CHARLES CROS: COLLECTED MONOLOGUES
It’s back to cool with the great French monologist, humorist, poet, and inventor—in a trenchant translation by Doug Skinner.
***FIRST PUBLICATION IN ENGLISH!***
Born in1842, Charles Cros was one of the most brilliant minds of his generation, equally adept at poetry, fiction, and scientific inquiry. He wrote smutty verses with Verlaine, synthesized gems with Alphonse Allais, contributed wild prose fantasies to Le Chat Noir, and experimented with color photography and sound recording, only to die young, poor, and alcoholic. Not incidentally, he also invented the comic monologue for the actor Coquelin Cadet. In these strikingly spontaneous and modern sketches, he introduces a gallery of fools and obsessives—The Clean Man, The Fencing Master, The Capitalist, The Friend of the Family—all nattering away, assaulting the audience with trivia, and blithely unaware of their own failings.
This edition collects all 22 of Cros’s monologues—masterfully translated & introduced by Doug Skinner—and includes performance notes by Coquelin, plus two biographical essays by his friend and colleague Alphonse Allais.
“The sheer playfulness of certain fanciful parts of Cros’s work must not let us forget that in the center of some of his finest poems, a revolver is aimed at us.”—André Breton
No bile here. Make that, NO BILE! is here!—Alphonse Allais‘s sublime collection of absurdist texts in a new translation—first publication in English!—by the great Doug Skinner.
Alphonse Allais’s third collection finds him in full anti-bilious form: love stories, revenge stories, monologues, short-shorts, and animal stories—all affronting the reader with startlingly modern absurdity, black humor, and wordplay.
“No Oulipian could fail to be enchanted by his essentially ironic tales, in which he juggles the rhetorical and narrative components of writing with rigorous logic and inexhaustibly zany results.”—Harry Mathews
Among the highlights are “Absinthes,” an internal monologue about the Green Fairy; “Poor Césarine,” a tale of obsessive love; and “A Good Society,” which proposes collecting used matches for the poor. As a bonus, six uncollected stories are included. PLUS illustrations and informative notes on the text by Doug Skinner.
So don’t be bilious, grab your copy now on Amazon. Start your summer off with blasts of laughter!
Discover all the titles in Black Scat’s ALPHONSE ALLAIS COLLECTION
This will be the book’s first publication in English, with a sublime and inspired translation by the great Doug Skinner. In addition to the complete text of the original Flammarion edition, published in France in 1893, it will include several uncollected stories by Allais. There will also be Skinner’s copious notes on each text, and an informative and entertaining introduction. Throw in this eye-catching cover by Norman Conquest and you’ve got an edition worthy of display in your home or office.
Publication: Late Summer, 2018
And while you’re waiting, be sure to read Alphonse Allais’s LONG LIVE LIFE!
ABOUT THE AUTHOR
ALPHONSE ALLAIS (1854 – 1905) began his career in Paris during the Belle Epoque. He was particularly active at the legendary cabaret Le Chat Noir, where he wrote for and edited the weekly paper. He quickly became known for his deadpan wit and inexhaustible imagination. Among other things, he also exhibited some of the first monochromatic pictures (such as his all-white “First Communion of Chlorotic Girls in the Snow” in 1883) and composed the first silent piece of music: “Funeral March for the Obsequies of a Deaf Man” (1884). Throughout most of his life, he contributed columns several times a week to Le Journal and Le Sourire. These pieces were collected into twelve volumes, which he called his “Anthumous Works,” between 1892 and 1902. He also published a collection of his monochromes, Album Primo-Avrilesque, in 1897, and a novel, L’affaire Blaireau, in 1899, as well as a few plays. His later years were troubled by debt, a bad marriage, and heavy drinking; he died at 59. He was a crucial influence on Alfred Jarry, as well as on the Surrealists: Breton included him in his Anthology of Black Humor, and Duchamp was reading him on the day he died. Allais’s fascination with wordplay, puns, and holorhymes led Oulipo to call him an “anticipatory plagiarist”; the Pataphysical College dubbed him their “Patacessor.” His books have remained in print in France, and the Académie Alphonse Allais has awarded a literary prize in his honor since 1954.
Here is the first publication in English of the master humorist’s collection, Vive la vie! — stories culled from the pages of Le Chat Noir, packed with madcap (and bawdy) tales of love, adultery, the supernatural, military life, and fake news. These texts are quintessentially Allaisian, spiked with absurd digressions, parenthetical asides, footnotes, puns, jokes, military jargon, Parisian slang, neologisms, dog Latin, literary quotations, and other unmentionable forms of wordplay. ORDER NOW
Le Scat Noir Encyclopædia contains entries from Acrostic to Zwine, and features contributors from around the world—some of whom are distinguished professors at prestigious universities. Others are Nobel Prize winners, while a few have been arrested on felony charges. Discover rare factoids, flash fiction, nubile moon spew, mythological arcana, cabalistic pathogens, pataphysical detritus, scatological schemata, crypto-heuristic scripture, and radical homomorphism. Over 100 pages of profusely illustrated weirdness. ORDER NOW
American Book Review hailed Carla M. Wilson’s first book, IMPOSSIBLE CONVERSATIONS, as “profound.” Now her focus turns to film in this dazzling new fiction collection: CURIOUS IMPOSSIBILITIES:. Taking her cue from French New Wave films of the 1960s, Film Noir, and classics from the ‘70s and ‘80s, Wilson constructs a series of homages to ten visionary directors: Fellini, Tarkovsky, Duras, Robbe-Grillet, Godard, Marker, Truffaut, Bergman, Welles, and Ershadi. Her “cinematic riffs” offer creative interpretations of their iconic films that broke stylistic boundaries using non-traditional techniques. ORDER NOW
12 gifted women writers from around the world unveil intimate stories designed to unsettle, excite, transport, and arouse the reader. “As you move through these tales, points of pleasure will be touched, bliss sent in shock waves. You have uncovered sizzling mysteries, becoming swathed by them. These stimulating women’s voices will carry you through feelings and sensations as old as time.” THE NEW URGE READER 3 features Tamara Faith Berger, Elizabeth Bolton, Emma Gibb, Petra Anne Hawk, Marina Kris, Mandy Lee, Karen Moller, Pamela Naruta, Marina Rubin, Aurora Seymour, Sophia Smith, and Rebecca Woolston. ORDER NOW
We’ll cheerfully drink to that, whilst launching this new book by France’s greatest humorist, Alphonse Allais.
Just in time for the holidays, too, the first publication in English of the master’s collection, Vive la vie! — stories culled from the pages of Le Chat Noir, packed with madcap (and bawdy) tales of love, adultery, the supernatural, military life, and—yes—fake news. These texts are quintessentially Allaisian, spiked with absurd digressions, parenthetical asides, footnotes, puns, jokes, military jargon, Parisian slang, neologisms, dog Latin, literary quotations, and other unmentionable forms of wordplay.
“EXPLOSIONS OF LAUGHTER ARE BETTER THAN DYNAMITE. LONG LIVE LIFE, DAMN IT!”
This special Black Scat edition features four additional short stories not included in the original French volume, as well as a lively introduction, illustrations, and fascinating notes on the text by Doug Skinner.
Explosions of laughter guaranteed.
Now available worldwide on Amazon. CLICK HERE to order your copies.
LONG LIVE LIFE!
by Alphonse Allais
Translated from the French by Doug Skinner
Trade paperback; 184 pp., $14
As you might imagine, putting out a monthly journal such as LSN requires many man-hours (that may sound sexist but the alternative sounds like crap), i.e., hours of intense labor, stress, irritation, befuddlement, blood, sweat, and farts. September’s “Cryptlipo” issue marked our eleventh month as “the only free journal of its kind in America.” Now, with number 228 heralding a year of digital thrills, LSN becomes “the only journal of its kind in America.” That still says a lot.
Alas, in order to continue publishing we were forced to stamp a small price on our cover, but we believe you’ll find this issue more than worth the cost of admission. Why, just take a look at all the whiz-bang you get for your buck: stories by Alphonse Allais, Paulo Brito, Eckhard Gerdes, Boris Glikman, Jason E. Rolfe, David Macpherson; poetry by Jeff Begato and Paul Rosheim; sublime translations by Mercie Pedro e Silva and Doug Skinner; incomparable art and photography by Farewell Debut, Jim McMenamin, Quixote, and Gail Schneider; original sheet music by Doug Skinner; a mini-feature film by Terri Lloyd; and a special supplement by Norman Conquest. Plus the features you’ve come to rely on: News in a Nutshell, Musical Instruments, Simple Acts of Sabotage, Madame’s Wicked Pack of Cards, and Trump’s Tweetstorm.
Innovative Fiction. Cinema. Absurdist Humor. Anthology. Erotic Fiction.
The June Gloom issue of LE SCAT NOIR is now available for download. We won’t bother mentioning that it’s free because you already know that. #224 features an international roster of artists and writers, including Alphonse Allais, Adrienne Auvray, Mark Axelrod, Paulo Brito, Norman Conquest, Farewell Debut, Félix Fénéon, Pippa Anais Gaubert, Eckhard Gerdes, Thomas Gresham, Adao Iturrusgarai, Jim Johnson, Rick Krieger, Terri Lloyd, Jim McMenamin, Andy O’Clancy, Frank Pulaski, Jason E. Rolfe, Paul Rosheim, Marina Rubin, Doug Skinner, and Rebecka Skog.