
Alphonse Allais (1854-1905) was France’s greatest humorist. His elegance, scientific curiosity, preoccupation with language and logic, wordplay and flashes of cruelty inspired Alfred Jarry, as well as succeeding generations of Surrealists, Pataphysicians, and Oulipians. Celebrate the master’s birthday with mirth, mischief, and cocktails!
And one of his sublime books translated by Doug Skinner, from Black Scat, of course.
Captain Cap: His Adventures, His Ideas, His Drinks
Selected Plays of Alphonse Allais






“To leave is to die a little, but to die is to leave a lot.” –-Alphonse Allais












On July 4, 2012, we published Alphonse Allais’s MASKS in a limited edition of 50 copies—the first title in our Absurdist Texts & Documents series. The chapbook quickly sold out and, today, is a coveted collector’s item. Since we’ve received many requests to reprint the book, we’re pleased to announce a revised and expanded edition. Translated from the French, adapted and illustrated by Norman Conquest, this new volume also features a most Allaisian introduction & notes on the text by the great Doug Skinner. Originally published in France under the title Un drame bien parisien (1890), this darkly humorous tale is quintessential Allais—a pataphysical text admired by the Surrealists (André Breton included it in his seminal Anthologie de l’humour noir). It was also celebrated by the French group Oulipo, and has been the subject of scholarly studies by the writer and semiotician Umberto Eco, Francis Corblin, and others. 