DRAMAS FOR AN INSANE WORLD

A groundbreaking collection of experimental plays by Erik Belgum
a master of innovative fiction.

ADVANCE PRAISE:

“These wonderfully entertaining plays by Erik Belgum are a suite of performance scores and prompts that expertly transform what might otherwise offend into a perplexing soup. Infused with absurdity, the ridiculous and sometimes abhorrent is whipped with humor until frothed anew.” — Galen Joseph-Hunter, Wave Farm (WGXC) Executive Director Emeritus

“What I admire most in Belgum is the rigor of his instability. These works are not random, though they may flirt with accident, disruption, and pummel us to overload—they are exquisitely built, restrained to the razor-like logic of a roller coaster.”
Jay Scheib, Director / Professor for Music & Theater Arts at MIT

WE’RE MOVING ON NOW TO THE NEXT PHASE
Plays by Erik Belgum
Trade paperback; 140 pp., $12.95
ISBN 979-8-9932444-2-6

The Music of Fairies & More

For this fall’s second installment of Utopia / Dystopia, an ongoing series co-presented by Hauser & Wirth and Morbid Anatomy, Black Scat author and translator Doug Skinner presents a concert/talk on music attributed to fairies, trowies, spirits, aliens, and other supposedly nonhuman entities. Selections include fairy music from Norway and the British Isles, the wail of the banshee, and snippets from seances and dreams.

Thursday, November 15, 7 pm, at Hauser & Wirth, 548 W. 22nd St., NYC. It’s free, and it might trouble your dreams!

Poem for the Holidays

If you missed the gala Captain Cap launch party last month at The Jalopy Theatre in Brooklyn, you’re in luck. We’ve prepared two video excerpts featuring Doug Skinner reading from his translation of Alphonse Allais’s masterpiece.

In the first video,  Doug reads “The Chameleon Child“—one of the good Captain’s rare poems.

In the video below, Captain Cap gives a masterful lesson in savoir-faire to an ignorant, European, and dimwitted bartender.

Finally, if Santa in his dotage neglected to leave a copy of CAPTAIN CAP under the tree, you can treat yourself to one here.

White Box Rocks on March 16th

whitebox1

On Saturday, March 16, 2013, for one night only, White Box (329 Broome Street, New York, NY 10002 | Tel: 212-714-2347) will present an evening, subject to impromptus, of video-film presentations, performances (including the shortest musical piece in the history of music), readings and interpretations in what could only be described as a not-to-be-missed ‘Avant-Garde Variety Show’, orchestrated by the one and only Alain Arias-Misson.

Alain Arias-Misson, a Belgian-American living in Paris and one of the inventors of visual poetry in the early sixties, will comment on a brief video-film of his notorious Public Poems, street-texts that have disrupted city life in a score of cities; and will read a short story from his seventh (erotic) book, The Man Who Walked on Air & other Tales of Innocence, published by Black Scat Books.

Frédéric Acquaviva, self-taught experimental French musician and performer living in Berlin, has published 17 single CDs of his work and written 30 compositions performed at institutions in Europe and the U.S. He will perform the shortest musical piece in the history of music, and read a text in Google Translation English regarding his discovery of this DNA of sound. He will show his hieratic/demotic short videos and a music video of a piece performed at the Fenice Theater of Venice, accompanied by
yawns.

William Niederkorn and Yolanda Hawkins, musicians, performance artists and founders of the True Comedy Theatre Company of NYC, which has staged original plays over the past three decades, will present an excerpt from a work in progress: a couple of artists at a party discuss the situation of the East Village, overrun by students mortgaging their lives to go to NYU, Wall Street types revving up the housing market, curators phoning them to get them to donate their lives’ work to the nonprofit institutions that afford the curators summer residencies in Provence.