Get the Urge

Now available worldwide, the third volume in our popular anthology series of erotic fiction by women writers. THE NEW URGE READER 3 features 12 gifted writers from around the world, who unveil intimate stories designed to unsettle, excite, transport, and arouse.

Includes stories by Tamara Faith Berger, Elizabeth BoltonEmma Gibb, Petra Anne Hawk, Marina Kris, Mandy Lee, Karen Moller, Pamela Naruta, Marina Rubin, Aurora Seymour, Sophia Smith, and Rebecca Woolston.

“As you move through these tales, points of pleasure will be touched, bliss sent in shock waves. You have uncovered sizzling mysteries, becoming swathed by them. These stimulating women’s voices will carry you through feelings and sensations as old as time.” —from the introduction by Petra Anne Hawk.

THE NEW URGE READER 3
Erotic Fiction by New Women Writers
edited by norman conquest & petra anne hawk
178 pages; trade paperback, $13.95

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GET CURIOUS!

“…Wilson invites us into an awareness of the blurred line between reality and fiction rooted, I believe, in Wilson’s early formative experiences in moving into and out of that dark room, the movie theatre, in and out of dream and reality until they began to merge in her imagination. It is this dialectic — realized in dialogue — that interests this very talented author.”

—from the introduction by James R. Hugunin

American Book Review hailed Carla M. Wilson‘s first book, IMPOSSIBLE CONVERSATIONS, as “profound.”  Now her focus turns to film in this dazzling new fiction collection: CURIOUS IMPOSSIBILITIES. Taking her cue from French New Wave films of the 1960s, Film Noir, and classics from the ‘70s and ‘80s, Wilson constructs a series of homages to ten visionary directors: Fellini, Tarkovsky, Duras, Robbe-Grillet, Godard, Marker, Truffaut, Bergman, Welles, and Ershadi. Her “cinematic riffs” offer creative interpretations of their iconic films that broke stylistic boundaries using non-traditional techniques.

Wilson’s interpretations and imagined dialogues usher the reader into a magical new theatre where darkness becomes illumination.

 AVOID THE LONG LINES, ORDER DIRECT.

Now Available worldwide on Amazon

Or you can order direct from our printer here.

 

“In” Tunes for the tuned in 

THE DOUG SKINNER SONGBOOK has arrived!

Black humor hits a high note in this grand collection of music & lyrics. “Buenas Noches, Little Roaches,” “Breeders Can’t Be Choosers,” “My Pal Satan,” and many more of Skinner’s greatest hits in one snazzY large format paperback EDITION. This compilation of hand-crafted sheet music makes the perfect accompaniment to every nuclear family gathering. SO huddle round the piano and rev up those vocal cords!


CRITICS RAVE FOR DOUG SKINNER’S TUNES

“Chillingly zany” —The New York Times 
“Deceptively dark and satirical” —Cover
“Very witty and well-written jeux des mots” —Woodstock Times 
“Scathingly witty… lullabies etched in acid” —Metro Magazine
“Clever and delightfully barbed” —Paper
  

AVAILABLE WORLDWIDE ON AMAZON — CLICK HERE TO ORDER

 


About Doug Sinner

Doug Skinner has contributed articles and cartoons to Black Scat Review, Oulipo Pornobongo, The Fortean Times, Strange Attractor Journal, Fate, Weirdo, The Anomalist, Nickelodeon, Cabinet, and other fine publications. Black Scat has published several books of his stories and cartoons, as well as his translations of the French humorist Alphonse Allais.

He has written music for several dance companies, including ODC-San Francisco and Margaret Jenkins; his scores for actor/clown Bill Irwin include The Regard of Flight, The Courtroom, The Regard Evening, and The Harlequin Studies. He has performed his songs (the ones inside this book) in many theaters, clubs, and cabarets. His puppet shows with Michael Smith have been seen everywhere from Caroline’s Comedy Club in Manhattan to the Museum of Contemporary Art in Los Angeles.

TV and movie appearances include Great Performances, The ‘90s, Martin Mull’s Talent Takes a Holiday, Ed, Crocodile Dundee II, and a smattering of commercials.

He lived for decades in Manhattan, but has moved to New Paltz, a few miles to the north.


Buy the book.

Download an Album

Click here for a Free sample.

Ceci n’est pas Magritte

Move over Mona Lisa, the subject of René Magritte’s classic painting Le fils de l’homme (1964) has been transformed into an iconic  Everyman — forced to confront the forces of contemporary life.

Portuguese artist Paulo Brito reanimates the  mysterious figure in a series of satirical  collages you won’t soon forget.

The future of Dada is here!

SONS OF MAN
by Paulo Brito
with a preface by mercie pedro e silva
Absurdist Texts & Documents No. 33
Illustrated, full color; perfect-bound; $15
$5 digital edition

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Think Spring!

idiotLooking ahead (no pun intended) to April, it’s going to be a Scatastic  month. Back in 2013, we issued a little limited edition chapbook titled HOW I BECAME AN IDIOT by Francisque Sarcey. It was actually written by the brilliant French humorist Alphonse Allais, who signed Sarcey’s name to a series of columns that appeared in the bohemian journal Le Chat Noir. Sarcey, a well-known drama critic, became the butt of jokes among the literati for his stodgy, conservative views (e.g., he blasted Alfred Jarry‘s absurdist classic UBU ROI).

Our limited edition sold out quickly, but it was just a sampler. Now Doug Skinner has compiled and translated all the columns in a delicious 200+ paged trade paperback edition: I AM SARCEY.

full-cover

These texts reveal Allais at his wicked best and the book is a must-have for fans of hilarious black humor. This volume marks the seventh title in our Alphonse Allais Collection, and our resident Allais scholar, Doug Skinner, provides a sublime introduction and notes on each text.

Only an idiot would pass up I AM SARCEY when it rolls off the press on April 1st.

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Also on tap is a special (redesigned) April Fools Issue of LE SCAT NOIR. You can download a copy on our web site (BlackScatBooks.net) on April 1st for FREE.

No joke!

Mark your calendars.

april

GROUNDBREAKING OULIPIAN FICTION

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“…while the writing itself is full of compelling emotional depth, the artistic conceit that makes the novel so unique is in Arias-Misson’s regular appropriation and repurposing of famous literary characters and important passages from literature.” —Rachel Greenberg, SEIN UND WERDEN

A NEW EDITION OF ALAIN ARIAS-MISSON’S EXPERIMENTAL NOVEL

Discover what happens when famous fictional characters surface in the life of a writer. AUTOBIOGRAPHY OF A CHARACTER FROM FICTION is an extraordinary work of  Oulipian imagination.

Alain Arias-Misson has produced an indecently literary novel about a thoroughly picaresque Character. Passages have been plagiarized from a score of great Modernists — from Kafka and Stendhal to Joyce, Austen and Proust, from Strindberg, Constant and Mann to Michaux, Sterne and Beckett, and are woven seamlessly, unidentified, into his “autobiography.” For the Character — a budding author — is the product of those authors whose novels he has been nourished on. Characters step out of their fiction to advise and interfere with his life and he appears on stage in theirs. Where ‘le petit Marcel’s’ nocturnal terrors begin and the Character’s end, or how the Character’s boyhood lusts lead him into the Brussels labyrinth of ladies of the night and how he meets young Daedalus there, already sated in a lady’s embrace, is an open question. The autobiography ends at the age of twenty-one, when like most authors he has read his own most important authors — yet the rest of his life has already been plotted.

This second edition features an afterword by Yuriy Tarnawsky, and is available worldwide on Amazon.

CLICK HERE TO ORDER

CLICK HERE to read the rave review in Sein und Werden

“Waiter — another Alphonse Allais — on the double!”

front

Black Scat Books is proud to serve up the master absurdist’s inaugural collection,  containing his hand-picked favorites from the pages of Le Chat Noir, the bohemian journal that amused and scandalized Paris. Here you’ll find Allais in the first flush of his comic genius, spinning out elegant and hilarious gems of black humor on suicide, murder, obsession, and adultery. You will meet the philosophical cuckold, the young lady in love with a pig, the inventor of the Tumultoscope, and Ferdinand, the most resourceful duck in literature. Among the highlights is Allais’s most famous story, “A Thoroughly Parisian Drama,” a favorite of André Breton and Umberto Eco. This is the book’s first publication in English, and features seven additional stories from Le Chat Noir, as well as a sublime introduction, notes on the text, and drawings by Doug Skinner.

Belly laughs guaranteed.

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A U T O B I O G R A P H Y OF A CHARACTER FROM FICTION

AUTO1

Discover what happens when famous fictional characters surface in the life of a writer.

Alain Arias-Misson has produced an indecently literary novel about a thoroughly picaresque Character. Passages have been plagiarized from a score of great Modernists — from Kafka and Stendhal to Joyce, Austen and Proust, from Strindberg, Constant and Mann to Michaux, Sterne and Beckett, and are woven seamlessly, unidentified, into his “autobiography.” For the Character — a budding author — is the product of those authors whose novels he has been nourished on. Characters step out of their fiction to advise and interfere with his life and he appears on stage in theirs. Where le petit Marcel’s nocturnal terrors begin and the Character’s end, or how the Character’s boyhood lusts lead him into the Brussels labyrinth of ladies of the night and how he meets young Daedalus there, already sated in a lady’s embrace, is an open question. The autobiography ends at the age of twenty-one, when like most authors he has read his own most important authors — yet the rest of his life has already been plotted.

AUTOBIOGRAPHY OF A CHARACTER FROM FICTION is an extraordinary work of Oulipian imagination.

CLICK HERE TO ORDER

***

self-portrait with toastABOUT THE AUTHOR

Alain Arias-Misson is another character from a fiction by Alain Arias-Misson. He was born in Brussels, grew up from age four in New York,  Greek Literature and philosophy at Harvard, led a nomadic life throughout Europe, North Africa and New York. Lives in Paris and Venice. This is his ninth novel. In Europe he is known for his Public Poems in a dozen cities, and also New York and L.A., as well as his 3D poetry which has been shown in hundreds of galleries and museums around the world. On the other hand, little is known of the author.

Other Black Scat Books by Alain Arias-Misson

Comic Book: A Novel

The Man Who Walked On Air & Other Tales of Innocence

Tintin Meets the Dragon Queen in The Return of the Maya to Manhattan

 

Monsieur Godeau, party of one, your table is waiting…

blazac

“It is upon this one comedy that Balzac can lay any claims as a dramatic artist.”
—The New York Times

If you missed the limited edition published in 2013, the wait is over. Mark Axelrod’s translation of this obscure comedy by Balzac is now available worldwide on Amazon in a handsome paperback edition.

Originally presented under the title Mercadet or The Good Businessman, this play in three acts appears to have inspired the creation of the unseen character in Waiting for Godot by Samuel Beckett. Indeed, 102 years before Godot ‘s debut, Mercadet opened at the Theatre du Gymnase-Dramatique in Paris and—curiously enough—featured a character named “Godeau” who never appears on stage.

A comic coincidence? One of life’s little absurdities?

The translator met and corresponded with Beckett, and in WAITING FOR GODEAU we present an unpublished letter from Beckett in which the burning question is answered.

Or is it?

You be the judge.

WAITING FOR GODEAU
by Honore de Balzac
Translated from the French by Mark Axelrod
5.06″ x 7.81″ (12.852 x 19.837 cm)
trade paperback; 154 pages
ISBN-13: 978-0692738108
$12.95

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