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“As with Joyce Carol Oates’s Blonde, Harold Jaffe’s Brando Bleeds is the best kind of biographical fiction — perceptive, inventive, richly thematic, and truer than true. That his concisely rendered composite of Brando gives us such a full portrait of its subject is nothing short of a miracle.” —Tom Whalen
BRANDO BLEEDS
A Novel by Harold Jaffe
Paperback; 181 pp., $14.95
ISBN 979-8985999655
Each of Jaffe’s volumes has been groundbreaking. He has written some of the most innovative fiction of our time. —Toby Olson
EROS ANTI-EROS is… a wonder of deadpan humor, biting wit and visual beauty. No recent fiction has gripped me with such force and immediacy. —Marianne Hauser
From the docufictional shards of GOOSESTEP emerges a savage prophetic voice as grief-maddened as Isis picking through the bones on illusion’s killing floor to reassemble a dream that cannot be reanimated. —Patricia Eakins
As TERROR-DOT-GOV vividly demonstrates: We are spiritually imperiled by illusions masked as “news.” Omissions, slants, pallid editorials all testifying to servitude to a slavish, enslaving “text.” Harold Jaffe knows this by heart. Everywhere in Terror-dot-Gov, is exemplary skill, faultless tonality, and courage. Don’t forget courage. —Daniel Berrigan, SJ
The bravura essays in Harold Jaffe’s collection, REVOLUTIONARY BRAIN, challenge the conscience and consciousness of their readers. This witty and explosive book is an indictment of injustice and spurious morality and a call to art and enlightened activism as healing alternatives. —Jonathan Baumbach
Harold Jaffe’s SACRIFICE is an omnidirectional cry of alarm and call to action…[his] adept prose is a heart-filled and intellectualized reaction to terrestrial issues, a combination of rage, revulsion, and an implied plea for amelioration—in the fullest form of self-sacrifice. —Sebastian Bennett
“Jaffe’s convincing portraits of the dispossessed are moving, insightful glimpses of the human spirit under stress.” —New York Times Book Review
As always, Jaffe’s writing is moving, comical, marvelously deft.” —Washington Post
Each of Jaffe’s volumes has been groundbreaking. He has written some of the most innovative fiction of our time. —Toby Olson
Harold Jaffe’s latest work, Sacrifice, is an omnidirectional cry of alarm and call to action concerning the multifarious and often extinction-level problems facing our world. In a series of insightful and often ironic short texts, ranging from docufiction tosocio-philosophical commentary and self-examination, beginning with references to Greek philosophers and meandering through the most critical issues of our day, Jaffe’s adept prose is a heart-filled and intellectualized reaction to terrestrial issues, a combination of rage, revulsion, and an implied plea for amelioration—in the fullest form of self-sacrifice, if necessary. —Sebastian Bennett
SACRIFICE
Harold Jaffe
A BlackScat Paperback Original
140 pp., 7.13 x 7.25 inches; $12.95
ISBN 979-8-9859996-0-0
CRITICAL PRAISE FOR HAROLD JAFFE:
From the docufictional shards of GOOSESTEP emerges a savage prophetic voice as grief-maddened as Isis picking through the bones on illusion’s killing floor to reassemble a dream that cannot be reanimated.—Patricia Eakins
As TERROR-DOT-GOV vividly demonstrates: We are spiritually imperiled by illusions masked as “news.” Omissions, slants, pallid editorials all testifying to servitude to a slavish, enslaving “text.” Harold Jaffe knows this by heart. Everywhere in Terror-dot-Gov, is exemplary skill, faultless tonality, and courage. Don’t forget courage. —Daniel Berrigan, SJ
“Jaffe’s convincing portraits of the dispossessed are moving, insightful glimpses of the human spirit under stress.” —New York Times Book Review
As always, Jaffe’s writing is moving, comical, marvelously deft.”
—Washington Post
Also Available from Black Scat:
This collection of Harold Jaffe’s short, one-act plays is exceptionally diverse. The nine innovative dramas feature Billie Holiday & Lester Young; Antonin Artaud & Georges Bataille; Marilyn Monroe & Marlon Brando; Samuel Beckett; condemned prisoners in Texas making their final statement before execution; Israelis & Palestinians in life-or-death dialogue; Charles Manson unleashed; Jimi Hendrix, Janis Joplin & Jim Morrison burning it at both ends; & the potently satirical “Splish Splash,” exploring gender discord.
“You must travel… I can’t travel… I’ll travel”
We are all armchair travelers now. The question is: Where do we go?
If you’re looking for answers, let 28 imaginative writers & artists from around the globe take you places you’ve never been. Find your getaway in BLACK SCAT REVIEW 21 — The Travel Issue.
FEATURING: Alphonse Allais, Robert James Cross, Farewell Debut, S. C. Delaney, John Oliver Hodges, Rhys Hughes, Harold Jaffe, E.E. King, Olchar E. Lindsann, Charles J. March III, Carmelo Militano, Opal Louis Nations, Peter Payack, Persefone, Roger Pheuquewell, Agnès Potier, Collin J. Rae, Jason E. Rolfe, Paul Rosheim, Charles de Rosières, Doug Skinner, Kristine Snodgrass, Ben Stoltzfus, Corinne Taunay, Ed Taylor, Michel Vachey, Tom Whalen, D. Harlan Wilson.
This second edition of Norman Conquest‘s classic REAR WINDOWS features digitally enhanced scenes from fifty Film Noir masterpieces as you’ve never seen them before. It’s a must-have reference for thrill-seeking aficionados, students of cinema, and collectors of offbeat artists’ books. Spanning the golden age of Noir (1941-1962), it includes over 50 rare photographic stills from memorable hard-boiled motion pictures, such as The Maltese Falcon, Double Indemnity, The Postman Always Rings Twice, The Big Sleep, Out of the Past, Kiss Me Deadly, and many more. Includes an illuminating introduction by Robert Wexelblatt, Professor of Humanities, Boston University.
“…the most truthful book on Noir that’s out there.” —Tosh Berman, Tam Tam Books
“I’ve just been (re)reading Rancière on the mis-en-scene revolution in theatre at the end of C19th. Here Norman Conquest goes literally beyond the mis-en-scene and adds in a Wagnerian negation of the star system. Erase glamour! Bring forward the scene makers.“—Stefan Szczelkun
“This is conceptual art at its finest. Ingenious in its simplicity, startling, absurd, and very funny.” —Alec Burroughs
“Evocative… I like the various physical/psychological angles with which [Conquest] approaches the stills, each of which is elegantly if sometimes surprisingly effected.” —Harold Jaffe
No. 27 in our acclaimed Absurdist Texts & Documents Series, REAR WINDOWS: AN INSIDE LOOK AT FIFTY FILM NOIR CLASSICS by Norman Conquest is available worldwide on Amazon.
Le Scat Noir Encyclopædia contains entries from Acrostic to Zwine, and features forty-three contributors from around the globe—some of whom are distinguished professors at prestigious universities. Others are Nobel Prize winners, while a few have been arrested on felony charges. Discover rare factoids, flash fiction, nubile moon spew, mythological arcana, cabalistic pathogens, pataphysical detritus, scatological schemata, crypto-heuristic scripture, and radical homomorphism. Over 100 pages of profusely illustrated weirdness.
Only $12.95 — Available Worldwide on Amazon. CLICK HERE TO ORDER
Contributors include Mark Axelrod, Jeff Bagato, Jacques Bekaert, Doktor Bey, Paulo Brito, Adam Levon Brown, Theodore Carter, Brendan Connell, Norman Conquest, Sean Coolican, Catherine D’Avis, Farewell Debut, Edith Doove, Paul Forristal, Ryan A. Forsythe, Peter Gambaccini, Eckhard Gerdes, Amelia Gorman, Thomas Gresham, Charles Holdefer, James R. Hugunin, Harold Jaffe, Richard Kostelanetz, Rachel Kushner, Terri Lloyd, Harry McCullagh, David Macpherson, Opal Louis Nations, Andy O’Clancy, Peter Payack, Caleb Puckett, Jason E. Rolfe, Paul Rosheim, Stephen Silke, Mercie Pedro e Silva, Doug Skinner, Seth D. Slater, Yuriy Tarnawsky, Robert Wexelblatt, Tom Whalen, Gregg Williard, Carla M. Wilson, and D. Harlan Wilson.
SACRED SINS is a collection of seductive short stories and fables in a new genre of intellectual erotica. They are fantasy of the highest order, allusive, mythic and archetypal. They are feminist and heroic, literate, mysterious, experimental, and spiritual. John Diamond-Nigh re-imagines erotica itself as agile, sophisticated literature calling on a wide range of moods, voices, and evocative techniques. Encapsulated in a tiny fictional space, each tale presents a miniaturized tableau that seduces and challenges the reader with mischief, humor, and allegory.
ADVANCE PRAISE FOR SACRED SINS
“34 brief fictions of flagrant impiety, uncommon cultivation, and a tendency toward abstraction, all of which seem decisively French and vaguely archaic. Literary heretics such as Baudelaire, Bataille, even Lautréamont come to mind. The single American writer I can invoke with similar compulsions and narrative pace is John Hawkes. Notable precedents, these, for John Diamond-Nigh’s auspicious debut prose collection, Sacred Sins.” —Harold Jaffe
“…a surreal, oneiric, mythic and mystic journey through the erotic cults of contemporaneous antiquity. John Diamond-Nigh stages esoteric tableaux whose incunabula take us into the cloistered cells and secret chambers of the imagination. There his narratives weave art, music and literature into profane cuni-linguistic realms, love-cantos laced with epidermal explorations, atavistic colors and the holiness of sex. He casts all this and more onto the scene of language where delirious epiphanies whip desire into orgasmic play.” —Ben Stoltzfus, author of Cat O’Nine Tails
“John Diamond-Nigh juxtaposes and assimilates the religious and the profane, the classical and the modern. All our senses awake in this surreal world of lust and eroticism, where bodily desire and satisfaction transcend the physical experience, a union of opposites as the sexual and spiritual are bound together. Beautifully written, these sensual short stories are delectable sins grazed by the sacred and fused together by the poetic expertise of its author.” —Petra Anne Hawk
“John Diamond-Nigh’s Sacred Sins is a masterful collection of beautifully erotic prose blended with a poet’s hand.” —Mark Axelrod
“Part history lesson, part dream, reading this sensual delight feels like languidly flipping through the best kept secret diary. Reminiscent of Anne Rice’s Sleeping Beauty Trilogy, Sacred Sins sticks with the reader for its clever plot and beautiful writing. Much recommended.”
—Suzanne Burns
About the Author
John Diamond Nigh’s temperament and training in interdisciplinary arts and literature has led to his profuse, eclectic and aesthetic work and lifestyle. As a poet, he has published in many renowned journals such as The Paris Review, The Sewanee Review and Agni, and brought out a book titled Labyrinths. The Smithsonian included an important wood bowl he had created in a retrospective of seminal works of wood turners at the end of the 20th century. Other sculptures have been exhibited throughout the U.S., and his interior design work has won several awards.
Before moving to the South, every year John and his wife traveled to Paris or Florence or Barcelona to teach, and often at night, when not engaged in those responsibilities, John followed the ghosts of Montparnasse into their balls and revels. Presently he lives with her and four cats in Asheville, NC. where he’s putting the finishing touches on a house that he designed and built (including the inside décor and furniture) and that now hosts several lively salons.
What happens when you combine patriotism and ‘pataphysics (the science of imaginary solutions)? That’s right, you get a big BANG and fireworks — all packed inside the new
LE SCAT NOIR.
The July issue features incendiary works by Alain Arias-Misson, Paulo Brito, Norman Conquest, Mitchell Eva, Eckhard Gerdes, Harold Jaffe, Alfred Jarry, Richard Kostelanetz, Terri Lloyd, Frank Pulaski, Jason E. Rolfe, Paul Rosheim, Mercie Pedro e Silva, and Doug Skinner.
#225 marks the first interactive edition with “live” links and an EXCLUSIVE screen-video of Alfred Jarry’s resurrection!
As always, it’s free to read online or download to your device, so stand and salute! Then CLICK HERE.