LET THERE BE LAUGHTER!

Just in time for the holidays, THE ALPHONSE ALLAIS READER has arrived!

Drawn from Black Scat’s eight editions of the master French absurdist, this compendium is a sublime introduction to the wordplay and black humor that shocked and dazzled Bohemian Paris in the raucous “Banquet Years.” The READER includes the celebrated pataphysical text “A Thoroughly Parisian Drama”—a favorite of both André Breton and the Oulipians—as well as stories, plays, an excerpt from his only novel, and the classic exploits of Captain Cap and Francisque Sarcey. The translator, Doug Skinner, has added copious notes and an illuminating introduction.

Step into the funhouse! Laughs and surprises await!

CLICK HERE to order on Amazon.

 

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Toons of Gay Paree!

Looking for laughter? Your prayers have been answered.

LE CHAT NOIR was one of the liveliest avant-garde papers in 19th century Paris. Published by the legendary cabaret, it delivered a weekly blast of anarchism, pranks, Decadent poetry, and black humor by such luminaries as Alphonse Allais, Charles Cros, and Paul Verlaine. It was also famous for its cartoons. Here are 101 of them: the poetic fantasies of Adolphe Willette, the slapstick animals of Théophile Steinlen, the military sketches of Caran d’Ache, the bawdy gags of Döes and Fernand Fau, and much more. With an introduction, translations, and notes by Doug Skinner.

101 CARTOONS FROM LE CHAT NOIR
Early Comics from Bohemian Paris
Compiled & Translated by Doug Skinner
124 pp., large trade  paper edition; $14.95 

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“The Impressionable Model” by Henricus.

from 101 CARTOONS FROM LE CHAT NOIR

Available Worldwide on Amazon

THE CROS FLIES!

CHARLES CROS: COLLECTED MONOLOGUES

It’s back to cool with the great French monologist,  humorist, poet, and inventor—in a trenchant translation by Doug Skinner.

***FIRST PUBLICATION IN ENGLISH!***

Born in1842, Charles Cros was one of the most brilliant minds of his generation, equally adept at poetry, fiction, and scientific inquiry. He wrote smutty verses with Verlaine, synthesized gems with Alphonse Allais, contributed wild prose fantasies to Le Chat Noir, and experimented with color photography and sound recording, only to die young, poor, and alcoholic. Not incidentally, he also invented the comic monologue for the actor Coquelin Cadet. In these strikingly spontaneous and modern sketches, he introduces a gallery of fools and obsessives—The Clean Man, The Fencing Master, The Capitalist, The Friend of the Family—all nattering away, assaulting the audience with trivia, and blithely unaware of their own failings.

This edition collects all 22 of Cros’s monologues—masterfully translated & introduced by Doug Skinner—and includes performance notes by Coquelin, plus two biographical essays by his friend and colleague Alphonse Allais.

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“The sheer playfulness of certain fanciful parts of Cros’s work must not let us forget that in the center of some of his finest poems, a revolver is aimed at us.”—André Breton

Are we bilious? Don’t be sillious!

No bile here. Make that, NO BILE!  is here!—Alphonse Allais‘s sublime collection of absurdist texts in a new translationfirst publication in English!by the great Doug Skinner.

Alphonse Allais’s third collection finds him in full anti-bilious form: love stories, revenge stories, monologues, short-shorts, and animal stories—all affronting the reader with startlingly modern absurdity, black humor, and wordplay.

“No Oulipian could fail to be enchanted by his essentially ironic tales, in which he juggles the rhetorical and narrative components of writing with rigorous logic and inexhaustibly zany results.”Harry Mathews

Among the highlights are “Absinthes,” an internal monologue about the Green Fairy; “Poor Césarine,” a tale of obsessive love; and “A Good Society,” which proposes collecting used matches for the poor. As a bonus, six uncollected stories are included. PLUS illustrations and informative notes on the text by Doug Skinner.

So don’t be bilious, grab your copy now on Amazon. Start your summer off with blasts of laughter!

drawing by Doug Skinner

Discover all the titles in Black Scat’s ALPHONSE ALLAIS COLLECTION

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Sublime Chaps

MASKS
Alphonse Allais
translated from the French and illustrated by Norman Conquest
with an introduction and notes on the text by Doug Skinner
Absurdist Texts & Documents – No. 1
Illustrated in full color; 50 pp., $12.50
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REAR WINDOWS: AN INSIDE LOOK AT FIFTY FILM NOIR CLASSICS
Norman Conquest

with an introduction by Robert Wexelblatt
Absurdist Texts & Documents – No. 27
Illustrated; 70 pp., $12
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The Three Faces of Masks

3masks

Black Scat launched its first book on July 4th, 2012. MASKS by Alphonse Allais was #1 in our Absurdist Texts & Documents  series of limited edition chapbooks. The original volume (above left)—adapted, translated and illustrated by artist Norman Conquest—was  limited to only 50 copies. It sold  out quickly and is a prized collector’s item today.

In 2015, we issued a revised and expanded edition (center) featuring an introduction and notes on the text by Allaisian scholar Doug Skinner.

The first two editions had limited distribution and were only available directly from the printer.  Today we’re launching a third edition of this mischievous pataphysical tale — available on Amazon in North America and Europe.

If you missed this little gem, CLICK HERE TO ORDER FROM AMAZON.

View our complete Alphonse Allais Collection

collection new

 

“Why, That’s Patently Absurd!”

Yes, indeed—Pas de Bile!—another  patently absurd volume in Black Scat’s seminal Alphonse Allais Collection.

This will be the book’s first publication in English, with a sublime and inspired translation by the great Doug Skinner. In addition to the complete text of the original Flammarion edition, published in France in 1893, it will include  several uncollected stories by Allais. There will also be Skinner’s  copious notes on each text, and an informative and entertaining introduction. Throw in this eye-catching cover by Norman Conquest and you’ve got an edition worthy of display in your home or office.

Publication: Late Summer, 2018

And while you’re waiting, be sure to read Alphonse Allais’s LONG LIVE LIFE!


ABOUT THE AUTHOR

ALPHONSE ALLAIS (1854 – 1905) began his career in Paris during the Belle Epoque. He was particularly active at the legendary cabaret Le Chat Noir, where he wrote for and edited the weekly paper. He quickly became known for his deadpan wit and inexhaustible imagination. Among other things, he also exhibited some of the first monochromatic pictures (such as his all-white “First Communion of Chlorotic Girls in the Snow” in 1883) and composed the first silent piece of music: “Funeral March for the Obsequies of a Deaf Man” (1884). Throughout most of his life, he contributed columns several times a week to Le Journal and Le Sourire. These pieces were collected into twelve volumes, which he called his “Anthumous Works,” between 1892 and 1902. He also published a collection of his monochromes, Album Primo-Avrilesque, in 1897, and a novel, L’affaire Blaireau, in 1899, as well as a few plays. His later years were troubled by debt, a bad marriage, and heavy drinking; he died at 59. He was a crucial influence on Alfred Jarry, as well as on the Surrealists: Breton included him in his Anthology of Black Humor, and Duchamp was reading him on the day he died. Allais’s fascination with wordplay, puns, and holorhymes led Oulipo to call him an “anticipatory plagiarist”; the Pataphysical College dubbed him their “Patacessor.” His books have remained in print in France, and the Académie Alphonse Allais has awarded a literary prize in his honor since 1954.

Cool is here. Happy New Year!

Here is the first publication in English of the master humorist’s collection, Vive la vie! —  stories culled from the pages of Le Chat Noir, packed with madcap (and bawdy) tales of love, adultery, the supernatural, military life, and fake news. These texts are quintessentially Allaisian, spiked with absurd digressions, parenthetical asides, footnotes, puns,  jokes, military jargon, Parisian slang, neologisms, dog Latin, literary quotations, and other unmentionable forms of wordplay. ORDER NOW

 

Le Scat Noir Encyclopædia contains entries from Acrostic to Zwine, and features contributors from around the world—some of whom are distinguished professors at prestigious universities. Others are Nobel Prize winners, while a few have been arrested on felony charges. Discover rare factoids, flash fiction, nubile moon spew, mythological arcana, cabalistic pathogens, pataphysical detritus, scatological schemata, crypto-heuristic scripture, and radical homomorphism. Over 100 pages of profusely illustrated weirdness. ORDER NOW

American Book Review hailed Carla M. Wilson’s  first book,  IMPOSSIBLE CONVERSATIONS, as “profound.”  Now her focus turns to film in this dazzling new fiction collection: CURIOUS IMPOSSIBILITIES:. Taking her cue from French New Wave films of the 1960s, Film Noir, and classics from the ‘70s and ‘80s, Wilson constructs a series of homages to ten visionary directors: Fellini, Tarkovsky, Duras, Robbe-Grillet, Godard, Marker, Truffaut, Bergman, Welles, and Ershadi. Her “cinematic riffs” offer creative interpretations of their iconic films that broke stylistic boundaries using non-traditional techniques. ORDER NOW

12 gifted women writers from around the world unveil intimate stories designed to unsettle, excite, transport, and arouse the reader. “As you move through these tales, points of pleasure will be touched, bliss sent in shock waves. You have uncovered sizzling mysteries, becoming swathed by them. These stimulating women’s voices will carry you through feelings and sensations as old as time.” THE NEW URGE READER 3 features Tamara Faith Berger, Elizabeth Bolton, Emma Gibb, Petra Anne Hawk, Marina Kris, Mandy Lee, Karen Moller, Pamela Naruta, Marina Rubin, Aurora Seymour, Sophia Smith, and Rebecca Woolston. ORDER NOW