Reach for quick relief with TYPO #8, a timely remedy for your anxiety and depression. Bring feelings of joy back into your life with its mixture of fictions, poems and artworks from different times and countries. Also it’s a perfect holiday gift for the connoisseurs in your family.
PACKED WITH PROTOMORPHS, DADA, SURREALISM, COLLAGE, FUTURISM, EXPERIMENTAL FICTION, CRIME SCENES, STOLEN LOVE POSITIONS, VISUAL POETRY, BILITERAL ALPHABETS, CONSTRAINED TEXTS, MAD FOLD-INS, FRENCH LITERATURE, ABSURDIST HUMOR, SOUND POEMS, SILENT CINEMA, FIRST ENGLISH TRANSLATIONS, & MORE.
This issue features contributions by Tim Newton Anderson; Tom Barrett; Terry Bradford; Steve Carll; Peter Cherches; Norman Conquest; Lynn Crawford; Jeanne Devlin; Jean-Christophe Duchon-Doris; Albert Ehrenstein; James Montgomery Flagg; Shawn Garrett; Edward Gauvin; Vasilisk Gnedov; Michael Gould; Allan Randolph Kausch; Amy Kurman; Julia Lillard; Emilia Loseva; George MacLennan; Zach Keali’i Murphy; Opal Louis Nations; Grasset d’Orcet; Bernard Quiriny; Paul Rosheim; Marcel Schneider; Doug Skinner; Lono Taggers; Mark Valentine; Renée Vivien; Tom Whalen; Paul Willems; Carla M. Wilson; Danny Winkler; Mark Wyatt.
Where else would you meet this cast of luminaries….
Alphonse Allais; mIEKAL aND; Terry Bradford; Steve Carll; Norman Conquest; Lynn Crawford; Noël Devaulx; Mark DuCharme; Albert Ehrenstein; Shawn Garrett; Edward Gauvin; Richard Huelsenbeck; Iliazd; Mark Kanak; Thomas J. Kitson; Amy Kurman; Jean Lorrain; Emilia Loseva; Marcel Mariën; Willy Melnikov; Raymond Roussel; Heather Sager; Phil Demise Smith; Doug Skinner; Paul Willems; Cynthia Yatchman.
We are elated, delirious, tickled, thrilled, and ecstatic to announce the 16th volume in our acclaimed Alphonse Allais Collection. This first English translation of Allais’s Pour cause de fin de bail has been exquisitely prepared and introduced (with notes on the text) by master translator Doug Skinner.
This wickedly amusing collection contains fifty-three absurdist tales—packed with phantom limbs, floating brothels, tapeworms, ostrich shoes, and other remarkable things. It makes a jolly beach read, or to browse in your hammock whilst sipping a cool glass of lemonade—or better yet, a jug of absinthe.
So, if you haven’t already begun gathering your personal Allais collection—shame on you!—now is the time to start. Scroll down and you’ll find unadulterated links to each edition for convenient purchasing.
Here’s your chance to sample 14 titles in the Pocket Erotica Series, the seminal series of classic & contemporary erotic fiction.
This mouth-watering anthology includes:
Travels to Merryland. Anonymous From Their Lips to His Ear. Denis Diderot Priapeia. Anonymous A Judge Deceived. Marquis de Sade A Good Girl’s Home Companion. Lawrence Hamilton A Handbook of Manners for the Good Girls of France. Pierre Louÿs Poems of Lust & Desire. Various Jean-Fucque. Louis Aragon / RJ Dent Eve’s Academy. Eurydice Eve A Dirty Story as You Like It. Kim Vodicka Escape Artists. Su Orwell Grand Hotel Vittoria. Nina Ansani The Obedience Room. Catherine D’Avis The Desire Box. Laure Favager
THE POCKET EROTICA READER A Connoisseur’s Sampler Edited by Norman Conquest New Urge Editions Paperback; 178 pp.; $14 ISBN 979-8-9908521-5-0
Our biggest issue yet—169 pages—packed with prototypes, visual poetry, Belgian fiction, chronograms, Symbolist decadence, vintage surrealism & much more. Featuring an international cast of artists, poets, and writers, including: Frédéric Acquaviva; Terry J. Bradford; Apollo Camembert; Steve Carll; Norman Conquest; Lynn Crawford; Caroline Crépiat; Noël Devaulx; Shawn Garrett; Edward Gauvin; Nico Kirschenbaum; John Kruse; Amy Kurman; Jean Lorrain; Emilia Loseva; Jean Muno; Opal Louis Nations; Clemente Palma; Claudio Parentela; Vojtěch Preissig; Vania Russo; Nelly Sanchez; Marcel Schneider; and Doug Skinner.
THE STORY BEHIND ONE OF THE MOST CONTROVERSIAL NOVELS OF THE 20TH CENTURY
A richly detailed look at Histoire d’o from its original publication in 1954 to the present. Author Reese Saxment situates O in the cultural, literary and political world of Paris during the decade after liberation, and explores how the novel is informed by Surrealist thinking, and can be read as a Surrealist text. Story of O: Eros, Paris & Surrealism is scintillating literary scholarship that breathes new life into this groundbreaking novel.
In 1954 a controversial book was published in Paris – Story of O, by ‘Pauline Réage’ – the first truly erotic novel by a woman writer in modern times – a distinction for which it has been both celebrated and condemned ever since.
The Paris in which Story of O appeared was a city simultaneously in the throes of political crisis and brilliant cultural revival. As it struggled to recover after the Second World War, the onset of the Cold War polarised French politics into power-blocs of the right and the Communist left. But between these poles a renaissance of literary and philosophical movements flourished, all conscious of the need for a ‘Third Way’.
Prominent in this renaissance was a revitalized interest in érotisme noir, Existentialism, Feminine Humanism, and new waves in psychoanalysis, Surrealism and mysticism. It was in this cultural resurgence that Story of O was written and published. The woman who masqueraded as ‘Pauline Réage’ was herself a figure of considerable significance in the French literary world, and her novel provides a touchstone for all of the cultural movements thriving in Paris at the time – particularly Surrealism.
Ever since, in the continuing struggle between life, love and liberty, and suppression, prohibition and censorship, Story of O still lights a way forward toward freedom of imagination, expression and desire.
“…Reese Saxment’s Story of O: Eros, Paris & Surrealism is model of cultural history and literary studies: broad in his scope, intelligent and even-handed in his assessment, and entertaining in his retailing, to boot.” —THE BOOK BEAT
NEW REVIEW BY STEFAN PRINCE
“All in all, this is a thoroughly researched, full, and dare I say, formidable book. All praise to Saxment and Black Scat for managing to publish the book in the summer of Story of O’s first appearance 70 years ago this month. It deserves full praise, a hard cover and a wide readership.”
“Reese Saxment’s Story of O: Eros, Paris & Surrealism is an excellent work of historical and cultural research, telling not merely the story of how a dirty book came to be published but providing crucial contextual evidence and assessment about the larger political-historical events that shaped Story of O’s ethical concerns, as well as its longer-term effects and the ways in which it continues to be plumbed by scholars for its psychological depths.” —Tom Bowden, The Book Beat
“I thoroughly enjoyed this book and found it to be extremely thought-provoking. The historical, cultural and surrealistic context is superbly researched and encyclopedic in its scope. The section on feminism is particularly good.” —Tracy Thursfield
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”… a detailed adventure and a mesmerizing read.” — John Welson
Spring Fever hath sprung with the special “Goddess Issue” of TYPO—packed with an international cast of luminaries: Tim Newton Anderson; Tom Bradley; Anton Chekhov; Norman Conquest; Caroline Crépiat; R J Dent; Max Ernst; Eurydice Eve; Luc Fierens; Leonor Fini; Théophile Gautier; Harold Jaffe; Amy Kurman; Lo; Michael Maier; Dmitri Manin; Elena Marini; Lilianne Milgrom; Opal Louis Nations; Marty Newman; Claudio Parentela; Angeleaux Pastormerleaux; Paul Rosheim; Jasia Reichardt; Doug Skinner; Phil Demise Smith; Tabarin; Lono Taggers; Corinne Taunay; Shyam Thandar; Stefan Themerson; Konstantin Vaginov, and Gregory Wallace.
We invite you to double your treasure with this pair of backlist beauties.
CHARLES CROS: COLLECTED MONOLOGUES
Charles Cros was one of the most brilliant minds of his generation, equally adept at poetry, fiction, and scientific inquiry. He wrote smutty verses with Verlaine, synthesized gems with Alphonse Allais, contributed wild prose fantasies to Le Chat Noir, and experimented with color photography and sound recording, only to die young, poor, and alcoholic. Not incidentally, he also invented the comic monologue for the actor Coquelin Cadet. This edition collects all of Cros’s monologues—masterfully translated & introduced by Doug Skinner—and includes performance notes, plus two biographical essays by his friend and colleague Alphonse Allais.
UPSIDE-DOWN STORIES
Charles Cros and Émile Goudeau were quintessential Bohemian poets. This first English translation of their inspired collaboration of “Upside-Down Stories” satirized hot topics of the 1880s such as as divorce and capital punishment with bawdy humor and wild flights of fancy. These nutty gems will surprise & delight contemporary readers.
“THE SHEER PLAYFULNESS OF CERTAIN FANCIFUL PARTS OF CROS’S WORK MUST NOT LET US FORGET THAT IN THE CENTER OF SOME OF HIS FINEST POEMS, A REVOLVER IS AIMED AT US.”—ANDRÉ BRETON
This scandalous little work appeared in France under the title “Letter to La Présidente.”
Théophile Gautier (1811-1872) was a novelist and poet, one of the champions of Romanticism. In 1850, he and his friend Louis de Cormenin visited Italy, so he wrote his friends back home a letter about their adventures. The result was a rollicking “filthy letter,” packed with jokes, slang, obsolete words, literary allusions, puns, alliterations, neologisms, Spoonerisms, verses, outrageous metaphors, and Rabelaisian lists. It was published privately in 1890, and became a clandestine classic.
A FILTHY LETTER Théophile Gautier Translated from the French by Doug Skinner, with an introduction & notes on the text Pocket Erotica Series #28 74 pp., 4 x 6 inches; 979-8-9894330-7-0
