charles Cros, and analyzes their treatment of money, women, translation, humor, sex, disease, and scatology, with generous samplings of the original texts. A masterful look at a rich and colorful legend of the avant-garde!

Le Chat Noir Exposed
Caroline Crépiat
Translated by Doug Skinner
trade paper, 182 pp.,
Illustrated; $15.95
ISBN: 978-1-7356159-6-7

ABOUT THE AUTHOR

Caroline Crépiat‘s main area of research focuses on French fin-de-siècle periodicals, humor, and language. Her articles have been published widely in France. She co-edited Masks, bodies, languages — Figures in contemporary erotic poetry (Classiques Garnier Editions: 2017). She lives in Dijon with two chats noirs.

SPRING FEVER

This fourth volume in our sizzling international anthology series makes delicious bedside reading. Featuring 17 gifted writers whose intimate stories excite, unsettle, amuse and transport. Here is innovative feminist fiction that explores the boundaries of female sexuality in all its myriad forms.

THE NEW URGE READER 4 includes fiction by Jeanette Bradley, Karina Bush, Debra Di Blasi, Dana Duren, Eurydice, Petra Anne Hawk, Elna Holst, E. E. King, Amy Kurman, Hélène Lavelle, Lilianne Milgrom, Grace Murray, Su Orwell, Giorgia Pavlidou, Marina Rubin, Kim Vodicka, and E. H. Warrington.

THE NEW URGE READER 4
Erotic Fiction by New Women Writers
Edited by Grace Murray
New Urge / Black Scat Books
Paperback, 131 pp., $14.95
ISBN: 978-1-7356159-5-0

CLICK ON YOUR FLAG TO ORDER OUTSIDE THE USA

“…These stories run the gamut, they are confessional, confided, whispered, shouted, and sung. Some are delightful, some disruptive and some disturbing, yet they are connected not for the simple fact that they excite our sexuality, but in the way that they address so many of our senses. Psychologically and physically, we are moved by sex in multitudinous ways, and these tales will engage the heart, body, and mind by the same breathtaking and heartrending measure.” —from the introduction by Grace Murray