As you might imagine, putting out a monthly journal such as LSN requires many man-hours (that may sound sexist but the alternative sounds like crap), i.e., hours of intense labor, stress, irritation, befuddlement, blood, sweat, and farts. September’s “Cryptlipo” issue marked our eleventh month as “the only free journal of its kind in America.” Now, with number 228 heralding a year of digital thrills, LSN becomes “the only journal of its kind in America.” That still says a lot.
Alas, in order to continue publishing we were forced to stamp a small price on our cover, but we believe you’ll find this issue more than worth the cost of admission. Why, just take a look at all the whiz-bang you get for your buck: stories by Alphonse Allais, Paulo Brito, Eckhard Gerdes, Boris Glikman, Jason E. Rolfe, David Macpherson; poetry by Jeff Begato and Paul Rosheim; sublime translations by Mercie Pedro e Silva and Doug Skinner; incomparable art and photography by Farewell Debut, Jim McMenamin, Quixote, and Gail Schneider; original sheet music by Doug Skinner; a mini-feature film by Terri Lloyd; and a special supplement by Norman Conquest. Plus the features you’ve come to rely on: News in a Nutshell, Musical Instruments, Simple Acts of Sabotage, Madame’s Wicked Pack of Cards, and Trump’s Tweetstorm.
Innovative Fiction. Cinema. Absurdist Humor. Anthology. Erotic Fiction.
THE DOUG SKINNER SONGBOOK has arrived!
Black humor hits a high note in this grand collection of music & lyrics. “Buenas Noches, Little Roaches,” “Breeders Can’t Be Choosers,” “My Pal Satan,” and many more of Skinner’s greatest hits in one snazzY large format paperback EDITION. This compilation of hand-crafted sheet music makes the perfect accompaniment to every nuclear family gathering. SO huddle round the piano and rev up those vocal cords!
CRITICS RAVE FOR DOUG SKINNER’S TUNES
AVAILABLE WORLDWIDE ON AMAZON — CLICK HERE TO ORDER
About Doug Sinner
Doug Skinner has contributed articles and cartoons to Black Scat Review, Oulipo Pornobongo, The Fortean Times, Strange Attractor Journal, Fate, Weirdo, The Anomalist, Nickelodeon, Cabinet, and other fine publications. Black Scat has published several books of his stories and cartoons, as well as his translations of the French humorist Alphonse Allais.
He has written music for several dance companies, including ODC-San Francisco and Margaret Jenkins; his scores for actor/clown Bill Irwin include The Regard of Flight, The Courtroom, The Regard Evening, and The Harlequin Studies. He has performed his songs (the ones inside this book) in many theaters, clubs, and cabarets. His puppet shows with Michael Smith have been seen everywhere from Caroline’s Comedy Club in Manhattan to the Museum of Contemporary Art in Los Angeles.
TV and movie appearances include Great Performances, The ‘90s, Martin Mull’s Talent Takes a Holiday, Ed, Crocodile Dundee II, and a smattering of commercials.
He lived for decades in Manhattan, but has moved to New Paltz, a few miles to the north.
Click here for a Free sample.
Things are really heating up and the August issue of LE SCAT NOIR has arrived just in the nick of time. #226 has an all-star international cast of cool characters, hot fiction, art, poetry, and news you won’t find anywhere else. Featuring Alphonse Allais, Mark Axelrod, Suzanne Burns, Michael Cina, John Diamond-Nigh, Ian Dooley, Rose Knapp, Terri Lloyd, Amit Nayak, Frank Pulaski, Doug Rice, Paul Rosheim, Jason E. Rolfe, Gail Schneider, Doug Skinner, Dominic Viti, Tom Whalen, and Carla M. Wilson.
As always the new issue is free and you can download a copy at this LINK.
If you enjoy LSN, please considering making a small donation and help keep your monthly dose of sublime art & lit free for all.
What happens when you combine patriotism and ‘pataphysics (the science of imaginary solutions)? That’s right, you get a big BANG and fireworks — all packed inside the new
LE SCAT NOIR.
The July issue features incendiary works by Alain Arias-Misson, Paulo Brito, Norman Conquest, Mitchell Eva, Eckhard Gerdes, Harold Jaffe, Alfred Jarry, Richard Kostelanetz, Terri Lloyd, Frank Pulaski, Jason E. Rolfe, Paul Rosheim, Mercie Pedro e Silva, and Doug Skinner.
#225 marks the first interactive edition with “live” links and an EXCLUSIVE screen-video of Alfred Jarry’s resurrection!
Black Scat author and translator Doug Skinner has just released his new album—THAT REGRETTABLE WEEKEND—featuring 21 songs that will make you laugh, cry in your beer, feel nostalgic for old New York and those better (some might say bitter) days that never existed. Golden vocals with traces of dark humor and a haunting uke conspire to lull one down a slippery slope.
Take a listen to the title cut:
You can purchase the full digital album for only $9, or nab your favorite tracks for a buck.
Watch for THE DOUG SKINNER SONGBOOK coming later this year.
The June Gloom issue of LE SCAT NOIR is now available for download. We won’t bother mentioning that it’s free because you already know that. #224 features an international roster of artists and writers, including Alphonse Allais, Adrienne Auvray, Mark Axelrod, Paulo Brito, Norman Conquest, Farewell Debut, Félix Fénéon, Pippa Anais Gaubert, Eckhard Gerdes, Thomas Gresham, Adao Iturrusgarai, Jim Johnson, Rick Krieger, Terri Lloyd, Jim McMenamin, Andy O’Clancy, Frank Pulaski, Jason E. Rolfe, Paul Rosheim, Marina Rubin, Doug Skinner, and Rebecka Skog.
The Special “Eros” Issue of LE SCAT NOIR is now available, featuring titillating texts & images by Adrienne Auvray, Paulo Brito, Tom Bussmann, Norman Conquest, Esbey, Stephanie Gatos, Eckhard Gerdes, Georges Hugnut, Jim Johnson, Steve Katz, Michael Leigh, Terri Lloyd, Mantis Man, Derek Pell, Frank Pulaski, Paul Rosheim, Mercie Pedro e Silva, Doug Skinner, Nile Southern, Carol White. and Mihaly Zichy.
***includes an excerpt from the novel POSH by Stephanie Gatos.
To preview and download this naughty noir, CLICK HERE
“Every time I write about Doug Skinner’s translations of Alphonse Allais – the new one is I Am Sarcey – I say that Allais’s humor columns and so on ought to be period pieces, historical ephemera, but are better than that, are good. Still funny; still fun. This is my only idea about Allais, apparently. If anything this is even more the case with I Am Sarcey – more ephemeral yet not, but even more so.’
CLICK HERE to read the complete review.
And then CLICK HERE and enjoy the book for yourself.