The Derangement of Jules Torquemal
by Robert Wexelblatt
“The best thing would be for me to go away. Everyone says so: Geneviève, Emmanuelle, Dr. Strouville; no doubt the milkman, the President of the Republic, and the Pope in Rome agree. The Minister might allow me a couple of weeks, but he’s been looking at me strangely of late, furtively but with intensity, as if trying to peer inside my skull and make a proper survey of the bleak thoughts to be found there…”
A daunting philosophical puzzle.
Black Scat Classic Interim Edition – No. 07
Publication: April 9
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Mud Bath
by Allan Bealy
“At last, an album of Bealy’s edgy, layered, elegant collages. Incisive, in both senses.”
– Michael Kasper
“Allan Bealy is a collagist with a profound knowledge of the form’s history, as well as art history—period. With a vision that’s wide-ranging but cohesive, he’s one of those artists who can serve up a banquet of images in seemingly disparate styles, yet you’ll always know who cooked them up. Dig in to this delectable feast for the eyes, but take the time to savor each course.”
– Peter Cherches, author of Lift Your Right Arm
Black Scat Classic Interim Edition – No. 08
Publication: May 14
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Selected Plays of Alphonse Allais
Translated from the French by Doug Skinner
Rare theatrical works by the great French humorist.
Absurdist Texts & Documents – No. 28
Publication: July 9
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And more to come.














Peppo Bianchessi is a multimedia artist from Italy. He is a “mittel-European”, a funny intellectual strongly influenced by Japanese culture. In Italy, Multimedia Artists have been around since the Renaissance and, before Apple Computers and multi-tasking, they were simply called Renaissance Men. When he was 20, Peppo went to the Venice Art Biennale for the first time. He was surprised to see that some of the so-called “young artists” were over 50. Recently he returned to Venice and discovered some teenagers were considered “young artists.” Peppo is now 45 years old and has never been a young artist. And it’s probably too early to consider him an Old Master, but he’s working on it. That is, to become old, not a Master. On many occasions he has tried to be a contemporary artist, but his timing was always wrong. Thus, he has accepted his real vocation: undermining the education of children (and adults) through funny and provocative books.