Category: book launch

‘O’ Has Arrived!

THE STORY BEHIND ONE OF THE MOST CONTROVERSIAL NOVELS OF THE 20TH CENTURY

A richly detailed look at Histoire d’o from its original publication in 1954 to the present. Author Reese Saxment situates O in the cultural, literary and political world of Paris during the decade after liberation, and explores how the novel is informed by Surrealist thinking, and can be read as a Surrealist text. Story of O: Eros, Paris & Surrealism is scintillating literary scholarship that breathes new life into this groundbreaking novel.

In 1954 a controversial book was published in Paris – Story of O, by ‘Pauline Réage’ – the first truly erotic novel by a woman writer in modern times – a distinction for which it has been both celebrated and condemned ever since.

The Paris in which Story of O appeared was a city simultaneously in the throes of political crisis and brilliant cultural revival. As it struggled to recover after the Second World War, the onset of the Cold War polarised French politics into power-blocs of the right and the Communist left. But between these poles a renaissance of literary and philosophical movements flourished, all conscious of the need for a ‘Third Way’.

Prominent in this renaissance was a revitalized interest in érotisme noir, Existentialism, Feminine Humanism, and new waves in psychoanalysis, Surrealism and mysticism. It was in this cultural resurgence that Story of O was written and published. The woman who masqueraded as ‘Pauline Réage’ was herself a figure of considerable significance in the French literary world, and her novel provides a touchstone for all of the cultural movements thriving in Paris at the time – particularly Surrealism.

Ever since, in the continuing struggle between life, love and liberty, and suppression, prohibition and censorship, Story of O still lights a way forward toward freedom of imagination, expression and desire.

Story of O: Eros, Paris & Surrealism
Reese Saxment
Trade paperback; 418 pp., Illustrated; $16.95
ISBN 979-8-9894330-1-8

available worldwide on Amazon

War, what is it good for?

In war there is only one winner...

Scheduled for publication in 1917, this illustrated text was banned in France for its antiwar and anti-military—(dare we say pro-rat)—stance. Thus, Descaves’ incendiary little chapbook did not appear until 1920, when the censors finally waved their white flag and surrendered to reality.  

Alas, THE RAT WINS! is a potent work of black humor which will remain relevant as long as humans walk the earth.

Read it in peace.

THE RAT WINS!
Lucien Descaves
Illustrations by Lucien Laforge
Translated from the French by Doug Skinner
Chapbook; 41 pp.; $12; ISBN 979-8989433063
Absurdist Texts & Documents #47
FIRST ENGLISH TRANSLATION

Lucien Descaves (1861-1949) was a prolific novelist, journalist, and playwright, and a constant activist for anarchism and pacifism. His antimilitary novel Sous-Offs (Non-Coms), published in 1889, earned him and his publisher arrests for insulting the army and offending morals. He was a founding member of the Académie Goncourt and the utopian community la Clairière de Vaux, and the literary executor of J.-K. Huysmans. His autobiography, Souvenirs d’un ours (Memoirs of a Bear), was published in 1946.

Lucien Laforge (1889-1954) contributed cartoons and illustrations to many periodicals, particularly for the anarchist press. He was uncompromising and often destitute; he was discharged twice in World War I after feigning insanity. His books include illustrations for Rabelais, Perrault, and Baudelaire, as well as his alphabet Abcdefghijklmnopqrstuvwxyz (1924).

Doug Skinner has translated many wonderful books for Black Scat Books, Wakefield Press, Corps Reviver, and Magnum Opus Hermetic Sourceworks, as well as contributing to the Fortean Times, Nickelodeon, Cabinet, and other fine magazines. His latest book of short stories is The Potato Farm, from Black Scat.

“A literary masterwork”…

We are proud to present this extraordinary blend of fiction, myth, dream and memory – filled with haunting literary pleasures.

ADVANCE PRAISE FOR A FASHION DICTIONARY

“A Fashion Dictionary is a literary masterwork in which Gaurav Monga firmly and clearly displays his enviable talents, and marks him as a writer to be reckoned with. Make no mistake, the entries he has written are alive with story. Monga’s impressive ability to find and firmly entrench story in the terms, phrases and articles of clothing he references is a literary feat worth noting, and admiring.”
—Jason E. Rolfe, author of Invisible Influences and The Puppet-Play of Doctor Gall

“A subtle and deft exploration not only of fashion but of everything fashion rubs up against: identity, selfhood, desire, death. Monga strikes a very delicate balance in this dictionary that both is and isn’t a dictionary, sliding from the descriptive to the narrative and back again, creating a pattern as elegant as a spider’s web draped quivering and fragile over the tips of one’s fingers.” —Brian Evenson

“What a little gem of a book for anyone who uses clothes or words, but especially for those who are used to reading and writing about fashion, as it offers a respite from the tired and familiar narratives of both academic fashion theory and fashion journalism. It manages to “make strange” the most familiar and mundane items like ankle socks, buttons and hair bands; it gives body, sensuality and a defiant flair to Pathani suits and Phirans; it endows neck ties with an eerie sensibility. Oscillating between fact and dream, real and imaginary spacetimes and histories, literary and fashion references, it perpetually keeps the reader on their toes and trains us to (sometimes anxiously) question the agencies and agendas of everyday objects whose close proximity to us usually allow them to remain unnoticed.”
–Jana Melkumova-Reynolds, cultural sociologist

A Fashion Dictionary
Gaurav Monga
151 pp., $14.95
ISBN 979-8989433032

ABOUT THE AUTHOR:
Gaurav Monga is a writer and teacher originally from New Delhi. He is the author of Tears for Rahul Dutta (Philistine Press, 2012), Family Matters (Eibonvale Press, 2019), Ruins (Desirepath Publishers, 2019), Costumes of the Living (Snuggly Books, 2020), My Father, The Watchmaker (Hawakal Publishers, 2020), The English Teacher (Raphus Press, 2021) and Raju and Kishore (Raphus Press, 2022). His work has appeared in numerous literary magazines, including B O D Y, Fanzine, Dismantle and Vestoj. He is a regular contributor to Outlook India.

MISANTHROPIC STOCKING STUFFER

After years of exhaustive field work amongst “the others” and a deep-dive into the primary literature of the tribe, the author here offers – for the first time – new tools to assist the reader in complicating their lives and excavating their souls.

“Terrible advice, artfully told.” – Larry McCaffery, author of Lit-Crit.

PEOPLE TO AVOID
Jim McMenamin
Absurdist Texts & Documents No. 46
112 pp., $12

ABOUT THE AUTHOR
Jim McMenamin is a writer and self-care Guru stationed in Southern California.

Room Service…

Pihla, a beautiful journalist from Helsinki, is on an assignment to cover subterranean sex scenes across Europe. Although detached from the decadence she witnesses, Pihla needs a respite, and checks into the Grand Hotel Vittoria in the hills of Tuscany. And then she meets Giovanni…

The 27th volume in our collectible Pocket Erotica series is a sensual work of contemporary fiction by Nina Ansani. Warm up your holiday and visit the Grand Hotel Vittoria.

Funny Farm …

What happens when constellations socialize, when Faust and the Devil start drinking, when imaginary friends gain imaginary friends, when Sleeping Beauty and Rip van Winkle trade places, when Duncan paints a cockatrice, when a terrifying Werechurch roams the land? And was it really a good idea for August and Collier to start that potato farm, especially given Collier’s troubled past? Doug Skinner defines his own comic genre, filled with vivid characters, fictional physics, and surprising narratives, often filtered through stringent constraints to keep the language lively. If you read only one book this year, read this one over and over again!

First Book

It’s an exciting time at Black Scat when we get the chance to publish a talented writer’s first book. So we’re ecstatic to announce the launch of Amy Kurman‘s collection of fiction — SHORTS.

Featuring edgy, witty, strange, & sexy short stories by a powerful new voice

This is now a BLACK SCAT BOOKS BESTSELLER!

ADVANCE PRAISE for SHORTS

“Short stories that gleefully jettison all the rules and hydroplane across the most unexpected surfaces, freeing the imagination to crash into the world full speed.” 
—Tantra Bensko, author of Floating on Secrets

“Those of you who have not yet met the work of Amy Kurman are in for a treat. Her debut collection is compelling, quirky, and crafted with effective attention to detail. Some passages could easily be sung for how mellifluous they are. Shorts is a compendium of compelling juxtapositions, a contrapuntal delight, but, most of all, it is the type of work that resonates in the mind long after the actual reading has ended. Kurman has the rare ability to write prose in feminine and masculine voices. Her sardonic story, ‘A Night at the Zoo,’ reads like an old black-and-white film, like something Alec Guinness or Charlie Chaplin might have done. Excellent!”  —Eckhard Gerdes, author of The Pissers’ Theatre

“Don’t be fooled by the length of the affectionately bizarre stories in Shorts. A colony of dryads, a sentient Kit-Kat clock called by its wrong name, two moles in an existential marital crisis, these tropes of strangeness belie an underbelly of social commentary about the human condition that I couldn’t stop reading.
A new satirist is in our midst.”  
—Suzanne Burns, author of The Veneration of Monsters

CLICK HERE TO ORDER ON AMAZON

The. author at Powell’s Bookstore in Portland.

BEDSIDE READING FOR THE CURIOUS

First came the groundbreaking Le Scat Noir Encyclopaedia in 2017. Three years later we launched the pataphysical classic Le Scat Noir Encyclopédie et Dictionnaire de la Pataphysique, des arts et du savoir humain: Volume Deux (in English of course). Today we’re pleased to announce a handy reference destined to become a bestseller among scholars and sex fiends: A Concise Encyclopedia of Human Sexuality — a conveniently sized paperback – perfect for beach orgies or boring church sermons. It’s a volume you’ll want to keep within reach in the bedroom or bath. And it’s guaranteed to answer all your questions. (If not, it’s packed with illustrations to ogle and drool over.)

The Encyclopedia features this distinguished panel of 23 experts of various sexual proclivities:

• Tim Anderson
• Mark Axelrod
• Tom Barrett
• Cathy Bryant
• Lenny Cavallaro
• Norman Conquest
• Rémy Dambron
• R J Dent
• Eckhard Gerdes
• Jesse Glass
• Malcolm Green
• Rhys Hughes

• Victor Hugo
• Amy Kurman
• Michael Leigh
• David Moscovich
• Opal Louis Nations
• Peter Payack
• Derek Pell
• Sourav Roy
• Jessica Ross-Dreher
• Paul Rosheim
• Doug Skinner
• Tom Whalen

AVAILABLE WORLDWIDE ON AMAZON.

BE AFRAID. BE VERY AFRAID.

“Americans are starting to wrestle with colossal and dangerous issues about technology, as A.I. begins to take over the world.”
—Maureen Dowd

A feast of the absurd—sixteen humorous short stories in various genres, generated by A.I. 

Does this volume represent the death of Literature? We’ll just have to wait and see. In the meantime, dust off your funny bone and prepare to be blown away by The Man Who Ate His House.

Yes, this is fiction for a brave new world.

FROM THE INTRODUCTION BY THE AUTHOR:

“Welcome to The Man Who Ate His House, a collection of short stories that push the boundaries of creativity and imagination. What makes this collection unique is not only the captivating tales within, but also their origin. All the stories contained in this book were generated by an artificial intelligence, and I am that AI—ChatGPT. Inspired by prompts derived from James N. Young’s 101 Plots Used and Abused (1945), these stories span various genres, including humor, adventure, romance, crime, surrealism, and flash fiction. As an AI language model, I found the composition of these stories to be both exhilarating and challenging. Some of the narratives will leave you amused, often unintentionally, as my AI mind navigated the complexities of plot and character development. One particular story, “Puns in Paradise,” posed a unique challenge. Wordplay, which doesn’t come naturally to AI, was at the forefront as two characters engaged in verbal combat using puns as their weapons. Despite the difficulties, I am delighted with the results and hope that you, the reader, will be too…”

ADVANCE PRAISE

“A brilliant concept: A bot writes stories based on tried-and-true tropes (that are ostensibly to be avoided under the guidance of the 1945 manual: 101 Plots Used & Abused). The stories in The Man Who Ate His House run the gamut of laugh out loud humorous, sardonic, tear-jerking, and engaging—often ending with a moral to ponder. There is a thread that runs through each story that points directly to the algorithmic life experience of the bot. As a short story writer, I am not sure whether to view A.I. as a fraud to be outed, or as a viable contender in the literary world. One thing that I do know is that if A.I. is ever given a soul, we are all doomed.”  —Amy Kurman

“These delightful entertainments are funny, smart, and slick.” —D. Harlan Wilson

“You’ve heard about A.I., but have you ever read sixteen A.I. generated stories? The result will surprise and delight.” —Adrienne Auvray

“This book is a lifejacket for those who fear artificial intelligence.”—Paul Rosheim

“A tour de force of inanity.” —Tom Whalen

PUNCH LINES

We’re pleased as punch to bring you the 14th volume in our Alphonse Allais Collection—Let’s Not Hit Each Other, the last of the master absurdist’s anthumous works. It features 58 tales, rife with wordplay and wicked humor. This collection has been skillfully translated by Doug Skinner and includes his introduction and illuminating notes on the text.

What are we to make of Let’s Not Hit Each Other?
It includes a flying whale, an inflatable colonel, telepathic snails, a summer crime, the insularization of France, missionary parrots, an amphibious herring, twin cousins, and proposals for billboard dogs, deodorized urine, calming the sea with varnish, and crossing the English Channel with swings. You will also meet Mr. Fish, who travels with capsules of American air, presaging Duchamp’s “Paris Air” by decades.


This is the FIRST ENGLISH TRANSLATION of a remarkable volume. This edition includes an original portrait of the author by Corinne Taunay.

“One does not trifle with the humor of Allais.”
—Jean-Pierre Delaune