Victorian Vice

We’re pleased to announce the publication of VICTORIAN VICE, a new anthology featuring excerpts from the Classics of Passion series. It includes selections from some of the Victorian era’s most notorious works,  such as the infamous underground journal The Pearl; Leopold von Sacher-Masoch’s startling novel Venus in Furs; “The New Pleasure” by Pierre Louÿs; as well as anonymous texts that became scandalous  sensations.

Victorian scholar Lawrence Hamilton has compiled this connoisseur’s sampler of  literature’s “forbidden pleasures” — over two hundred pages of naughty nostalgia.

 

VICTORIAN VICE
Anthology of Forbidden Pleasures
Edited by Lawrence Hamilton
New Urge Editions
240 pp., trade paper
$14.95

Available worldwide on Amazon
CLICK HERE to order

 

 

Green is the New Black

Have you seen The Book With the Green Cover?

It’s a collection of verbo-visual treats by Norman Conquest. It features posters, charts, mock book & magazine covers, rectified readymades, typographic diversions, found novels, and other detritus. It’s profusely illustrated with color plates and silverware.

Available now, just in time for summer. Be the first kid on the block to take this coffee table chapbook to the beach!

CLICK HERE TO ORDER YOUR COPY

 

This Side Upside-Down!

“Charles Cros was a being miraculously gifted in every way, a strangely personal and charming poet, a true scientist, a disconcerting fantasist.” —Alphonse Allais

Charles Cros and Émile Goudeau were quintessential Bohemian poets of the 1880s. Cros also experimented with the phonograph and color photography; Goudeau founded the Hydropathes, who met to declaim poetry while not drinking water. Cros and Goudeau’s only collaboration was a series of five exuberant stories published in 1880, which satirized such hot topics as divorce and capital punishment with bawdy humor and wild flights of fancy. All five stories are included here, plus four solo stories by Cros that complete the series, translated and annotated by Doug Skinner.

“Émile Goudeau was a fine man, and he had a lot of talent, an original talent as flavorsome as wine.” —Maurice Donnay

“Amiable smuttiness.” —Émile Zola

These dense and nutty gems will surprise you!

CLICK HERE to order UPSIDE-DOWN STORIES — the 35th title in our seminal Absurdist Texts & Documents series.

 

Good Shit for Your Coffee Table

A deluxe ANTHOLOGY FOR THE AGES

FULL COLOR   PROFUSELY ILLUSTRATED — OVER 100 PAGES OF SUBLIME ART & LITERATURE — LARGE PAPERBACK FORMAT 

Choice selections from the international monthly journal LE SCAT NOIR, where art & literature hit the fan. Good shit guaranteed!

Featuring:
Paulo Brito, Paul Kavanagh, Erik Satie, Samuele Bastianello, Alice Pulaski, Pink Buddha, Doug Skinner, Yuriy Tarnawsky, Jason E. Rolfe, Eckhard Gerdes, Harold Jaffe, Tom Whalen, Darlene Altschul, Madalina Tantareanu, Sheila Pell, Samantha Memi, Opal Louis Nations, Alphonse Allais, Francisque Sarcey, Carla M. Wilson, Terri Lloyd, Mercie Pedro e Silva, Georges Hugnet, Norman Conquest, Paul Rosheim, Carol White, Michael Leigh, Nile Southern, Mantis Man, Tom Bussmann, Edward Lear, Mark Axelrod, Adao Iturrusgaral, Jim Johnson, Rick Krieger, Pippa Anais Gaubert, Rebecka Skog, Frank Pulaski, Jim McMenamin, Gail Schneider, Franciszka Themerson,  Raymond Queneau, Georges Perec, Italo Calvino, Tom La Farge, Theodore Carter, Nick Frost, Farewell Debut, Quixote, Robin Wyatt Dunn, Allan Bealy, Angela Pankosky, Brett Stout, Uwe Taubert, Iacyr Anderson Freitas, Desiree Jung, Andy Koopmans, Jim Meirose,  Russell Helms, Peter Payack, Adrienne Auvray, Gelett Burgess, and Eugene Ivanov.

8.25″ x 10.75″
Perfect-bound
Deluxe trade paper edition
114 pages
$29.99

This special edition is available direct from the printer. CLICK HERE to order this lavish collector’s edition.

LET THERE BE LAUGHTER!

Just in time for the holidays, THE ALPHONSE ALLAIS READER has arrived!

Drawn from Black Scat’s eight editions of the master French absurdist, this compendium is a sublime introduction to the wordplay and black humor that shocked and dazzled Bohemian Paris in the raucous “Banquet Years.” The READER includes the celebrated pataphysical text “A Thoroughly Parisian Drama”—a favorite of both André Breton and the Oulipians—as well as stories, plays, an excerpt from his only novel, and the classic exploits of Captain Cap and Francisque Sarcey. The translator, Doug Skinner, has added copious notes and an illuminating introduction.

Step into the funhouse! Laughs and surprises await!

CLICK HERE to order on Amazon.

 

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Toons of Gay Paree!

Looking for laughter? Your prayers have been answered.

LE CHAT NOIR was one of the liveliest avant-garde papers in 19th century Paris. Published by the legendary cabaret, it delivered a weekly blast of anarchism, pranks, Decadent poetry, and black humor by such luminaries as Alphonse Allais, Charles Cros, and Paul Verlaine. It was also famous for its cartoons. Here are 101 of them: the poetic fantasies of Adolphe Willette, the slapstick animals of Théophile Steinlen, the military sketches of Caran d’Ache, the bawdy gags of Döes and Fernand Fau, and much more. With an introduction, translations, and notes by Doug Skinner.

101 CARTOONS FROM LE CHAT NOIR
Early Comics from Bohemian Paris
Compiled & Translated by Doug Skinner
124 pp., large trade  paper edition; $14.95 

CLICK HERE TO ORDER ON AMAZON

“The Impressionable Model” by Henricus.

from 101 CARTOONS FROM LE CHAT NOIR

Available Worldwide on Amazon

Take DaDa Wherever You Go!

New Kindle Edition!

We’ve just released an eBook edition of the DADA classic WHAT A LIFE! Now you can take DADA wherever you go.

On August 17 1911—seven years before Max Ernst took up scissors and paste to create his early Dada art—WHAT A LIFE! was published in London by Methuen & Co. The authors, Edward Verrall Lucas (a travel writer) and George Morrow (an illustrator and regular contributor to PUNCH), produced their satirical autobiography using illustrations cut from the pages of Whiteley’s General Catalogue. This inspired act of artistic vandalism was a precursor to many works of avant-garde art and satire. CLICK HERE TO ORDER

THE CROS FLIES!

CHARLES CROS: COLLECTED MONOLOGUES

It’s back to cool with the great French monologist,  humorist, poet, and inventor—in a trenchant translation by Doug Skinner.

***FIRST PUBLICATION IN ENGLISH!***

Born in1842, Charles Cros was one of the most brilliant minds of his generation, equally adept at poetry, fiction, and scientific inquiry. He wrote smutty verses with Verlaine, synthesized gems with Alphonse Allais, contributed wild prose fantasies to Le Chat Noir, and experimented with color photography and sound recording, only to die young, poor, and alcoholic. Not incidentally, he also invented the comic monologue for the actor Coquelin Cadet. In these strikingly spontaneous and modern sketches, he introduces a gallery of fools and obsessives—The Clean Man, The Fencing Master, The Capitalist, The Friend of the Family—all nattering away, assaulting the audience with trivia, and blithely unaware of their own failings.

This edition collects all 22 of Cros’s monologues—masterfully translated & introduced by Doug Skinner—and includes performance notes by Coquelin, plus two biographical essays by his friend and colleague Alphonse Allais.

CLICK HERE TO ORDER

 

 

 

 

 

 

 

“The sheer playfulness of certain fanciful parts of Cros’s work must not let us forget that in the center of some of his finest poems, a revolver is aimed at us.”—André Breton

TODAY!!

Today is the day Debra Di Blasi‘s cutting-edge alternative fictions flash before our eyes. This provocative new collection reveals our secret lives on social media — exposes the code behind our narcissistic sexting & selfies with feral wit. Indeed, this book is a savage bible defining our digital existence, here & now. Today.

TODAY is the day of resurrection and death in the NEW AMERICA. TODAY IS THE DAY THAT WILL MATTER.


ADVANCE PRAISE FOR DEBRA DI BLASI:

Debra Di Blasi’s TODAY IS THE DAY THAT WILL MATTER is a fierce and real-time live-stream pastiche that inhabits voices and points-of-view of our new “American” multitude. Terrifyingly sincere and aching with loss one moment, angry, cruel, even bigoted the next, Di Blasi’s anti-Whitmanian universe expands and collapses into every imaginable corner of what our world has become, to salvage true moments out of this white noise at the penetralia of our virtual hornet’s nest, in which bodies have somehow come alive, “crawled right out of the trashbin of history into the light of public office.”  How it smokes and hums with danger! Readers beware: This hilarious and moving book is not a safe space.—Sam Witt, author of Little Domesday Clock

No one else writes about the current social climate with the badass gusto of Debra Di Blasi. No one! Politically incorrect, seriously playful, often shocking, incorrigible in all the right ways, self-indicting, yet devastatingly human, Di Blasi’s prose grabs contemporary culture by the throat and holds on in a dazzling stranglehold where the “I” of the shitstorm is “you.” -Aimee Parkison, author of Refrigerated Music far a Gleaming Woman

Will the world end with a whimper or a bang? Debra Di Blasi’s TODAY IS THE DAY THAT WILL MATTER gives us a compelling third option: It will end in a whir of pronouncements, gossip, apologies, braggadocio, and the rest of the nonstop human noise we call culture. In 138 very short fictions ranging from the TV show “Chopped” to a pig farm, a magazine in a doctor’s waiting room and the fantasies of a college professor, Di Blasi’s compressed prose and linguistic play result in a jack-in-the-box kind of release found in good poetry. This is a writer in full control of language, from regional idiom to scientific jargon. “I wish to speak of things that are not I” says a character in one story, even as the character in another acts out the wish for permeability “I stuck my finger inside. Something bled. I’m sure it was you.” Despite our desire to escape the metaphysical and envi­ronmental catastrophes we’ve long wrought by now flirting with the concept of a human-robot future, Di Blasi reminds us elegantly and fero­ciously exactly where our human actions have placed us. -Leslie McGrath, author of Feminists Are Passing from Our Lives


Today Is the Day That Will Matter: An Oral History of the New America: #AlternativeFictions
by Debra Di Blasi
Trade paperback, 150 pages, $12.95

NOW AVAILABLE WORLDWIDE ON AMAZON  — CLICK HERE TO ORDER ON AMAZON BEFORE IT’S CENSORED.

**TOURIST** HAS ARRIVED!

If Black Scat opened a cinema in San Francisco, we’d be screening Temenuga Trifonova‘s TOURIST—the award-winning film based on her innovative novel.

Instead, we’ve done the next best thing: published TOURIST  in a Black Scat Paperback Original edition.

TOURIST IS “Mysterious, strange, and VERY funny”…

Meet Jack Sturrett, a book reviewer for a London literary magazine. Dissatisfied with his job, he makes an impulsive decision to leave the city without informing anyone of his departure. He boards a bus which takes him to a small town up north where he gets a job as a tourist guide after becoming so widely read in the town”s history that he passes for a local. Outside work he maintains the identity of a tourist, living in hotels and con­stantly reinventing his back-story. As his fake local persona becomes threateningly real, he finds himself a suspect in a murder investigation.

 NOW AVAILABLE WORLDWIDE

CLICK HERE to order your copy on Amazon


ABOUT THE AUTHOR 

Temenuga Trifonova is Associate Professor of Cinema and Media Studies at York University in Toronto. Her first novel, Rewrite, was published by NON Publishing (Vancouver) in 2014. A film adaptation of Tourist (2017, 100 min), which she wrote and directed herself, won “Best Feature” at Mostra del Cinema di Taranto, Italy (2018). The film has also been screened at the Philosophical Film Festival (Skopje, 2018), and the Blow-Up International Art House Film Festival (Chicago, 2017). Trifonova is the author of the scholarly monographs Warped Minds: Cinema and Psychopathology (2014) and The Image in French Philosophy (2007), and the edited volumes Contemporary Visual Culture and the Sublime (2017) and European Film Theory (2008). She has been a visiting scholar and/or artist at the American Academy in Rome, the Brown Foundation at the Dora Maar House (France), The Fondation des Treilles (France), the New York University Center for European and Mediterranean Studies, and the Pushkinskaya Art Centre in St. Petersburg. She is currently a Marie Curie Fellow at Le Studium Centre for Advanced Studies in Tours, France.

Trifonova’s vision in her own words: “My work explores questions of identity: How do we know who we are? What are the limits of one’s identity? What are the limits of a delusion? Is it possible to escape from oneself? Is it possible to fail at being oneself? My characters often feel they are in control of their lives only to find out that they might not be who they thought they were, or that the world might not conform to their beliefs and expectations.”