Word Champions!

Last Saturday’s BLACK SCAT AUTHORS PUNCHOUT at the Emily Harvey Foundation in NYC was packed. The bloodthirsty crowd was eager to see a K.O. but had to settle for wine. Nothing beats a night of fiction and fisticuffs and these  “Lit Bull” contenders were all victorious—Alain Arias-Misson, Yuriy Tarnawsky, Karen Moller, and (in absentia) Frank Pulaski.

Karina Tarnawsky deserves high praise for presiding over the unruly crowd as MC.  Here are a few shots of the event.

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Alain Arias-Misson, Yuriy Tarnawsky, Karen Moller

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Yuriy Tarnawsky; Karina Tarnawsky (MC) Karen Moller, and Alain Arias-Misson

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Please don’t feed the . . .

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Female barbers attached to a pair of scissors that won’t stop, women who can’t conceal hard-earned wads of hundred dollar bills sticking up under their polka dot bikini bottoms, adulteresses who bludgeon their husbands to bloody deaths, Dostoyevskian prostitute virgins, compulsive seductresses who delight in torturing tall wimpy men, all shown in a blinding bright light on an absurdist stage. Are crocodiles capable of smiling if they can’t cry?

A dazzling new collection of absurdist “short shrift fictions” by Yuriy Tarnawsky, author of THE PLACEBO EFFECT TRILOGY.

ADVANCE PRAISE FOR CROCODILE SMILES:

“In case you have missed the voice of the rich, courageous, adventurous fiction writing of Yuriy Tarnawsky, this collection will be a great introduction. You will experience his unique ability to meld wicked humor and looming gravitas.One of the great under-recognized talents in the fiction of the 20th – 21st century.” —Steve Katz

“If Frankenstein had had the wit of Groucho Marx and the subtle plasticity of Magritte he might have written these magical and dangerous stories instead of Yuriy Tarnawsky.The master of short tails has struck again! Frightening, funny and baffling as ever!” —Alain Arias-Misson

“Yuriy Tarnawsky’s fictional world is one in which every object and every action is meaningful. Haircuts have meaning. Two refrigerators are alive with ominous activity. Kafka meets Sartre (implying hell is… other bugs!).  Sweet porridge can ‘assuage the victim’s suffering.’ The stories are perfectly envisioned, as if Tarnawsky had just landed on this earth with his sense of wonder still intact, looking at everything and trying to understand. Reading these stories is like learning to see all over again!” —Eckhard Gerdes

Order the trade paperback edition now.

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ABOUT THE AUTHOR:

Yuriy Tarnawsky has authored some three dozen books of fiction, poetry, drama, essays, and translations in Ukrainian and English, most recently The Placebo Effect Trilogy—three volumes of interrelated mininovels—and Modus Tollens—a volume of Heuristic poetry. His affinity for animals is well exemplified not only in Crocodile Smiles but also in such books as the collection of stories Short Tails, in the second volume of the Trilogy, The Future of Giraffes, and most vividly in his best-known novel Three Blondes and Death. He was born in Ukraine but was raised and educated in the West. An engineer and linguist by training, he has worked as a computer scientist specializing in Artificial Intelligence and Natural Language Processing as well as professor of Ukrainian Literature and Culture. He lives with his wife Karina in the New York City metropolitan area.

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Author photo: Oleh Holovackiy

In the merry month of May…

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Featuring John Nickle, Kelli Stanley, J Kingston Pierce, Michael Hemmingson, Farewell Debut, Steven M. Markow, Michelle Gray, Larry Fondation, Susan Siegrist, Tom Larsen, Harold Jaffe, Carla M. Wilson, Peter Cherches, and Monika Mori.

 

 

Order or Chaos?

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Jules Torquemal is a middle-aged civil servant in the Ministry of Education living shortly before the First World War blew up the Belle Époque.  His life is settled and his hobby is philosophizing of the complacent variety.  One day, told by an indignant friend of a petty injustice, Torquemal finds questions he had thought long closed re-opening and the ground slipping beneath him. The world he believed morally moored and logically consistent suddenly appears to him anything but.

The Derangement of Jules Torquemal by Robert Wexelblatt is a wickedly clever (and haunting) philosophical puzzle.

This Black Scat Classic Interim Edition is limited  to 100 copies.  CLICK HERE to order

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Robert Wexelblatt is professor of humanities at Boston University’s College of General Studies. He has published essays, stories, and poems in a wide variety of journals, two story collections, Life in the Temperate Zone and The Decline of Our Neighborhood, a book of essays, Professors at Play, and a short novel, Losses. His novel, Zublinka Among Women, won the Indie Book Awards First Prize for Fiction.

 

Class Struggle, Wordplay, & Derring-do!

Each line that Judson Hamilton invents carbonates your imagination to the point where your brain spills over in a waterfall of fizzy synapses.”
Carl Annarummo, Greying Ghost Press

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Cover art and design by Ievgen Kharuk

The Count of Monty Christo meets Monty Python in this wickedly funny experimental novella. Will Morel and Valentine usurp their respective masters in time for a happy ending?  Judson Hamilton‘s tale of class struggle appropriates the language of 19th century literature and turns it against itself. Rad, indeed!

Available in a limited print edition of 150 copies as well as a digital version

CLICK HERE TO ORDER

 

Surrealism Lives!

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We start the New Year off with a stunning collection of texts by Gisèle Prassinos—one of surrealism’s most gifted voices.

Prassinos was discovered at age 14 by André Breton who included her poetry in his seminal Anthologie de l’humour noir (1940). Breton commented: “The tone of Gisèle Prassinos is unique: all the poets are jealous of it.” Indeed, her haunting, childlike style remains unrivaled and her stories timeless. 

photo by Man Ray

Gisèle Prassinos reading her poems to the Surrealists (1934)
Photo © Man Ray Trust / ADAGP, Paris

Exquisitely translated from the French by Ellen Nations, this limited edition includes 20 transformative texts, plus eight original watercolor paintings by the artist Bruce Hutchinson.spread

That half the works in this collection were written when Prassinos was just fourteen and fifteen is evidence of how rare a prodigy she was. The surrealist’s sense of the word marvelous certainly applies to these strange creations.

Here is a taste of the text “Filial Devotion”…

He now found himself in the middle of a large lake where furniture made of mahogany, spruce and rosewood swam.Young girls in their panties gently fought each other by now and again blowing on their flushed arms.The man believed he recognized one of his daughters. But thinking it was only a hallucination, he retreated by swimming up to the adjoining door.There, he found himself in the presence of a very large and hairy stag.The stag’s eyes slowly became bigger and bigger as they gradually feasted on his whole egg-shaped face.

Only 85 copies are available for purchase.

OUT OF PRINT

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Ellen Nations, translator and photographer, grew up in Norway and has for many years made her home in the San Francisco Bay Area where she lives with her husband Opal Louis Nations. Together they published the experimental literature and art magazine Strange Faeces. In addition to her translations of Gisèle Prassinos, she has  translated works  by Alain Jouffroy, Paul Nougé, Raymond Radiguet, Joyce Mansour and others.

Bruce Hutchinson created the watercolor paintings in Surrealist Texts while in his mid-20s as part of his weekly correspondence with Opal and Ellen Nations. He wrote his letters on small pieces of paper with ink drawings on one side, original watercolors on the other. His artwork has appeared in many small press publications.

Tintin Rules

 “Fusing cultural milieus continents and millennia apart, Alain Arias-Misson defies gravity as well as time and geography in this brilliant phantasmagorical novel. I was hanging on to my disorientation on every page of Augustus Sykey and his childhood cartoon sidekick Tintin’s thrilling odyssey through the ritual crimes and erotic depths of a Manhattan dreamscape.”  William Niederkorn

TINTIN

 Augustus pivoted on his knees and scuttled back down the Pyramid in order to intercept this childhood hero lookalike, and even so, with his head lower than his posterior as he hurried on the downward slope, he experienced no pull from gravity, the inclined plane of the Pyramid’s surface maintaining all the characteristics of a horizontal. And as he caught up with the odd-looking personage below, the latter glanced up with that perfect 0 of a face, empty except for the pin-pricks of eyes and stubby turned-up nose and taut line of a mouth, his expression not one of pleased recognition but of utter disbelief. Eye-contact was brief, a shock of recognition, and he realized the young man before him actually was the real Tintin—or better, the unreal Tintin. However real Tintin had always appeared to him, his appearance here was out of the question—some fraud, some masquerade. And the same dismissal of his presence was evident in Tintin’s eyes.

Trade paperback on sale now in the U.S. and Europe. Click here to order

A Gala Reading of CAPTAIN CAP

Doug Skinner read from (and signed copies of) his sparkling translation of Alphonse Allais’s Captain Cap: His Adventures, His Ideas, His Drinks at the Jalopy Theater in Brooklyn tonight. By all accounts it was a delightful performance and Alphonse would have been proud—not to mention inebriated, as Captain Cap cocktails were on the house.

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If you missed the performance, don’t miss the book which is available on Amazon here.

<< Photographs by Farewell Debut. >>